tag:blogger.com,1999:blog-35825247375816851792024-01-04T00:43:09.337-06:00Deadly GroundsThe sole purpose of this blog is to present music from the Third CoastQDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.comBlogger312125tag:blogger.com,1999:blog-3582524737581685179.post-43710497174092540612017-12-30T22:21:00.001-06:002018-01-02T07:18:35.383-06:00Pac Da Great - This Is How Da Pimp'in Goes<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPg-F7HvbxZKrHLTEOSPQJpt_RALCUnvlUGZdXyvVFdF-ox88aY09AY2l8-ABQ8RNAM1rglAQOBw2dukdkQDWow-yB0_a8c7lWJiGhHX7BbzX-DJHxAJw1BvWnhZLPPueicalBixJTxgc/s1600/PDG-TIHDPG.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="493" data-original-width="500" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPg-F7HvbxZKrHLTEOSPQJpt_RALCUnvlUGZdXyvVFdF-ox88aY09AY2l8-ABQ8RNAM1rglAQOBw2dukdkQDWow-yB0_a8c7lWJiGhHX7BbzX-DJHxAJw1BvWnhZLPPueicalBixJTxgc/s320/PDG-TIHDPG.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!25d3hIqQ!sGfuwjohdoxAbgvHnTREHhaLJa_WHAlKv3H_RiJ9yuM" target="_blank">Pac Da Great - This Is How Da Pimp'in Goes</a></div>
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Raphael Mathis, better known as Pac Da Great, was an artist from the notorious neighborhood of Adamsville in Atlanta, GA. Pac made a name for himself on the West side of town as an upcoming rapper and a well established pimp. Well renowned artists such as Ludacris and Killer Mike, both credit Pac as a major influence on them. Killer Mike, who is from the same neighborhood as Pac, cites him as a mentor while Ludacris was one of the few disc jockeys to give Pac's material a meaningful rotation in the underground club scene. After serving a stint in the state prison, Pac hooked up with Virgil "Da Brain" Brannon and Marcus "Lil' Bo" Skrine of Get Funky Records. This Is How Da Pimp'in Goes is his debut album and it was released in 1994 on the aforementioned label. Production in its entirety is handled by Private Eye and it is quite excellent to say the least. His encoding pattern is very funk and bass driven. This results in a melodic overdose of smooth bass lines which are fused with groovy guitar licks and finished off with some twangy keyboard strokes. This sort of flavorful approach sets the right foundation for the artist and certainly tips its' hat to the division of Southern Funk. The producer and the artist also decide to include a few cuts that pay homage to the Bass scene which was really prominent in Atlanta during the early nineties. The record is also lyrically potent. Pac is very resilient upon the microphone and it shows in his rhymes. His laid back tone and the pimp tight persona are something to behold. His impeccable delivery is also accompanied with some strong word play which in turn makes for an exceptional combination. Although his approach is methodical and some might even say basic but there is never a dull moment in the verses. Subject matter is pretty much kept in the "Pimps & Macks" category but there are times where the artist will leave this comfort zone and that is where he truly excels. He also makes some bold statements regarding the pimps in the neighboring state of Tennessee, Orange Mound Memphis to be exact. While he does not say any names, one can easily sense that he is referring to the legendary duo known as, 8-Ball & MJG. Guest appearances are made by Code 3, Private Eye, Big Roe and Donata Echols. All in all, this was a formidable release and it is one that definitely left its mark on the genre of Southern Rap. Not only because of the compelling content but also because of the untimely and tragic demise of Pac Da Great. According to his mother Cassie Mathis, Pac was killed in a car accident on September 27th, 1996. He was the passenger in the vehicle and was ejected on impact. His body was then crushed by a fleet of Semi Trucks. He was only twenty five years old. Rest in peace to one of Atlanta's finest.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Maintain<br />
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Bend One In My Lack ft. Private Eye & Donata Echols<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-72626955902716339682017-12-14T23:15:00.002-06:002017-12-14T23:15:26.874-06:00Slater - Can You Feel Me<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhapVgqi2_zD2lfIjKDxtYaTXh3DQEcDC53IQhZGfFKpSUY9LXL65IBjuqJvzbyzWV8WSrsd7TLv-hEBFiCyGU5mrCOpb4q2brvb10wFGRwgHwHBfNKJj6DN29yY35_Z6Nf7LMBRVRZwo8/s1600/S-CYFM.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1060" data-original-width="1080" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhapVgqi2_zD2lfIjKDxtYaTXh3DQEcDC53IQhZGfFKpSUY9LXL65IBjuqJvzbyzWV8WSrsd7TLv-hEBFiCyGU5mrCOpb4q2brvb10wFGRwgHwHBfNKJj6DN29yY35_Z6Nf7LMBRVRZwo8/s320/S-CYFM.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!fhESwarC!f7gC9YCCfYWUIgcuNvOFL-IorVqOLSSIxbzQVb6JxkY" target="_blank">Slater - Can You Feel Me</a></div>
