Monday, September 1, 2014

Cash Money Millionaires - Baller Blockin

Cash Money Millionaires was a super group from the notorious city of New Orleans, LA. It was formed in the late nineties and composed with the two existing groups, the Hot Boy$ and the Big Tymers. It consists of Baby, Mannie Fresh, Juvenile, Turk, Lil' Wayne and last but not least, B.G. The six men transformed into a very formidable force that spread like wild fire through the entire southern region of the United States. Baller Blockin is actually a soundtrack to the action and comedy film by the same name. It was released in 2000 on Cash Money Records. The production is mainly handled by Mannie Fresh along with a few other producers chipping in on some tracks like Pimp C of UGK, Livin' Proof, Stormy Day and Massive. As always, Fresh does not disappoint with what he brings to the table. He laces the beats with his signature style and makes sure they are worthy of carrying his name. The tracks contain numerous instruments and are very well put together. Different variations of the group are used for each song for this compilation type album so lyrically the album is acceptable. Juvenile, Wayne and B.G. being the standouts ofcourse. Aside from those three, there really is nothing more for the listener except for a couple of one liners from Fresh and Baby. Now there are some very good guest spots on here that belong to UGK, Nas, Mac 10, E-40, Eightball & MJG, Rappin'-4-Tay, The Bravehearts and Unplugged. The Millionaires eventually disbanded over monetary issues around the year 2002. One by one everyone left the label except Lil' Wayne. This was known as the rise and fall of the second generation of artists from Cash Money Records. Although it is now a thing of the past but one will always remember Cash Money by the masterful production of the great Mannie Fresh, who's superb style is still being imitated but can never be duplicated. A fierce flame spitting Juve who always brought the heat to the mic with his unorthodox flow pattern. A ruthless and fearless B.G. who's aggressive delivery was unmatched. A young and raw but extremely cold blooded Lil' Wayne who's lyrical dexterity is a direct result of mentoring by Bun B of UGK. Whether it was their solo recordings or group efforts, there was a point of time when Cash Money Records seemed unstoppable.

Deadly Verses
Family Affair ft. UGK

Saturday, August 23, 2014

I.B.G. - We Ballin

I.B.G. which stands for Innocent But Guilty is a group from Franklin, LA. It consists of Eddie Bo, Rocky and B-Dub. The group debuted with We Ballin in 1999 on Red Boy Records and quickly gained some notoriety for their effort. The album in its entirety is produced by the in-house producer, Choklate Chip. The beats are quite crafty and are assembled with a wide range of instruments. Some are assisted through the process of sampling, such as the notable title track "We Ballin," which heavily samples the song "Jamming" by Bob Marley & The Wailers. The track ends up being a wonderful take on the original reggae song that is completed with a southern fried twist. All three members are more than capable on the microphone. Their rhymes tend to be somewhat fast paced and are delivered precisely. Also the word play used is quite commendable. Guest appearances are made by DJ Dolby D, Papa Reu, Red Boy and the 4-5 Click. Even though this project was a respectable release by the trio and is very sought after by their fans, there are times when it becomes a little bland. The one area this album is lacking in is originality but since this record can be classified under "baller" or "bling" rap from the late nineties, it hardly matters. That being said it still should not discourage the listener because this was truly a valiant effort by the group and that is why they are still remembered as home town heroes by the small city of Franklin, Louisiana.

Deadly Verses
We Ballin' ft. Papa Rue & Red Boy

Saturday, August 16, 2014

Tha Darkside - Tales From Tha Darkside

Tha Darkside is a notorious group from Baton Rouge, LA. It consists of K.E., Color Wheel, DJ Cross Fader, The Night Prince and R-Mack. Tales From Tha Darkside is their debut album and it was released in 1993 on E.K.S. Records. The record is produced by the funky Sharntii Baheth with some assistance from Ernest "The Night Prince" Smith as well as DJ Cross Fader who provides the mixing and scratching. The beats are assembled with some pure yet simple melodies. They tend to be very harmonic and really compliment the group well. Although a couple of them are sample assisted, they still somehow manage to give off a fresh vibe. The group's persona can be best described as somewhat street savvy. Their rhymes are certainly prolific and contain feelings depicted straight from harsh realities. The lyrics veer off just a tad bit on a few tracks but are pretty much legit for the most part. All members are quite capable on the mic and the two standouts being Color Wheel & K.E. Overall the album keeps itself afloat by presenting the core content in an unorthodox manner all the while displaying a unique sense of style. Although this happens to be an obscure record from the grisly swamps of Baton Rouge, it still has the ability to compete with any mainstream release from that time period. Also, rest in peace to the one and only K.E. of Tha Darkside.

