The Lumberjacks - Livin' Life As Lumberjacks

The Lumberjacks - Livin' Life As Lumberjacks
The Lumberjacks is a duo that represents from the powerful streets of Atlanta, GA. It consists of T-Mo and Khujo, formerly of the infamous Goodie Mob. The duo was formed in 2004 shortly after the break up of the original Goodie Mob. First to leave the group was Cee-Lo, who started to find some success as a solo artist. Big Gipp eventually followed and tested the solo market but did not get the same positive results. So with only two members remaining who still wanted to pursue music together, they decided to form The Lumberjacks and move on from what was a disastrous situation with group members jumping ship left and right. Livin' Life As Lumberjacks is their debut album and it was released in 2004 on Koch Records. Many different producers are used to compile the tracks while Organized Noize handles the bulk of the load. The other producers used are DJ Speedy, Cool Rah, Darin "Superpower" Baker, Ed X, Edward Cleveland, Hall Of Tunez and Montez Harris. The beats are a split between the classic sound that was always associated with the old Dungeon Family and the contemporary new wave sound that comes naturally for any post 2000 release. Most of the tunes are quite melodic while there are some that get a little mundane. Lyrically the album is at an average level. Although both Khujo & T-Mo are well respected lyricists and their past resume is a commendable one, they simply just don't show the same prowess on this release. There are flashes of brilliance on a couple of tracks which can attest for their abilities on the microphone and is reminiscent of their days with the Goodie Mob and then there are tracks that seem to lack energy and passion which in turn sounds like the artists are either holding themselves back or dulling their lyrics down to fit the mainstream sound. Guest appearances are made by Big Gipp, Witchdoctor, Big Hustle and Preacher. Overall it was a valiant effort by the duo, especially considering the fact that they were without their better counterparts. The album is missing the charm and magic that Cee-lo would provide for their earlier releases. Many don't know that he was the driving force behind Goodie Mob's vision and its' sound. Even though this release won't take home any awards or break any barriers musically, it is still worth a listen. One can only imagine what kind of accolades this record would receive had Cee-Lo contributed to it. All is not lost though, these two can hold their own ground firmly and can still catch the listener by surprise with their alluring artistry.

Deadly Verses
Superfriends ft. Big Gipp


Album Notes
* Goodie Mob reunited in the year 2013.
* Lumberjacks are 1st Generation members of the Dungeon Family.

DJ DMD - Twenty-Two: P.A. World Wide

DJ DMD - Twenty-Two: P.A. World Wide

Dorie Dorsey, better known as DJ DMD, is a renowned rapper, producer and DJ who hails from the notorious streets of Port Arthur, TX. He is also the founder of Inner Soul Records as well as the collective known as the Inner Soul Clique. DMD initially started off in the early nineties with a group called The Original Point Blank. It was after this venture, when he realized the passion and talent he had for the industry. This eventually led him to form his own label which brought other small time artists in Port Arthur together and ultimately formed the Inner Soul Clique. Twenty-Two is his second album and it was released in 1998 on Inner Soul Records. As always, DMD is the sole producer and he does a superb job on the beats. They are all funk laden and are derived through multiple musical instruments. Some of them are sample assisted while others are as original as can be. The rhythms carry a very precise feel and their craftsmanship oozes quality. They are definitely southern in style and are also very smooth on the playing end. Lyrically the album is also quite impressive. DMD can hold his own on the microphone. His tone is somewhat relaxed and his delivery is distinct. His rhymes carry a good amount of wordplay and are a perfect fit for his beats. Also, the members of the Inner Soul Clique are very good lyricists as well. Each one bringing a unique and thought provoking style to the table which in return boosts the core content of the entire record. Guest appearances are made by Pimp C of UGK, Lil' Keke and Fat Pat of the Screwed Up Click. All in all, this was a wonderful follow up to his debut "Eleven." Not only did it help spawn one of the greatest rap songs in Southern Rap history in "25 Lighters," it also let the whole world know about the small city of Port Arthur in South Texas.

Deadly Verses
Landmines ft. Laboo & QB



Deadly Video


Album Notes
* Rest in peace to Pimp C and Fat Pat.
* DJ DMD would retire from the rap game in the year 2002.
* He later returned in the year 2012 as a Christian Rap artist.
* The Rock group, ZZ Top also did a rendition of 25 Lighters.

Life After Death - Victim Of Society

Life After Death - Victim Of Society

Life After Death, or L.A.D. for short, is a collective that represents from the vicious streets of Beaumont, TX. The group consists of Tigga, Insane, Mouse Loc, BoBo, Abstraq, Dudda Man and Midnight. Victim Of Society is their debut album and it was released in 1995 on Bull Dog Records. The record is produced in house by members Tigga and Abstraq. The beats are presented in a dark manner and they fit the group's style perfectly. The rhythms are filled with deep bass lines that are mixed with some lively synths and are backed up by some solid drums. While some are sample assisted, the rest seem to be all original. There are some tracks that are very simplistic and also suffer from lack of proper mixing & mastering. In general, the end result is an acceptable one which happens to carry that classic, underground sound. Lyrically, the album is pretty strong. The members are just ruthless on the microphone and can display their artistry with ease. Their rhymes are filled with vile word play and are completed harshly. Deliveries are also full of pace and their tones are not only distinct but also very abusive. A modest total of ten tracks are presented for the listener and it can leave one craving for more. Overall it's an adequate offering from the group and one that can withstand the test of time. Their grim, street tales and victimizing ballads stand as a true testament to the depths of the underground. The small city of Beaumont is only about ninety miles away from the larger city of Houston and this release can not only hang with the big boys but also give them a nice run for their money.

Deadly Verses
Why


Album Notes
* A big thanks goes out to R.A.P.M.A.N.I.A.C. for providing this.