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Curtis Slater is an artist that represents from the rampant boulevards of San Antonio, TX. A well renown figure in SA Town's underground rap scene, he is highly remembered for his rapturous flows and energetic performances. Can You Feel Me is his debut solo album and it was released in 2003 on Top Entertainment Inc. The record is excellently produced by Houston's very own, Sean "Blaze" Henderson who is also assisted by Key Jay. The mixing and mastering is provided by the magnificent, Ricé. The engineers do a solid job on the beats and the end result is quite pleasurable. The rhythms presented here are Southern in nature so one can easily expect the use of jazzy horns, conventional hooks and some twangy guitar work which is provided by Paul Olivarri. A few of the beats are sample ridden while the rest are all original in composition. The two most notable samples come from the Ohio Players' "Fire" and The Crusaders' "Street Life." Lyrics are also on par with the rhythmical structure that is given to the artist. Slater's rhyme scheme might be typical but he does carry the ability to take the listener by surprise with his bold tone and a quick change of pace. He can also attack with a decent vocabulary as well. Subject matter is kept versatile and various styles are provided for the listener to keep them hooked. Guest appearances are made by D'nae Slater, Danielle Hamilton, Chris Benson, Ghetto and Big Turk. The album closes out with a total of thirteen tracks and also includes a bonus Eighted & Chopped disc done by the masterful, Mike Moore of the infamous Beltway 8 Records. Overall it's a dope record that gives off a satisfying vibe and has the power to play on both ends of the musical spectrum. A feat that is not easily attained but rather achieved by giving attention to the smallest of details. That alone places this album in the category known simply as, a diamond in the rough.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Good Life ft. Danielle Hamilton<br />
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Can You Feel Me<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-63410796642050377122017-12-13T08:16:00.000-06:002017-12-13T08:16:02.869-06:00Wet Boys - 6 Ft. From Home<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYYSLSHJthoZETPLRnayrNs7-lSZqEp4CDVSocJBnRe_RbrCLxPq-Bx-bswF7C6bUnsZiJ5rHxpP6zvfYyzyBB5-PdYvrRRXSBAh4TKlqP395EExWQl5FPx4BXTRdTJeZaynG6gUOTgT4/s1600/WB-6FFH.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1064" data-original-width="1074" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYYSLSHJthoZETPLRnayrNs7-lSZqEp4CDVSocJBnRe_RbrCLxPq-Bx-bswF7C6bUnsZiJ5rHxpP6zvfYyzyBB5-PdYvrRRXSBAh4TKlqP395EExWQl5FPx4BXTRdTJeZaynG6gUOTgT4/s320/WB-6FFH.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!D482gRbT!_-_EgxLNCialPJ8sBhcCckhcsiSMUEsLPozPr8vQPeA" target="_blank">Wet Boys - 6 Ft. From Home</a></div>
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The Wet Boys was a relentless group that represented the illicit streets of New Orleans, LA. It was headed by the formidable Sporty T along with Black John Gotti and the in-house producer, T-Bone. The group's only claim to fame was their war on wax with Cash Money Records and the nefarious, Hot Boy$. As it is customary in any verbal exchange in the Rap Industry, it does not matter who starts it but rather who finishes it. Although, Sporty T was a legend in his own right, the Wet Boys simply cannot hold a candle to what Cash Money Records and the Hot Boy$ accomplished in city of New Orleans, let alone the South, period. Now, as far as the battle of words go, Sporty T may have had the upper hand only because of his lyrical prowess and his furious tone upon the microphone. 