Deadly Verses
Dont Mess With Tha Darkside

Friday, August 8, 2014

Livin' Illegal - Married To The Game

Livin' Illegal is a duo from the south side of Houston, TX. It consists of two members whom are under the aliases, G-Down and Gangsta Slim. The two met at a local high school and quickly became fond of each others rapping ability. They ended up being discovered by Anthony Johnson and Married To The Game was released in 1997 on Hollow Point Records. It is produced mainly by Bruce "Grim Reaper" Rhodes and Will-B-Fresh while Icey Hott and G-Lee help out on a couple of tracks. The production is top notch southern funk to say the least. Groovy guitar licks meshed with edgy synths and a good dose of bass are incorporated into each track. The cuts flow very smoothly and also blend effortlessly with each other. The duo take full advantage of what is laid out for them and take turns displaying their vocal arsenal. Rhymes are filled with word play and certainly come off with an aggressive nature. The tone is definitely set at rough and it helps to steer the project. The two members make sure they give it their all on the microphone and leave the studio booth with no regrets. Guest appearances are made by MC Thick, Icey Hott and K.B. Da Kidnappa of Street Military. All in all this record tends to be a prime example of where the label held the producers and the artists accountable for the final output. It exemplifies a genuine product which is delivered through hard work and determination. Although this release dwells in the depths of the underground it still deserves a listen and a honorable mention.

Deadly Verses
Welcome To Hell ft. Icey Hott & K.B. Da Kidnappa

Tuesday, May 13, 2014

P.K.O. - Don't F**k W/Texas

P.K.O., which stands for pounds, keys, and ounces, is a group from San Antonio, TX. It was formed during the late eighties by Pony J, Magic Mark, and K-Sam. They ended up recruiting two more members by the names of DJ AK and Earl The Pearl. This was the original lineup that debuted in 1989 on Yo! Records with their full length album, Don't F**k W/Texas. Production is done impeccably by DJ Snake of the Nemesis fame along with the help of Magic Mark and DJ AK manning the turntables. With DJ Snake handling the bulk of the duties, he made sure the tracks contain solid yet soothing bass lines as well as some hard but edgy drums. Although the beats are somewhat sample assisted, they still somehow a carry a genuine vibe. Lyrics can only be described as harsh and are certainly controversial. Each member attacks the microphone with reckless abandon. Their rhymes are brutal and they maintain that theme throughout the record. This album not only paved the way for the group but also gave them a sense of direction. Even though they had constant changes in their membership throughout their long career, the core unit remained the same with K-Sam, Magic Mark, and Pony J, who would later change his alias to Nino. Overall it is a pretty hardcore album and one that bashes a lot of people in politics and even people in the music industry back then. The record's controversial nature did not bring any radio play or mainstream success but it did give the group a very strong and loyal fan base in the underground.

Deadly Verses
World War II

Thursday, May 8, 2014

Mac & Storm - Mad Or Jealous

Mac is a rapper who represents from the 3rd Ward of New Orleans, LA. Mad Or Jealous is an EP he released while collaborating with the female emcee, Storm. It is also Mac's first release after his 1989 debut on Yo! Records as Lil' Mac, "The Lyrical Midget." Six long years had passed and Lil' Mac had fully evolved into an astonishing lyricist with an untouchable rhyme pattern. He dropped his old moniker and re-entered the industry. Mad Or Jealous was released in 1996 on Ionique Records. Production is done by the one and only DJ Wop and it certainly exceeds expectations. Both artists take advantage of the platform laid out for them. Mac is well known throughout the South for being a top notch lyricist. He brought the profound rhymes to the table while Storm provided her unique style with a solid vibe. Their chemistry together is unmatched on the microphone and they seem to compliment each other very well. Although this was only released as a 12" EP  and also as a cassette single, there were plans for a full length album. That did not happen due to Mac devoting his time towards the then newly developed crew known as the Psychoward. Around this time Mac was also making appearances on local records from the city. The most noteworthy one being on B.G.'s "Chopper City." Those two infamous verses from that Cash Money record came across the ears of Master P which led to Mac ultimately joining the No Limit empire. Storm also went on to make a hand few guest appearances and eventually retired from the industry. One can only imagine how amazing this project would have been if only the duo had completed it. All in all this was a sufficient release from the Camouflage Assassin and it certainly etched itself as a valuable piece of New Orleans rap history.