N.U.T.S. - Shady Like Me

N.U.T.S. - Shady Like Me

N.U.T.S. is a duo that represents from the raw streets of Knoxville, TN. The duo consists of A.P. and Nico and they have been in the industry since the early nineties. The two are not only established rappers but also well respected producers. Shady Like Me is their fourth album and it was released in 2000 on JK Music. Production is split between Nico and A.P. and it is truly of the exceptional quality. The beats are well crafted with an array of instruments and are strictly southern in content. They are all made originally without the use of samples and are a real treat to listen to. Even though the two producers stick to a simple recipe for the rhythms, the end result is surprisingly quite intricate. The lyrics are also very remarkable considering the time period of the release. The two rappers are just savages on the microphone and they present their rhymes with absolute realism. Their word play is marvelous and it is used as a key component of their compositions. The vocal delivery and timing is done with such precision that it makes their flows about as smooth as butter. The choruses and hooks are also very good and stay diverse throughout. Featuring on the album is K-Jam, Little E, Shay Mo and Chris T. Overall, this is a wonderful work of art with eighteen bona fide tracks. It is amazing to hear such a release that did not get infected by the times. Not only do these two stay true to their art but they also send out a very strong message. They portray themselves as who they are and not what they want to be. The reality is in their music and it oozes a compelling vibe when played. It is now up to the listener to discover this hidden gem and reap the rewards from it.

Deadly Verses
Can't Change Me


Album Notes
* The proper spelling of their alias is N.U.T.S.
    

Aggravated - Mexicans & Cappin'

Aggravated - Mexicans & Cappin'

Aggravated is a group that represents from the roguish streets of Houston, TX. The collective was formed by Filero and Balazo in the year 1994 in the small city of Freeport but it quickly spread to the neighboring city of Houston. While membership has varied throughout the years, the original members were Grimm, Balazo, Shadow, Filero and Lord Loco. Later on they added more members like Slinkey, Pranksta, Big Deuce and Troublemaker. The original members did not participate in this release except for Shadow, who is credited for producing one of the tracks. Mexicans & Cappin' is their fourth album and it was released in 2002 on Aggravated Records. The bulk of the production is handled by Big Deuce while Shadow chips in on one of the tracks. The beats are very generic to be quite frank. They are certainly lacking that dark, street vibe that Aggravated was most known for. The foundation of the rhythms seems to be very basic and any use of real instruments is definitely absent. There are only a handful of tracks that really stand out while the rest are largely mundane. This type of moderate production could only be blamed on the missing cast of members, who would initially help in producing and guiding their prior releases. Lyrics are mostly satisfying but again, they are lacking that charm and the vibe of the original group. Slinkey, Pranksta and Big Deuce are respectable on the microphone and their rhymes are delivered precisely. They can display their vocal artistry with ease and their lyrics carry more of a contemporary feel. Guest appearances are made by Sambo, O.Z., Lady G and Diva Nay. Overall a decent effort by the group that has an ample total of sixteen tracks. This is another one of those releases that became a victim of the sound change that occurred after the new millennium. Aggravated was always known for their harsh and edgy personas. Their style and flair is what really made them stand out among many artists from the city. But when that change came, it was either jump on the band wagon or get left behind. This rendition of Aggravated is the result of that very jump and it is now understandable why the original members did not want anything to do with this release. This album is also marked as the last album by the famed group.

Deadly Verses
Locs At Night


Album Notes
* Aggravated is also part of the South Park Coalition.

Chono - B-Mov-N A-Round

Chono - B-Mov-N A-Round

Chono is a rapper and producer who hails from the rough streets of Dallas, TX. He represents for the sub genre known as Chicano Rap. He is regarded as one of the early artists for that genre and is also credited for forming the Chicano movement in the Dallas & Ft. Worth area. B-Mov-N A-Round is his debut album and it was released in 1994 on his own label known as, Outta Da Blue Records. Production is solely done by Chono, himself and it is quite bland to say the least. The beats seem to have been cut & pasted together and the whole foundation sounds very dry. A good number of them are sample driven and no real instruments are used in the creating process either. Lyrically the album is mediocre at best. Chono's tone is very dull and could literally lull one to sleep. Word play is used but at a truly modest level. Rhymes are delivered at a fixed rate and they are certainly lacking energy as well as enthusiasm. The album finishes with a meager total of nine tracks which turns out to be a blessing in disguise. Although, Chono would have a very tough time competing against his counterparts in Houston, such as South Park Mexican, Grimm, Lifestyl and many others, this release should still be looked upon as a humble beginning for the artist. Now the record won't take home any awards but it still deserves a honorable mention due to the fact that Chono was one of the first Hispanic rappers to represent for Dallas.

Deadly Verses
Suspect


Album Notes
* A big thanks goes out to the homie malick for providing this one.
* Chono would later change his alias to Chono Brown.
* He would then reappear in 2003 with the album, South Coast Ryda.

Minds Of Mischief - Unexpected Changes

Minds Of Mischief - Unexpected Changes

Minds Of Mischief is a group that represents from the notorious southside of Houston, TX. The trio consists of Hollow Tip, Fix and 1-Five-1. They were discovered by Stuart "Poopie" Henderson, who was so impressed by the groups' fast paced flows that he immediately signed them to his Evolution Records label. Unexpected Changes is their debut album and it was released in 1997 on Evolution Records and in collaboration with 2 Much Productions. As it is customary with any Evolution release, the bulk of the production is handled by Stuart "Poopie" Henderson, himself and he is assisted by the likes of Louis "Hollywood" Hayes and Kevin "Red" Allen. The beats are a beautiful blend of that classic southern sound that accompanies twangy guitar riffs which are mixed with hard hitting drums and finally complimented by some smooth keyboarding. The rhythms contain various styles and are thoroughly enjoyable. The tracks carry a solid foundation and are certainly very welcoming for the artists. The album also excels in the lyrical department. All three members are more than capable on the microphone and they can definitely claim it with ease. The rhymes are delivered quickly and sharply. Word play is used as the main ingredient which in return gives the lyrics a very strong backbone. Also, the choruses and the back up vocals are all on point. Guest appearances are made by D-Red of the Botany Boys, Papa Reu, Lady 14, Vikta Black, Note, Boy-Bo and Lil' Mooney. The album rounds out at a decent total of fourteen tracks and although the record starts off a bit slow, it certainly picks up the pace and finishes with prime subject matter. This was an ambitious effort by the trio but it could not garner any type of success, hence this being their only release. While the product is full of variety and is quite deep with flavor, it certainly lacks the finishing touches of a major publishing company or a big name label. In the end, it just shows the humbleness of the group and how eagerly they jumped on the first chance to get their name and personalities noticed all the while knowing the past history of Poopie and his mismanaged label. Evolution Records was bound to self destruct because of the incompetency that was showed by its' staff and mainly, Poopie Henderson himself. Although he is a remarkable producer and he certainly has an ear for finding talent, he did not have the expertise of running a full fledged record company. He signed such great acts like the Coppertone Conspiracy, A-Posse, Quess but also abused them out of their fair share of royalties and eventually, drove them away. Some say it was Poopie's violent temper while others have blamed his faulty publishing and marketing team, both were a recipe for disaster. The Minds Of Mischief were suppose to be the label's last hurrah but they too went unheralded like the rest of their label mates. It is a little disheartening to see such good talent go to waste but what's more discomforting is that they were all cheated and hung out to dry by their own record label.