6 Ft From Home is the third and final album by the acclaimed group and it was released in 2001 on Sporty Records. As always, the production is handled by the masterful, T-Bone and it is quite respectable to say the least. His edgy and eclectic style is brought to light by the use of various synthesizers and drum machines. The beats also tend to carry a street savvy vibe and will at least, keep the listener engaged. Lyrically the record is rather on the strong side and that is mainly due to Sporty's powerful lyrical skill and dexterity. His delivery and technique are both unmatched. Not to mention his aggressive tone that is accompanied by his equally wild persona and it is safe to say that Sporty belongs in the upper echelon when discussing lyricists representing the State of Louisiana. The core content is where the album really takes a hit and suffers. While there are some new cuts, most of the tracks have either been recycled from Sporty's previous solo outings or the Wet Boys' prior releases. The record lacks a polished feel and seems as if it had been thrown together overnight. It appears as if Sporty T was attempting to make up lost ground to Cash Money Records and was trying to release something to derail their massive success. Around this time, Sporty was also heavily involved with another group known as Da Wild Boyz, which was basically another collective whose main goal was to go after Cash Money Records. It is unknown whether or not both sides resolved their issues and its a topic that will remain shrouded in mystery due to the brutal murder of Sporty T in 2008. May he rest in peace.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
6 Ft. From Home<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-35991713456545031922017-08-26T12:00:00.000-05:002017-12-13T10:22:00.955-06:002 Real - Any Last Words?<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYOwV079V9L-87_yTxGOuwGvaKUEQ33SYdEsjTIXhNRlwVT4iGt2miCqgC4N0MMV2m3CHeeBGfkgK5Tm-zjL_xqrSXHYpPzlF1Rfr_rWJ8GtcLwpvn2jeVRdrmL6QbmdIBIEOn54jhgvs/s1600/2R-ALW.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="469" data-original-width="472" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYOwV079V9L-87_yTxGOuwGvaKUEQ33SYdEsjTIXhNRlwVT4iGt2miCqgC4N0MMV2m3CHeeBGfkgK5Tm-zjL_xqrSXHYpPzlF1Rfr_rWJ8GtcLwpvn2jeVRdrmL6QbmdIBIEOn54jhgvs/s320/2R-ALW.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!2pUTASwL!uOeMJ8Ptr6p5DdHbQ5_zrR0j12OchDfh82Pvn6tyZ9U" target="_blank">2 Real - Any Last Words?</a></div>
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2 Real is a duo that represents from the relentless streets of Houston, TX. The group is composed of brothers Lil' V and Lil' D. The brothers also alternate their aliases as Vinnie Valentine and Mr. Everline. Together, they hold membership in the local collective known as the $tack Pack as well as the legendary, Killa Klan. 2 Real first started out in the mid nineties and debuted with the now highly covetable, "<a href="https://deadly-grounds.blogspot.com/2008/09/2real-welcome-2-tha-real-world.html" target="_blank">Welcome 2 Tha Real World</a>." After about a fifteen year hiatus, the group finally decided to make a return to the underground rap scene. Any Last Words? is their sophomore effort and it was released independently in 2012 with limited copies. The album, which is somewhat of a mix tape and not an official record, was basically put together for their loyal fans who have been begging to hear some new material by the group. It was also an attempt to get back into the music industry with the hopes of being picked up by a major label. Most of the beats are borrowed from other artists but there are a few that are original in composition and are produced by John Brown The Rebel. His production pattern is pretty solid to say the least and it fares quite well with the overall sound that the group is trying to achieve. The beats are a bit contemporary in structure but they still carry that distinct underground sound that Houston was most known for. The process of sampling is also used by the producer to attain that desired melody. The two most notable coming from Johnny Cash's "Hurt" and Rick James' "Teardrops." Lyrically, both members may have lost a step or two since their last outing but it's good to see that they can still hold their own on the microphone. Their lyrics are still delivered cleverly and aggressively with extra attention towards word play and detail. Rhyme schemes and speech rates are kept at a varying pace so there's never a dull moment. Subject matter is also pretty diverse and open which in turn appeals to a broader audience. Guest appearances are made by Drankk $inatra and various members of the Killa Klan in the form of skits. All in all this was a very respectable release and it's one that certainly pays homage to the group's origins. As we all know, music as a whole has continued to evolve and even the South is not spared from the horrid renditions of today's popular selections. Artists are either selling out for money or for mass acceptance and reception. Still in the midst of all the nonsense, this group showed what it means to keep it real by staying true to their art and to themselves.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Revenge So Sweet<br />