Deadly Verses
Mad Or Jealous (Street Mix)

Monday, May 5, 2014

M.C. E-Rock - One The Hard Way

M.C. E-Rock is a rapper from the notorious neighborhood of Oak Cliff in Dallas, TX. Although he might not be known outside of Texas, he has been in the rap industry since the late eighties and is still active today. He started off battling in the underground and going toe to toe with rappers from the city. He ended up being discovered by DJ Pauly Pee of McRawlic Records and immediately debuted in 1988 on that label with the LP, "Down For Mines." After getting a taste of the industry and how cruel it can be at times from the business aspect, E-Rock returned after a three year hiatus. This time he was a lot more mature and had also developed proactively as an artist. One The Hard Way is his second EP and it was released in 1991 on Serious Records, Inc. It was also remastered and re-released with addition of two tracks coming from the "Vitamin E" Promo in 2013 by Dope Folks Records. Production is magnificently handled by Mark Adams, T-low, BLU, and C.R. Broadus III. They rely heavily on sampling as the foundation for the beats. While at times this could be a recipe for destruction and the producers are definitely walking on a very thin line; they still somehow manage to do it with precision and perfection. The end results are tracks that sound crisp and have a distinct theme to them. E-Rock is quite proficient on the microphone and displays that with ease. His rhyme pattern is unique and is filled with clever word play. He also fires them with rapid succession without suffering any loss to his pitch or tone. All in all this was a valiant effort by the Dallas native and one that seems to withstand the test of time. Not only did this record help establish E-Rock as an artist, it also made his foreseeable future a whole lot brighter.

Deadly Verses
Lyrical Graffiti

Friday, May 2, 2014

Tim Smooth - Straight Up Drivin' Em

Tim Smooth is rapper from the Kennedy Heights area in New Orleans, LA. He is credited for being a true pioneer of the southern rap movement that emerged from Louisiana. Tim is known for his vocal delivery and laid back persona, both of which happen to be undeniably smooth, appropriately fitting his rap alias. Straight Up Drivin' Em is his sophomore effort and it was released in 1994 on Rap-A-Lot Records. Production duties are assigned to the masterful Leroy "Precise" Edwards and Mark "Too Cool" Marine. Together they unleash an onslaught of melodic rhythms that tend to keep ear drums as hostages. Tracks upon tracks are laced with such beautiful precision that not only makes them original but also very captivating, musically. Tim's vocal artistry can be ranked with some of the greatest of all time. His soothing dialect, combined with vile word play, accompanied by a spell binding delivery turns each lyric into a destructive force. His natural ability to catch a beat in mid stride is truly a feat one must hear to witness his power over the microphone. Guest spots are courtesy of MC Thick, Bust, and Playache'. Overall the record is held in high regards and is one that can withstand the harshest of storms. It is a genuine work of art and a masterpiece that embodies the city of New Orleans perfectly. Tragedy struck on July 26th, 2011 when Tim Smooth passed away at the young age of only 39. He was battling cancer to the mouth and tongue. Although Tim is in a happier place now, he will always be remembered here as a legend and as a man who gave it his all every time he grabbed the mic. Rest in peace to the Knight from Kennedy Heights.

Deadly Verses
I Remember

Thursday, April 17, 2014

E. Vicious - Going For My Propers

E. Vicious also known as just Vicious, is a rapper from Lake Charles, LA. He is one of the dominant members of the group called, X-Mob and is also a long time affiliate of UGK Records. Vicious can be considered by many to be a true pioneer of the southern underground scene. Him and his group have collaborated with many artists from the southern region, Texas and Louisiana to say the least. Going For My Propers is his debut solo album and was released in 1994 on Roach Town Records. Production is assigned to Sharntii Baheth, Delario "To-To" Dillard, and Terry "Red" Redman. The production quality is truly top notch on this project. Instruments have been beautifully meshed with each another and melodies are presented in a very crisp manner. Some sampling is used but it is kept to a minimum. The producers never sway from the southern funk formula and seem to provide it ever so generously. On the microphone, Vicious can be best described for his rough tone and aggressive persona, hence his name. His tone is free of boredom and he can spit it at a decent rate. His southern drawl is very imminent and gives this record its' own flavor. There is one guest appearance on this joint and it belongs to Toad. All in all this six track effort is definitely worth a listen and should be coveted for the originality. The album's style is not only unique but also sort of refreshing and that could be the very reason Vicious was caught by the eye of the legendary Underground King, Pimp C (R.I.P.).