Deadly Verses
Mama U Better Tell 'Em


Album Notes
* Evolution Records went defunct in the year 1998.
   

Southside Pentagon - Money Over Everything

Southside Pentagon - Money Over Everything

Southside Pentagon is a collective that represents from the hard hitting streets of Houston, TX. The members are D-Gotti, E.L., Craig C, Lil Jay, W.B., Tito, Vandalizm, Trip, Black, Big Tiger and Ban. The group was started by D-Gotti of the Wreckshop and E.L. of Deep South Syndicate as a side project but it quickly evolved into something bigger. Their goal was just to reach the masses on the southside of town but with E.L.'s connections in Louisiana, it helped this release surpass their modest expectations. Money Over Everything is their debut album and it was released in 2001 on M.O.E. Inc. The bulk of the production is handled by the veteran, J Slash of .380 while Noke D, Trip and Mack chip in on some tracks. The beats are a quality blend of the new era sound and since this is a post 2000 release, that was somewhat expected. That being said, it still should not discourage the listener because overall the rhythms are quite unique and while some are sample assisted, the rest carry a genuine feel. Lyrically the album is respectable as well. E.L., D-Gotti and Craig C are the stand outs of course but the rest of the group is not too far behind. Their rhymes carry a good amount of word play and are also delivered with precision. Since this is a large collective, chemistry issues were bound to arise but the founding members made sure to keep those at bay and only made combinations on tracks that easily work. Now, no H-Town record is complete without a star studded guest list and this release is no exception to that rule. Guest appearances are made by Fat Pat, Lil' Keke, Lil' O, Mike D, E.S.G., Hawk, 3-2, Slim Thug, J Slash of .380, Chris Ward, Southside Playaz, Ronnie Spencer, Lady 14, Chad, June, Roxan and Peaches. This can be considered a little guest heavy but with eighteen solid tracks to boast, the features are quite spread out. All in all, a commendable release by the group and also one that appeals from all angles. Plus, with Texas & Louisiana connecting, it makes this release a bit more special and that much harder to deny.

Deadly Verses
Dead Man Walkin


Album Notes
* Rest in peace to Mr. Fat Pat and his brother, Big Hawk.
* Track 9: Chop'em is a pretty lethal diss towards Lil' Flip by E.S.G.
* Also the spine of the album states this release as a Volume One.

Deep South Syndicate - Journey With The Syndicate

Deep South Syndicate - Journey With The Syndicate

DSS, which stands for Deep South Syndicate, is a group that represents from the wicked streets of Lafayette, LA. Although they would be reduced to a trio later on, the original lineup consists of D-Flat, E.L., Killa B, Scrappy, B-Loc, Shook and Scooty. Journey With The Syndicate is their debut album and it was released in 1996 on Double L Records. The production is marvelously handled by Anthony "Booney" Woods and Edward "Jaz" Woods. Together, they provide nothing but that southern funk which is presented in a dark atmosphere. The rhythms carry a brash and hard sound which fits the group perfectly. Instruments are all used proficiently and originality is pursued with a passion. While some tracks are a bit simple and plain, they still are not disqualified from being enjoyable. Lyrics is where the album truly excels. Each member brings a provocative and unique style to the table. Their rhymes are offered sharp and to the point. Word play is used very efficiently and while their delivery is mostly rapid, it does tend to slow down for some cuts. Featuring on the album is Bosco Pooh. Overall, it's an excellent debut effort from the collective and one that can hold its' own against any premier release. The core content is not only genuine but also very truthful in the message that it gives. Deep South Syndicate went on to release one more album in the year 1998 and eventually disbanded. In the end, this album dwells from the depths of the underground and it serves as another prime example of Louisiana's rich musical history.

Deadly Verses

Intro

Album Notes

* E.L. would later become a member of the Southside Pentagon.

Nuwine - Basshead

Nuwine - Basshead

Maurice Williams, better known as Nuwine, is a rapper who hails from the infamous neighborhood of 5th Ward in Houston, TX. After living as a troubled youth and even coming very close to the brink of death, he decided it was time to change for the better. He turned to religion for answers and started anew as a Christian Rap artist. Armed with just a microphone and a drum machine which he purchased at a local pawn shop, he began experimenting on ways to reach and teach his peers. It wasn't long before he was picked up by Knolly "Rubadub" Williams, who immediately signed him to his newly founded, Grapetree Records. Nuwine debuted in 1997 with the album, "Da Bloody 5th," which still to this day, is regarded as one of his best works. His venture with Grapetree Records was short lived though, he would soon leave them over royalty issues and form his own label known as Wine-O Records. Basshead is an album full of instrumentals that Nuwine put together in 1998 on the aforementioned label. The production in it's entirety is done by Nuwine, himself. The beats are all electronically derived and are without the use of any real instruments. Their style along with their pace varies and a good range of selection is provided for the listener. While some are a little odd and seem to lack basic foundation, there are some that are really commendable. This record was basically put together for up and coming artists that face dilemmas when it comes to recording material. It was also considered as a gift for his loyal fans who just need some solid rhythms to bob their head to. All in all this project is just for experimental purposes and is not intended for any type of commercial use. While it strays away from the religious concepts that Nuwine is most known for, it does in fact gives him a broader audience. He was at a point in his career where every release seemed crucial for his fan base and not only was this a unique move, it was also a very bold step that he took for his immediate future. He did something special for his fans and that is what placed him above the rest of his fellow Christian Rap artists.