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Teardrops<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com3tag:blogger.com,1999:blog-3582524737581685179.post-51040959008057697482017-08-09T21:35:00.001-05:002017-12-13T10:22:17.335-06:00Bumble B.H.E. - Pain<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE91j0SpcPXjuJk8KauHLK69kgtOt0TO6hVkQ6wBBcyPyty4F8dpIp-kyo6NVpNNXTRUfQUi4MtMF57fW12f-qsh7q6CVk0R53nLL1vn3UvlzbWPfMDCyyu6etNN0YeO-6gitXRjdAn7g/s1600/BBHE-P.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE91j0SpcPXjuJk8KauHLK69kgtOt0TO6hVkQ6wBBcyPyty4F8dpIp-kyo6NVpNNXTRUfQUi4MtMF57fW12f-qsh7q6CVk0R53nLL1vn3UvlzbWPfMDCyyu6etNN0YeO-6gitXRjdAn7g/s320/BBHE-P.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!m5sRnRJB!c7AJNOVR6e1OEm6ZszTIGW15b_EfmCdsj9ZOdwLq4_U" target="_blank">Bumble B.H.E. - Pain</a></div>
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William Jackson, better known as Bumble B.H.E., was a socially active artist from the savage streets of Dallas, TX. He is often remembered for his controversial lyrics and equally provocative civil views which were the main cause of distress upon the media, politicians and even the African American community in the early nineties. Bumble B.H.E. first started off with the famed group, Nemesis but would soon leave them over creative differences. The differences being about the overall sound and the message the group as a whole was portraying. Pain is his debut solo album and it was released in 1992 on 380 Recordings while also being distributed through the larger and well established, Ichiban Records. The production in its' entirety is handled by the talented group of producers known as, The Bump Godz. The Bump Godz consists of Brother Black, DJ Zero, I.C.E., Suave-X and Bumble B.H.E., himself. Although the rhythms are all electronically derived and most are sample ridden, there are tracks where the producers incorporate live instruments such as horns and various types of guitars. The beats are of a simple nature and are generally presented in an uptempo fashion. This set up remains constant throughout the album and really does set the tone for the entire project. Lyrically, the artist is pretty blunt upon the microphone. Both his tone and persona come off as quite aggressive and he seems to get his point across with ease. His rhymes follow no dictated pattern which results in a very candid and honest approach. Guest appearances are made by Mad Wisdom and Gretta Epps. The record closes out with a total of thirteen tracks with each one being more ruthless than the next. The core content is of a harsh yet truthful nature as one can sense from the album's title and the intrusive caption printed on the cover. Overall the album does carry its' own charm but it can also get a bit redundant at times with its' brutal content. Nonetheless, the message it conveys is of an imperative nature especially when considering the turmoils and unrest which still plagues the African American communities to this very day.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Pain<br />
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If This Gets Out (It'll Cause World Wide Panic)<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-3329355358740530042017-05-28T20:17:00.000-05:002017-05-29T01:19:55.882-05:00De' 1 - 16 With A Bullet<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjHhoAR7YmSizqoggkfwCfHOkd0EFjqT_9OXXm_ZcUE-KDD6GTQ5mVkWoZDtUNrtN3oLkiSwpQ7rvJ6CrZ3vkRkwjNVdjx8-OZZuPLgLZFRuCRxQLwOOqD2WH3WWKFt2zOt64Foh0-b_A/s1600/DE1-16WAB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1030" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjHhoAR7YmSizqoggkfwCfHOkd0EFjqT_9OXXm_ZcUE-KDD6GTQ5mVkWoZDtUNrtN3oLkiSwpQ7rvJ6CrZ3vkRkwjNVdjx8-OZZuPLgLZFRuCRxQLwOOqD2WH3WWKFt2zOt64Foh0-b_A/s320/DE1-16WAB.jpg" width="206" /></a></div>