Deadly Verses
I Deliver

Thursday, April 10, 2014

R.W.O. - Been So Long

R.W.O. - Been So Long
R.W.O. also known as The Org is a group from Houston, TX. It consists of five members who are under the aliases Shortiega, Tucci, Cash, Mr. Clean, and Sno the female emcee. Been So Long is actually an EP which was released in 1998 on Everything Is Everything Records (E.I.E). It's sole purpose was to garner hype for their upcoming full length album "Wantin' Out." The production crew is led by some big names with the likes of Brian "Big Bass" Gardner, MC Eiht, Kirv, Willie Zimmerman, Prodege, and Jiles. They successfully give the EP that distinct laid back Texas funk. The producers really push themselves to make sure the the record is technically sound. Each track carries a genuine vibe which will more than likely result in a head bobbing motion. The group members waste no time in displaying their vocal arsenal. All five of them carry enough lyrical dexterity which keeps the listener gainfully entertained. Two guest appearances really shine on the record and they belong to Bun B of UGK and MC Eiht respectively. This piece contains a total of six groovy tracks including one instrumental. Overall the entire EP is constructed with utmost attention to detail. The artist and the producers are both musically on the same page. This in turn puts out a product that the entire team can be proud of and gives the listener ample subject matter all the while still keeping them hungry for more.

Deadly Verses
Surprise ft. MC Eiht

Sunday, April 6, 2014

The Resurrection

Well, it's been a couple of years but I have not forgotten about my humble beginnings. What started off as just another collection of southern rap, grew into something very unique and special. I can still vividly remember writing my very first post about the Fakkulty. I look back on all the memories I have since creating this blog, from all the music I came across to all the friends I made here, it inspires me to come back to it. And now when I open this blog up all I see is spam comments on album reviews, a dead music player, broken links, no chat box and last but not least, not a single visitor in sight. It is truly a shame to see this blog fall by the wayside like this. Its going to take some elbow grease to get it up to standards but I am up for the challenge. So bare with me as I dedicate myself to bring you that pure dope, no cut once again. And to all my loyal followers, I would like to say thank you for your support and kindness, I truly do appreciate it. Now with that being said, trust me when I say this, the best has yet to come.

Friday, December 2, 2011

Insane Klan - Never Fear Death

Insane Klan - Never Fear Death
Insane Klan is a group from the notorious 5th Ward in Houston, TX. It consists of three members who are under the aliases Hollow Point, Bullet Proof, and Top Dawg. Never Fear Death is their debut effort and it was released in 1994 on Dolla Bill Records. The production in its' entirety is superbly done by Lamar "Big Boss" Burks. The beats are made with pure underground harmony and carry that hard edged street sound. A full variety of instruments which are all rhythmically correct are also on display here. By incorporating this method the producer made sure his work will stand the lengthy test of time. The three members waste no time and jump viciously on the dope tracks provided for them. All three are true lyricist. This can easily be seen by their different personalities and confident delivery methods. They attack the microphone with ruthless ambition and savagely rip through the core of the record. Also the chemistry between the trio is also worth taking a note of. Since this is a tape only release, one can expect the quality to be a little dim. With that being said that still should not discourage the listener because the sum of this eight track album is much greater than what is depicted. Overall the group put out a genuinely commendable effort but one that never received any kind of attention. Maybe it was the rough and roguish nature of the record or it could have been the menacing demeanor of the three vocalists. But in all honesty, it is very admirable that the record still sounds amazingly alluring today, as it did back then in 1994.