Deadly Tracks
13 - Untitled


Album Notes
* Wine-O Records went defunct in the year 2003.
* Nuwine would then change his alias to Wine-O.
* The new alias would also mark the end of his Christian Rap career.
* He then tried establishing himself in the Rap & Hip Hop industry.

Herschelwood Hardheadz - A Million Dollar$ Later

Herschelwood Hardheadz - A Million Dollar$ Later

Herschelwood Hardheadz is a collective that represents from the notorious streets of Herschelwood in Houston, TX. The group was formed in the year 1993 by Lil' Keke and it consists of Archie Lee, Duke and Knocky. As a group they made various appearances on multiple Screw Tapes and even had some stints on Lil' Keke's solo albums. After creating a mild buzz in the southside of town and also developing a true fan base, the group finally decided it was time for an official release. A Million Dollar$ Later is their debut album and it was released in 1998 on Jam Down Records. The record is superbly produced by the likes of Sean "Solo" Jemison, Double D of Platinum Souls and Dantly "Prowler" Wyatt. The beats are an eclectic blend of rhythms that are so smooth, that head bobbing is the only option left for the listener. They can easily be summed up as that classic H-Town funk which also incorporates some elements of the Swang & Bang sound. The producers really out did themselves on this one and in return, gave the artists a very solid foundation to work upon. Lyrically the album is also well rounded. As always, Lil' Keke does not disappoint on the microphone and neither do his fellow group members. They take turns unleashing their various styles, both musically and methodically. While their rhymes may vary in pace, their jubilant word play and their flashy personas remain constant. Guest appearances are made by Fat Pat, B-Legit, Mobb Figgaz and Phaz. All in all this is a wonderful debut effort by the group and one that was definitely worth the wait. The group's success was short lived though, Lil' Keke left the group after this initial release and continued his solo route while the Herschelwood Hardheadz advanced as a trio. In the end, this record sits as a polished gem that not only shines but can also be a priceless commodity in one's collection.

Deadly Verses

CD's & LP's ft. Fat Pat

BHC - Crime Pays

BHC - Crime Pays

BHC, which stands for Big House Click, is a group that represents from the rough streets of San Antonio, TX. It consists of Mr. Lo, Tear Drop and the female rapper and singer known as Bo-Legg. Although she did not participate in this release due to family reasons and concerns. BHC's first album known as "Openin' Doors" was released in 1997 and it definitely caught the city by surprise. The content was so commendable that all the local radio stations as well as the local clubs were immediately hooked. Crime Pays is their highly anticipated second album and it was released in 1999 on Big House Productions. The production is done by the ever masterful Nathan "Happy" Perez who is assisted by L. Holmes. Together, they drop an assortment of finely crafted beats. Multiple instruments are put to use by Happy P which in turn brings his marvelous production pattern to life. Lyrically the album also excels and both members are qualified lyricists. Their sharp word play and southern dialect is a treat to listen to. Mr. Lo seems to be the more dominant member while Tear Drop appears for a couple of tracks. Guest appearances are courtesy of Lil' Keke, C-Loc, Jayne Doe, Daddy Roe, Kempster and Rocc Lewis. Overall this is an underrated release which managed to slip through the cracks. Even though it does not come close to their first album, "Openin' Doors," it is still passable in its' own right. While this type of  moderation could be justified by the missing member, Bo-Legg or even the untimely passing of Tear Drop. Whatever the case may be, the record is marked as the final recording by the famed group and is also one that possesses a remarkable value even to this day. Rest in peace to the talented and always creative, Tear Drop.

Deadly Verses
Ride 2 Nite ft. Lil' Keke



Album Notes
* Big thanks to my homie GangstaRapBrasil for providing this one.

O.G. Jhiam-Dog - Screamin Dat Pimpin

O.G. Jhiam-Dog - Screamin Dat Pimpin

James Earl Bradshaw, better known as Jhiame or O.G. Jhiam-Dog, is a multi-talented artist from the neighborhood of Acres Homes in Houston, TX. Although he is originally from Memphis, TN, he moved to Houston in the year 1981 and has resided there ever since. He is a renowned producer as well as an accomplished rapper and singer. He was dubbed by the legendary DJ Screw (R.I.P.) as the official producer of the Screwed Up Click in 1999. His list of production credits is quite lengthy and certainly very noteworthy. Jhiame has won many awards for his work and he is considered by many to be a hit making machine for the southern region. He is also a member of the Hip Hop production group known as Da Assassinz. Screamin Dat Pimpin is his second album and it was released in 1995 on B 4 Reel Records. Production is solely handled by Jhiame, himself and it is of exceptional quality. The beats can be simplified as absolutely funky and are also considerably groovy. Deep bass lines are fused with twangy guitars which are backed up by some booming drums. While samples are used, they have been chosen wisely and are used quite proficiently. Lyrically the album is also very rich with flavor. The vocals are presented with utter smoothness and are delivered with the flair of a pimp. His rhymes can vary in pace but the laid back atmosphere remains the same. Guest appearances are made by the Pimp-Tite Hustlers, Leon Banks and Dub Sack. Also, the front cover portrays a circle with twelve symbols dwelling inside it. That is actually known as a Zodiac Wheel and it reveals the twelve signs of Astrology. Overall the album displays various elements of Funk and Soul while also incorporating the genre of Rap & Hip Hop. This prolific blend of assorted ingredients turns out to be very entertaining and satisfying. Although this is a feat that is not easily accomplished and others have failed miserably trying the same thing, O.G. Jhiam-Dog does it with such ease and leisure that it almost feels like second nature to him. Even though this was a magnificent work of art, it did not receive the recognition it deserved. Some have blamed the publishing company for their lack of effort while others have blamed the core content. In the end, this release sits as a polished gem waiting to be discovered by the next humble and eager listener.