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<a href="https://mega.nz/#!Lg1UjIRY!ZvdVYo1ilC2cAc-amL1dxAjy9-8TT5raOLiR04tdn_k" target="_blank">De' 1 - 16 With A Bullet</a></div>
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Martin Crawford, better known as De' 1 or Kid Deleon, was a rapper from the vile streets of Houston, TX. Although he is a native of Texas, he does seem to have some strong ties with the East Coast. He first appeared on the song "Flow On (New Symphony)" by Lords Of The Underground. It was this track that made the legendary production team of Marley Marl & K-Def take notice and really see the raw potential of De' 1. With the artist and production team assembled, work would soon begin for a full length album entitled, Day One. 16 With A Bullet is a Maxi Single from the aforementioned album and it was released in 1993 on Reprise Records. Side A consists of the album and video versions of the song, 16 With A Bullet while Side B contains Da Underground Sound and an alternate mix of the title track. All tracks were produced by the magnificent, Marley Marl who certainly provides some noteworthy hits here. His signature style of heavy bass lines and jazzy horns is used effectively throughout the cassette. His exceptional choice of samples and the smooth use of snares simply cannot be denied. Lyrically, De' 1 can more than handle his own on the microphone. His flow, delivery, pace and technique are on an another level. He is not your typical Southerner in the lyrical department but instead he models his rhymes after his East Coast colleagues. This unique characteristic along with his flavorful demeanor is what tends to set him apart from others. Guest appearances are made by Marley Marl, Lords Of The Underground and Sha-B. Music videos were also recorded for both the single and the B-Side in an attempt to create a buzz around the new artist. True Homies, another single off the album which was also accompanied by a music video, was released the following year in 1994. Then for some odd and bizarre reason, Reprise Records pulled the plug on the entire album. Day One was never officially released and De' 1 was never heard from again. It is truly a shame to see such talent go to waste and a work of art be neglected in this manner. Especially when all the hard work was already done and the album was pretty much completed. The photo and video shoot were done. The singles had been carefully hand picked and leaked out to the public. The promotional material had been passed out to clubs and disc jockeys. Everything was in order, which is why it's confusing that suddenly the parent label would decide to shelve the album altogether. Fans of the underground are still yearning to this day to hear the album in all its' entirety. In the end, not only did this young man represent the city of Houston to the fullest extent in the far regions of the East but he also managed to go blow for blow with some of the best that ever did it.<br />
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<span style="color: #cc0000;"><u>Album Notes</u></span><br />
<span style="color: #cc0000;">*</span> For the vinyl version of this single, check out the post by Alexandre over at <a href="http://circuitpowerflashrap.blogspot.com/2016/04/de1-16-with-bullet-single-12-1993.html" target="_blank">Circuit Power</a>.<br />
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<span style="color: #cc0000;"><u>Deadly Videos</u></span><br />
16 With A Bullet<br />
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Da Underground Sound (Remix) ft. Marley Marl, Lords Of The Underground & Sha-B<br />
<iframe allowfullscreen="" frameborder="0" height="300" src="https://www.youtube.com/embed/TsfMMUvLHqs?rel=0&showinfo=0" width="400"></iframe><br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com1tag:blogger.com,1999:blog-3582524737581685179.post-91303001050736577822017-03-27T19:25:00.000-05:002017-03-27T20:50:08.430-05:00Wet Boys - Puttin Out The Fire Vol. 1<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgba44AnCLiv2ZrLqplByNc0I5q9XN1OdcarKQ4hdyJUUW9uHlJzqgLbGbj9Y9UfzEO8pu5epStPOjvfY5sQ3F48ZmVattL6WbKglk2Q_Z_oYzta_NPlLesXm4b8ZDrXEdDltoTq1JLfzs/s1600/WB-POTFV1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgba44AnCLiv2ZrLqplByNc0I5q9XN1OdcarKQ4hdyJUUW9uHlJzqgLbGbj9Y9UfzEO8pu5epStPOjvfY5sQ3F48ZmVattL6WbKglk2Q_Z_oYzta_NPlLesXm4b8ZDrXEdDltoTq1JLfzs/s320/WB-POTFV1.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!j9MmELZa!2-E337gcHaky7UBQUkZE-PaM44HdZRE6qKBOTd7C4Tg" target="_blank">Wet Boys - Puttin Out The Fire Vol. 1</a></div>