Deadly Verses
Goin' Insane

Wednesday, November 16, 2011

D-Red - Smokin' & Lean'n 2000

D-Red - Smokin' & Lean'n 2000
D-Red is a multi talented artist from the neighborhood of Cloverland located on the south side of Houston, TX. He is known throughout the southern region for his superb production skills as well as his provability on the microphone. D-Red began his career in the mid nineties with the collective known as the "Botany Boys." After a lengthy stint with them, the group disbanded over incarcerations of members D-E-Z & Lil' 3rd as well as the untimely death of B.G. Gator. The remaining members decided to branch off towards solo projects. This is Red's debut solo album and it was released in 2000 on Big Shot Records. Production in its' entirety is handled by D-Red himself. His approach for the tracks is a little different than his previous production pattern. He models the beats after the new millennium sound rather than the more accustomed hard street sound. Somehow he still manges to deliver a good amount of quality tracks. Lyrics have also been somewhat minimized in the sense that they are just not strong enough. D-Red was a lot more vicious and lethal on the mic when he was with the Botany Boys. It seems here that he has either lost interest or that he is trying to change his style so that he can be more widespread into the mainstream. The sub par lyrics are also the reason why there is a guest appearance on each and every track. Although there are some tracks that really stand out and shine. Featuring on the album are the Botany Boys, Botany B.G.'z, Brew of Mass 187, Wood of the Half Dead Organization, South Park Mexican, Menace Clan, B-1 of the S.P.C., Se7en, Godfather, 2 Phace, T.P. Sin, Kirby-D, and 1 Da Boy. All in all it is a decent effort from the Cloverland native but it tends to fall short of anything more than just that. D-Red is also a member of the Screwed Up Click and the Clover well.

Deadly Verses
B.G.'s To O.G.'s ft. Botany B.G.'s

Wednesday, October 26, 2011

Lil Walt - Devil's Dandruff

Lil Walt - Devil's Dandruff
Lil Walt is a rapper originally from Memphis, TN but has also held residence in Atlanta, GA. He is one third of the southern rap group known as "A-Dam-Shame." This is his second solo album and it was released in 2008 on Barons Music. The production is done by the very versatile and talented team known as Low Barons. It consists of G. Seth West, Jimmy Street, and Thomas Sentler. They lay out a completely unique platform for the beats. Some tracks incorporate live instruments while other are made conventionally. Head bobbing melodies and catchy tunes are served up with an utmost attention to detail. The producers end up bringing a very new and refreshing sound to the table. As far as the lyrics go, Walt has never disappointed on the microphone. Ever since his early days with A-Dam-Shame, he has been known to deliver profound rhymes with precise word play. He basically provides more of the same on this album. Guest appearances are made by Menace of A-Dam-Shame, Chattanooga Red, P.J., Mr. Mar, Moleone, G.r.u.d.g.e., Jackie Love, Corey Clark, T.m.a.n., Ryan Thies, and Michael Inge. A good total of twelve tracks are provided with a varied sense of subject matter. Overall it is a very notable release, especially considering the year it was released in. A good mixture of diversity is portrayed through the music and it shows that even in this day and age, an artist can release a successful record without following any kind of mainstream trends. Kudos and much respect is given to Lil Walt and Low Barons for making such a bold move and not thinking twice about it.

Deadly Verses

Tuesday, October 25, 2011

Fat Texas Records - Texas Made

Texas Made is a compilation disc that was released in 2000 by Fat Texas Records who are primarily based out of Dallas, TX. Michael Lopez is the CEO of the label and Michael Cardenas is his right hand man. This is their second release. The first one being "Family Tactics." Since this is a compilation, a gang of producers were used to make this project noteworthy. The beats are courtesy of Icey Hott of Street Military, KG, Avery Jones, Rebel, and Crank. The producers do a good job by providing that Texas style funk fused with that hard underground sound. A few tracks can be tossed out but for the most part all of them equally jam. Lyrics are done by K.B. Da Kidnappa & Icey Hott of Street Military, 3-2, Big Tee, Lil' Sen, Rebel, Tony Montana, Keys, J-Duce, Villian, Relentless Mafia, Miss Asia, and Carla McQueen. The pack of rappers listed above make sure they keep the lyrics very roguish. They team up with each other and start to pass the mic around. A good chunk of the track list really stands out while there are a few fillers. Also, all the tracks on this album have never been on any other album. Meaning tracks were precisely recorded just for this compilation so the material is at least genuinely fresh and not out dated. Overall it is a reputable effort but one that somehow went unnoticed. Fat Texas Records are defunct now but they will always be remembered and respected in the underground.

Deadly Verses
Texas Made