Deadly Verses

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Album Notes
* His alias has multiple variations but his preferred name is Jhiame.
* References to the Zodiac Signs are made on Track 3: Pimp On
* Leon Banks is Jhiame's father and he passed away in 2005 (R.I.P.)
* Also worth checking out is Micheal Mixerr's take on this album.

Mr. Hard - Cappeela

Mr. Hard - Cappeela

Mr. Hard is a rapper who represents from the venomous streets of Dallas, TX. He is well known in the underground for his raspy tone and vicious delivery. Cappeela is his debut album and it was released in 1997. The record label is unknown due to the fact that this is an underground release with a very limited number of pressings but it could have been published through Cappeela Records or Strapped 4 Life Records. Production is handled by Ice Kold, Drew and Bently. They team up to provide beats that are not only funky but they also carry a hard, street edged sound. While a couple of the rhythms are sample assisted, the rest of them have a very original feel. Probably the most notable sample is from the King Of Pop, Micheal Jackson's (R.I.P.) "Lady In My Life," which is heavily used on the track "Mama." Lyrically the album is also rock solid. As mentioned above, Mr. Hard can easily wreck the mic. His harsh approach and gruff demeanor go hand in hand and it is the perfect recipe for the rhymes on display. The word play used is definitely above average while the variations to his tone and tempo are all done with pure swiftness. Guest appearances are made by Ice Ice, T-Boz, Sinister, Cris, Shannon, Ice Kold, Natae V-IC and Bloody. Also, the sublime painting for the front cover was done by the artist, Herschel Yelder. This was an excellent effort by Mr. Hard and one that still sounds as glorious as it did back in '97. Not only is the quality of material timeless, it also carries a certain level of gratification when played. It could be the uncanny nature of this underground release or it could be the shroud of mystery that lingers behind its' originator. Whatever the reason may be, the fact remains that this eighteen year old album can shame and degrade most albums being released today.

Deadly Verses

Free EPK from ReverbNation.com

Album Notes

* Herschel Yelder is a renowned artist in the Dallas/Fort Worth area.

* Also worth checking out is Mr. Hard's second album, Strap 4 Life.

Baby Boy G - Y.A.B.

Baby Boy G - Y.A.B.

Baby Boy G, also known as Lil G, is a rapper who hails from the streets of Austin, TX. He first started off in the late nineties as a member of the group known as, Black & Dangerous. Y.A.B., which stands for Young Austin Balla, is his debut solo album and it was released in 2002 on Filthy Rich Records. Production on this record is done by the masterful Jhiame, who is also assisted by Blu and 8 Track. The beats are of a congenial variety and are mostly uptempo. They are filled with a good amount of harmony but at times can feel like there is too much going on at a given section. The rhythms definitely cater to the new era of Texas funk which can be categorized under the "Swang & Bang" sound. Lyrically the album is pretty well rounded. Lil G's delivery is quite commendable and certainly fast paced. The rhymes are filled with rapid word play, which although at times can be a little predictable, it is still entertaining nonetheless. Guest appearances are courtesy of  Mr. Make It Happen, TNT, Kool-Whip, DFK, Israal, Mr. T, Lil Pick, Lead Belly, Killa Cartel, Deway, Lil Terry and The Black Galliath. The record can be deemed as a little guest heavy but with an ample total of fifteen tracks they are quite spread out. All in all it's a satisfying piece and one that at the very least, deserves a listen. While there are quite a few groups and rappers that represent for the ATX, no one can match the style or the flair of the Filthy Rich Family.

Deadly Verses

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Facemob - Silence

Facemob - Silence

Facemob is a collective that as a whole represents from Houston, TX but members were recruited from different cities and states by Scarface of the Geto Boys. The group was originally comprised with five members, Devin The Dude, DMG, Smit-D, Chi-Ray and the female emcee known as 350. Devin did not participate in this release on account of him focusing on his solo career. Facemob's first appearance came in 1995 on the soundtrack of the movie called, "The Walking Dead." They would do a couple more soundtracks for different movies before launching their debut album in 1996 known as "The Other Side Of The Law." Silence is their second album and it was released after a six year hiatus in 2002 on Rap-A-Lot Records. The record is masterly produced by the likes of Tone Capone, Mr. Lee, Domo and Scarface himself. The beats are a perfect ensemble of dark, synth filled rhythms that are derived straight out of gangster territory. They are laid out with utter precision and originality is pursued with a passion. The producers from Rap-A-Lot Records were known for their extreme attention to detail when using multiple instruments and always putting together rock solid packages for their artists. So it is needless to say that they spared no expense on this release either. Lyrically the album also fares very well. The members take turns unleashing their onslaught on the microphone. Their fierce rhymes are a testament to their aggressive personalities and destructive behaviors. DMG seems to be the more dominant member but the rest are not too far behind. Guest appearances are made by Do Or Die, Yukmouth and G-Mone. Overall this was an exceptional release but it didn't garner any success. To be honest, this album was released as a last ditch effort by the folks behind Rap-A-Lot Records to save their label. It was part of the so called "Resurrection" phase that the label was going through, which was basically an attempt to put out some unreleased material by their artists and also move forward with the hard, street edged sound. The only problem was that the music in Houston as well as the entire southern region was changing and moving towards a more club savvy sound. People wanted more of the "Baller Bling Rap" or the "Swang & Bang" sound or even chart topping singles designed around a dance move and could really care less for anything that hardcore and street oriented. Had this album been released in the late nineties, it could have done wonders for Rap-A-Lot Records and the artists involved. In the end, this record was a day late and a dollar short. It was only a matter of time until the group members became disgruntled with the results and would soon break up in the following year. This album was marked as the final recording by Facemob and although it did not receive any recognition then, it is still worth a listen now.