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Wet Boys was a group that represented the murky bayous of New Orleans, LA. The group was founded in the mid nineties by the pioneer, Sporty T. The main cause for the group with their opposite moniker was to continue the war on wax between Sporty T and the Hot Boy$ of Cash Money Records. The Wet Boys consisted of T-Bone, Sporty T and the Black John Gotti. Puttin Out The Fire is their debut album and it was released in 1998 on Sporty Records. The production is of superb quality and is entirely handled by T-Bone. His strong intent can be heard from the very first track. From the raw bass lines to the woozy hooks to the scintillating synths, all hit in the right place at the right time. The beats are composed with a sense of purpose and attention is given to the smallest detail. T-Bone may not be as flashy or even as gifted as the rest of his contemporaries but what he lacks in experience, he makes up in presentation. Lyrically the album is also pretty strong. The subject matter may be redundant due to all the tracks being directed as a shot towards the Hot Boy$ or Cash Money Records but there is never a dull moment in the rhymes. Sporty's flow is certainly in the upper echelon when compared to his counterparts. His change of pace, his firm vocabulary and even his occasional humorous tone are a sight to behold. Combine this with his veteran status in the Rap game and one has a commanding figure in the studio and a brute upon the microphone. Guest appearances are made by Ice Mike, Greg and Lyric. The album closes out with a commendable total of eighteen substantial tracks that certainly give some insight on the beef between the two parties. The record as a whole is a respectable one because of the quality production and the lyrical content. It is also an extraordinary piece when considering the history between the two camps. Sadly, Sporty T was murdered in 2008 which ended the feud once and for all. Rest in peace to one of New Orleans' finest.</div>
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Rope Round Ya Neck</div>
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<iframe frameborder="no" height="150" scrolling="no" src="https://www.reverbnation.com/widget_code/html_widget/artist_4088558?widget_id=55&pwc[song_ids]=27727878&context_type=song&spoid=artist_4088558&pwc[size]=small" style="max-width: 100%; min-width: 100%; width: 0px;" width="100%"></iframe></div>
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com1tag:blogger.com,1999:blog-3582524737581685179.post-32019716922875253452017-03-26T09:21:00.000-05:002017-03-26T09:21:02.522-05:00Cash Money Millionaires - Platinum Instrumentals<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUq0HHlPrExH7DJwbZy0QlNAZslKG1gFVPpB8GfO4Xy32NwkecDKFanNxZaMtDus94ns1CsUtvjKT3zTs1hFi2wWn9dRx3i7sSTRfxCHR6fwdP8D0miSuKGE9OeA64I9cvbS1JiipdMJ4/s1600/CMM-PI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUq0HHlPrExH7DJwbZy0QlNAZslKG1gFVPpB8GfO4Xy32NwkecDKFanNxZaMtDus94ns1CsUtvjKT3zTs1hFi2wWn9dRx3i7sSTRfxCHR6fwdP8D0miSuKGE9OeA64I9cvbS1JiipdMJ4/s320/CMM-PI.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!K99UDI6C!I_NBjV08xFE55X7Uyp9mkvmjJYKWx6IQMHsv-oymRN8" target="_blank">Cash Money Millionaires - Platinum Instrumentals</a><br />
Cash Money Millionaires was a super group that represented the muddy banks of New Orleans, LA. The group consisted of Mannie Fresh, Baby, Lil' Wayne, Juvenile, Turk and B.G. The collective was fabricated during the late nineties through the originally constructed Hot Boy$ and Big Tymers. As the name suggests, Platinum Instrumentals was a instrumental album which was released in 2000 on Cash Money Records. The album is basically compiled with the hottest singles ever released under the infamous label. As always, production is handled by the musical genius, Mannie Fresh. He brings his classic style to the table and certainly does not disappoint. A style that is often imitated but never duplicated. Even though he is very talented with various types of synthesizers and drum machines, it's his energetic approach and melodic arrangement that sets him apart from others. Not enough can be said about his profound production template that hasn't already been said before. One can only hope to bear witness and ultimately appreciate the sheer brilliance at hand. The record boasts a collection of thirteen tracks which were hand picked off of various releases by the group members. The tracks are not snippets or samples but instead are provided in their original and uncut nature. This release not only helped up and coming artists in their musical endeavors but also gave the Cash Money fan base a collector's item. An item that single-handedly displays the pure intellect and the genuine prowess of the man behind the chart topping music.<br />