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Bumbino - The Story Of A Young Socrates

Bumbino - The Story Of A Young Socrates

Bumbino also known as Mr. Bumbino, is a rapper from the notorious neighborhood of Kashmere Gardens in Houston, TX. He started rapping at an early age, beat boxing and freestyling through the local schools and parks. He soon created a name for himself and also earned a substantial amount of reputation by his peers. He eventually came across the eyes and ears of Timothy Lloyd, who was in midst of putting together his new record label with his partner Gary "G-Money" Hamilton. The two agreed that Bumbino was a special talent and needed to be quickly signed to their up and coming label. The Story Of A Young Socrates is his debut album and it was released in 1999 on A.C.T. Right Records. Production was handled by Harvey Luv, E-Rock, Dre, Mark, Slack and Eric. The beats come across as very clean and crisp. Although they do tend to carry an uptempo feel and a contemporary sound, their southern flavor is still quite eminent. Lyrically, the album is at an above average level. Bumbino's delivery and word play is pretty good but it can get a little repetitive. It seems as if he is only good for one verse in a song and if allowed anymore, then the level of energy and intensity fades. Now there are some tracks that really shine but that can be mostly credited towards the all star lineup of featuring guests. The guest appearances are courtesy of 3-2, South Park Mexican, R.W.O., Big T, E-Rock of the 5th Ward Boyz, Trey Dogg, Neutral Troopz, Handyman and Lynn & Da Congregation. The record closes out with a total of twelve tracks including the intro and outro. All in all it is a decent effort by the Houston native even with the minor lyrical shortcomings. Keep in mind that Bumbino was only seventeen at the time of this recording and still enrolled in his third year at Kashmere High School. For him to release this debut album at such a young age and have the backing of some of H-Town's finest says a lot. Also, the Janus Masks in the background of the album cover happens to be the logo for A.C.T. Right Records and the acronym A.C.T. is actually the names of the daughters of Timothy Lloyd, Alexis, Ciara and Tiara.

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Aaron J - Gulf Coast Players

Aaron J - Gulf Coast Players

Aaron Johnson, known simply as Aaron J, is a rapper and singer from the northside of Houston, TX. He founded Gulf Coast Records in the mid nineties with the help of his long time friend, Marvin Cooper alias Voo-Doo. Together, they recruited D-Dub, Cee Note and Monna-Lis, the female emcee/singer and formed what is known as The Gulf Coast Click. Now with the group established it was time to hit the recording studios. Gulf Coast Players is their debut album which was released in 1997 on Gulf Coast Records and published through World Wide Entertainment. Production on this masterpiece is done by Pat Rodriguez, Stuart "Poopie" Henderson, Kelvin Allen, Lavia Flood and Aaron J himself. The producers create a very smooth and laid back atmosphere with the beats. This southern fried production is of top notch quality and is really a treat to the ear drums. Funky guitar licks, soothing bass lines, menacing drums and some groovy keyboarding are just a few examples of what is delivered as a total package. Lyrically the album is also quite impressive. Aaron J and his crew are no slouch on the microphone. They take turns displaying their verbal artistry and make good use of the tracks provided. A good dose of R&B style singing is presented with a mixture of Southern Rap which truly gives the listener an eclectic view of the whole record. Overall Aaron J and his crew put together an excellent effort, one that is definitely worth noting. Since this happens to be their only release, it has long been out of print and is very sought after by fans.

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Disconnected Clique - I Know!

Disconnected Clique - I Know!
Disconnected Clique is a group that represents from the hard streets of Houston, TX. Now as a collective they rep Houston but three of the seven members were recruited from Port Arthur, TX. The group consists of Ace Of Spadz, LaDeris, J' Down, E.J., D-Nick, Li. C and last but not least, the female emcee known as Tryll. I Know! is their debut album and it was released in 2000 on Monumental Records. The bulk of the banging production is provided by Mike Newton and D-Nick while members like Ace Of Spadz, E.J. and LaDeris help out on some tracks. The beats are genuinely smooth and all instruments are used to their legitimate apex. The end result gives off a very fresh vibe and while samples are used, they are by no means the main source of melody. Although this release came at a time when the "Swang & Bang" sound was really emerging, it does not incorporate any of it's elements in it. Instead the production pattern used is of the previous generation which relies heavily on musical melody and a sense of rhythm. Not to downplay or bad mouth the "Swang & Bang" sound but this type of southern production is now literally considered to be a lost art. Lyrically the album is also very well rounded. Each member brings a unique style to the table and are always ready when called upon the microphone. Their rhymes are filled with word play and are also delivered at a decent pace. Group members LaDeris and Ace really stand out from the rest while the others are not too far behind. The guest feature on here is by Kevin Braggs, who basically provides all the singing and back up vocals. An ample total of fifteen choice tracks are provided for the listener which in return make this release thoroughly enjoyable. Also, the picture on the front album cover was taken at the Gerald D. Hines Water Wall Park in the Uptown District of Houston, Texas. Overall this was a commendable effort by the group and one that also takes full advantage of the amenities provided. Coming into the industry with no prior accomplishments is not easy by no means. The group faced many challenges while putting this record together and not only did they overcome them but they also managed to leave an imprint by compiling a solid package. One that happens to shine from all angles and one that also withstands the lengthy test of time.

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Too Much Trouble - Bringing Hell On Earth

Too Much Trouble - Bringing Hell On Earth

Too Much Trouble is a group that represents from the notorious streets of 5th Ward in Houston, TX. Billed as "The Baby Geto Boys," the group was quickly put together by James Smith to pretty much cash in on all the success and attention the original Geto Boys were receiving. Their style, demeanor and personalities were almost a mirror image of the Geto Boys. The group consists of Ghetto MC, also known as the Band Aid Bandit, Drunk D, who is also known as Nickel Nut, Bar-None and DJ Bad News Black. Bringing Hell On Earth is their debut album and it was released in 1992 on Rap-A-Lot Records. The production is provided by Big Boss, John Bido, Crazy C, DJ Bad News Black and Johnny C. Only excellence can be expected with the names mentioned above and that is exactly what is delivered. Although the beats are quite sample heavy and are all electronically derived, they are still a treat to listen to. Lyrically, the album has it's moments. The members are passable on the microphone and aren't the least bit shy either. Their aggressive rhymes are blunt and straight to the point. Word play is kept to a minimum but when it is used, it is very vile and rough. Features are courtesy of the Geto Boys, Big Mello and DJ Ready Red. Overall the record has its fair shares of ups and downs. There are times when the chemistry of the members and their provocative styles fit perfectly and then there are times where it all seems very dull and redundant. In the end, Too Much Trouble could not hold a candle to what the Geto Boys were accomplishing, neither lyrically nor musically. Which is why "The Baby Geto Boys" moniker was soon dropped all together and the group struggled to find their identity. It also didn't help their cause when some members lost focus while others got a little complacent after this initial release. Reduced to just two members later on, Drunk D and Ghetto MC dropped two more albums as Too Much Trouble and soon parted ways as well. On June 14, 2013, Ghetto MC passed away with kidney failure. Rest in peace to the unforgiving and always relentless, Band Aid Bandit.

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Lock Down Inmates - Out On Parole

Lock Down Inmates - Out On Parole

Lock Down Inmates is a vicious collective from the notorious streets of Dallas, TX. The group's original lineup consisted of Oak Cliff Assassin (O.C.A.), Hollow Point, Grim Reeper, Mossburg, D-Divine, Tru-Black, Cold Black Poet (C.B.P.) and last but not least, 4 Your Eyes Only. Although membership would vary throughout the years the group was active, members like Oak Cliff Assassin, Hollow Point and Mossburg would always remain present. The group began in the early nineties when O.C.A. and Henry Peeples collected some of the best rappers in south Dallas and eventually created the Lock Down Inmates. Out On Parole is their hardcore debut album and it was released in 1993 on VIP Records. The production is done by DJ Dark Fader, Skull Minista, Jim Vincent, Patrick Nun and Oak Cliff Assassin. The beats are all electronically derived and the classic drum machine is put to good use. Hard hitting drums combined with some eccentric samples is pretty much the recipe used throughout the record. The tracks carry a very hard and street edge vibe that fits the group like a glove. Lyrically the album is also on par with the production. Members eagerly jump on the microphone and claim it with ease. Their dope tales and rough ballads make for an indestructible force that can withstand the harshest of blows. Each one of them attacking and coming with such passion that it becomes impossible for the listener to ignore their message. The album closes out with a total of eleven tracks plus one bonus cut. Now at the time of this release the genre known as "Gangster Rap" was truly on the rise. Not only did the folks at Lock Down Productions and VIP Records capitalize on such an occasion but they also managed to get some notoriety for their city and themselves. It wasn't easy though, they knew they would have to go up against their in-state rivals from the city of Houston and compete against acts like the Geto Boys or even Street Military. In the end their hard work paid off and this humble beginning marked for a long and successful career path for the group that to this day, has a large following throughout the southern United States.

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Hogg & Priest - 5004

Hogg & Priest - 5004

Hogg & Priest is a duo from the notorious neighborhood of Mooretown in Shreveport, LA. The rappers met each other in 1995 while studying Music & Arts at Grambling State University in Louisiana. 5004 is their debut album and it was released in 2000 on Playa Made Records. The album's silky smooth and utterly funky production is provided by Tommy Granville Jr. He laces the beats with what is known in this region as that southern fried gumbo funk. Each cut is defined with multiple layers of different instruments and originality is pursued with a passion. The tracks are quite fluid and laid back which in turn makes for a very enjoyable experience. Also the scratching and mixing is provided by DJ Deluxx. Both Hogg and Priest are excellent on the microphone. Their chemistry is unmatched together and they seem to support each other well. The utmost attention is given to word play as well as the actual delivery while their southern dialect is both unique and entertaining. Guest appearances are courtesy of Big T, Big Baby, Carlos Luv, Dre and Ralphiell Walker. Also the wonderful artwork for the front and back cover is done by Chill "Will" Lindsey, who is the younger brother of Hogg. The record boasts an ample amount of seventeen tracks but still keeps one hungry for more. That is the true and uncanny nature of this underground masterpiece. Quality rhymes paired with quality rhythms, what more could a listener ask for.

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Nuk Ruk - Invaderz Of The Dark

Nuk Ruk - Invaderz Of The Dark
Nuk Ruk is a marvelous group from Houston, TX. As a collective they represent for the sub genre known as Christian Rap. It consists of BDI, Dez, Dr. Yo, JoEmcee, Earth, Chameleon, Outlaw and DJ CleanCut. The name Nuk Ruk, is actually abbreviated for Nucklehead Ruckus which in turn basically means knuckle heads causing ruckus. The group is well known for their extremely hype and energetic concerts as well as their thought provoking rhymes that are congenially mixed with some equally exceptional rhythms. Nuk Ruk debuted in 1994 with their breakout album, "The Road Less Traveled." Invaderz Of The Dark is their sophomore effort and it was released in 1997 on Nuk Ruk Records. Production is solely handled by BDI, who is a creative genius when it comes to beats. He is also the main direction behind the group's signature sound and exclusive persona. The beats are derived through multiple instruments and can be classified somewhat under Industrial and Experimental Hip Hop. They are certainly unique and carry a fresh and genuine vibe. The process of sampling is kept to a minimum but the few that are used are put to good use. The most notable one being Ludwig Van Beethoven's "Für Elise" which is used on the track "The Road Less Traveled." This sort of artistry is what defines the group's style and becomes a type of signature brand for the remaining cuts on the album. Lyrically the album also fares very well. Each member brings a designated and peculiar flow pattern. Their rhymes can vary in speed but the commendable word play and superb delivery is what remains constant. Now the core content can be perceived from a religious stand point but since their lyrics are so diverse and imaginative, it is truly left upon the listener to dissect the meaning or message any further. Guest appearances are courtesy of NRG and Kathy Abshire. This also happens to be a double disc album that carries a remarkable total of thirty one tracks. Although Nuk Ruk put together an intellectual and entertaining package, it wasn't enough to propel them into mainstream stardom. Especially with the emergence of the Swang & Bang sound and the decline of real Hip Hop in Houston, it wasn't long before Nuk Ruk found themselves in the lower levels of the underground. Tons of artists in the city found themselves facing this exact same dilemma. Some jumped on the band wagon quick while others changed their style or delivery to fit the mold of the upcoming era and then finally there were those who refused to change and stay true to their art but in the end were not as fortunate as the aforementioned. The latter pretty much disappeared from the entire scene and were talked about as if they were some sort of fables. In Nuk Ruk's case, it is truly a shame to see such great talent and vision fall simply by the wayside. Even though they created a loyal following of fans that are still hoping and wishing for a Nuk Ruk reunion, the future of real Hip Hop in Houston looks pretty bleak.

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Kris Kross - Young, Rich & Dangerous

Kris Kross - Young, Rich & Dangerous

Kris Kross is a rap duo that hails from the acclaimed streets of Atlanta, GA. It consists of Chris "Daddy Mac" Smith and Chris "Mac Daddy" Kelly. The names can get a bit confusing but that is by intention and design which in turn honors their combined alias. They are best known for their hit single "Jump" which is off their debut album "Totally Krossed Out" and also for their unique fashion sense which consisted of wearing their entire clothing outfit, backwards. They two were discovered at a local shopping mall in Atlanta by Jermaine Dupri when they were just thirteen years old and he immediately sensed the raw talent at hand. Young, Rich & Dangerous is their third album and it was released in 1996 on Ruffhouse Records. The production is done through the quintessential Jermaine Dupri and is certainly of top quality. The tracks are laced with his signature up beat pattern and are quite melodic. That distinct southern vibe is definitely present and the process of sampling is also put to good use. Lyrically the album falls a tad bit shy, especially when compared to the duo's last two outings. Although both are very capable and talented lyricists, there are times when the intensity just isn't there. Now granted this is when the duo was really trying to find their voice as well as their direction in the rap industry. Their last two albums were branded and marketed for the younger crowd while this one is aimed towards the older, street savvy generation. Guest appearances are made by Da Brat, Aaliyah, Big Rube, Mr. Black, Jermaine Dupri and Trey Lorenz. This record is split into two halves with six tracks belonging to each side. The Smith Side seems to be orientated for the streets while The Kelly Side is a bit more smooth and laid back. Overall the whole album is decently put together and while there maybe some low points, it still manages to finish on a high. It also help spawn one of the most notorious freestyles in southern rap history, the infamous "June 27" by the legendary DJ Screw who uses the instrumental of the track "Da Streets Ain't Right." On May 1st, 2013, Chris "Mac Daddy" Kelly was found unresponsive in his home and was later pronounced dead. A toxicology report was released by the Atlanta Medical Center which stated that he had died from a drug overdose. He was only thirty four years old. Rest in peace to the innovative and the ever ingenious Chris Kelly.

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K Squad - Realmz Of Da Bushez

K Squad - Realmz Of Da Bushez

K Squad is a group that hails from Fort Lauderdale, FL. The three members represent out of the Broward County in Florida and they are known as Scarab One, Clembone and Kilo. As a trio they serve up music for the sub genre called, Ragga Hip Hop. It is basically a fused blend of Reggae and Hip Hop music which originated in Jamaica but quickly spread to the Virgin Islands and the coastal regions of Florida. Realmz Of Da Bushez is their debut album and it was released in 1994 on Atlantic Records. The production is handled by Hugo "Boss" Diaz and he is assisted by his older brother, Luis Diaz who provides all the mixing. It is suffice to say that the production exceeds all expectation. It takes the two genres listed above and seamlessly provides a strong backbone for the record. The hard hitting drums are meshed with some scintillating synths and the two are supplied as the primary production pattern. The Squad wastes no time and quickly attack the tracks laid out for them. Each member brings a unique style to the microphone and never shy away from it. Their demeanor and personalities tend to feed off of each other while their rhymes are equally wicked and rough. The lyrics are delivered with precision and attention is also given to explicit word play. This artistry is displayed over a total of fourteen tracks and certainly leaves the listener craving for more. Although the record was generally dismissed for it's roguish nature, it still is quite clear to see the creativity that is displayed. All in all it's an excellent effort by the trio, especially considering the time period of the album. Being released in the year 1994 and presenting such content that is not conventional and or approved by mainstream personal definitely requires heart and a different mindset. Going above and beyond the traditional or ordinary style is always a feat in it's own.

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GT & Steve Nice - Our House

GT & Steve Nice - Our House
GT and Steve Nice are not only rappers but also producers and DJ's from Houston, TX. GT is originally from the neighborhood of Flatbush in Brooklyn, NY but part of his family would later relocate to Houston in the early eighties and has resided there ever since. GT, which is abbreviation for "Gifted/Talented," first started off with K-Rino and Preppy J when they formed one of Houston's first hip-hop acts known as Real Chill. The group only managed to release one single and soon disbanded, while member K-Rino pursued a solo career. DJ Steve Nice on the other hand is a native of Dallas, TX but has also held residence in Houston as well. The two met as students at Texas Southern University and eventually started Key Players Entertainment in the mid nineties. Our House is their debut album and it was released in 1998 on Key Players Entertainment. Production is mostly done by the legendary Mike B but he is assisted by the likes of Crazy C, Doc Doom, Def Jam Blaster, Skool Of Thought and of course GT & Steve Nice themselves. The beats are undeniably smooth and they carry a very laid back vibe. The use of samples as well as other DJ techniques are quite prominent and are also used very effectively. Although some tracks are a bit simple and plain, most of the record is very well rounded and can be a real treat for the ear drums. Lyrically is where the album truly excels. Eclectic styles are displayed with the mix of strong word play and complex rhyme patterns. GT is definitely the more dominant member while Steve Nice tends to be a bit passive on the microphone. Both of them feed off each other with ease and lay down an impressive lyrical foundation. Features are courtesy of Kaylee of Ace Deuce, Skool Of Thought, D of Trinity Garden Cartel, Mista Madd, Petu, T. Gray and Marcus of S.O.U.L. A plentiful total of twenty tracks which includes the four hilarious skits are presented with precision for the listener. The core content is very unique and is projected with a broad variety of subject matter. All in all its an extraordinary work of art that genuinely oozes style and charm. One that exceeds further than its reputation and appearance while also maintaining a flawless composure.

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