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<span style="color: #cc0000;"><u>Deadly Tracks</u></span><br />
Back That Azz Up<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com2tag:blogger.com,1999:blog-3582524737581685179.post-88176474784074782762017-03-25T14:01:00.000-05:002017-03-25T22:57:22.361-05:00VooDoo Mob - 210 Soldiers<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWqw_dL55ICEIu6e17kxX9attHHs8ckS_G6y-Hj4kBBcsChRecizC7uMH47UtQq-w7zwqlYeXNiLqEsG-Ph0HodA9VPvrnTtBvERza2rQYeecH_NQxpELyNkja2p3Y7NxY25O-XugZz2o/s1600/VM-210S.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWqw_dL55ICEIu6e17kxX9attHHs8ckS_G6y-Hj4kBBcsChRecizC7uMH47UtQq-w7zwqlYeXNiLqEsG-Ph0HodA9VPvrnTtBvERza2rQYeecH_NQxpELyNkja2p3Y7NxY25O-XugZz2o/s320/VM-210S.jpg" width="204" /></a></div>
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<a href="https://mega.nz/#!nsdWXJRL!G_9N0w2pk22SbxNnt1k9y6TZjSS4-IDwg84tt6l_qK4" target="_blank">VooDoo Mob - 210 Soldiers</a><br />
VooDoo Mob is a collective that represents from the dark alleys of San Antonio, TX. The crew consists of Voodoo King, 666 and Magik Man. 210 Soldiers is their debut EP and it was released in 1997 on 210 Records. Production is solely provided by the Magik Man, who is the group's devoted in-house producer. The rhythms are presented in a very grim and gloomy style. They are derived through heavy bass lines which incorporate a steady usage of samples and are finally finished off with some dark synths. The bass heavy pattern meshes beautifully with the horrorcore sound. It's a smooth transition and one that definitely pays homage to the early Bass culture of San Antonio's diverse Rap scene. Lyrically, the EP is quite hard to judge due to the fact that the vocals are only laid on two of the tracks. The rest of the cuts are just plain instrumentals. The group does show a limited amount of promise on the microphone but their rhymes give off a very simple vibe. The lyrics seem like freestyles that are coming fresh off the domes rather than something that is a bit more concrete. There is hardly any direction in the songs and it seems as if the verses were just cut and pasted together. As mentioned above, there are only two cuts with vocals so this assessment maybe a bit harsh but one can only imagine what the group members could have accomplished with the rest of the tracks or possibly even a full fledged album. The EP closes out with a meager total of seven tracks and since this is a tape only release, some sound quality issues are to be somewhat expected. Overall it's a decent effort by the SA Town natives and one that is as obscure as finding a needle in a haystack. While the release does carry a strange and intriguing vibe, sadly there is just not enough substance or core matter to keep the listener coming back for more.<br />
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<span style="color: #cc0000;"><u>Album Notes</u></span><br />
<span style="color: #cc0000;">*</span> Also worth checking out is <a href="http://mixerrreviews.blogspot.com/2016/09/mixerr-album-reviews-850.html" target="_blank">Michael Mixerr's</a> review on this tape.<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com3tag:blogger.com,1999:blog-3582524737581685179.post-6363803027669835132017-01-26T22:45:00.000-06:002017-01-28T02:02:28.182-06:00Reese & Bigalow - Unfinished Business<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQj5cecd70gknkbyC6CovS4tmUxAJQVB4SwsLVB-b5h7lNGi30iVHhq-Te9oWk6LCjHuMKezptY-HiMGlJyp9qPeth6KWQT7XIECTEpj-7z5pXdozY-3ZWFD-zsPWQaPXgwWip1ChZmMs/s1600/R%2526B-UB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQj5cecd70gknkbyC6CovS4tmUxAJQVB4SwsLVB-b5h7lNGi30iVHhq-Te9oWk6LCjHuMKezptY-HiMGlJyp9qPeth6KWQT7XIECTEpj-7z5pXdozY-3ZWFD-zsPWQaPXgwWip1ChZmMs/s320/R%2526B-UB.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!KhkDVTyQ!1QvJnhVOEYMjK8FmiecYd3Z37N14Qz_RcWhSjd7ySSY" target="_blank">Reese & Bigalow - Unfinished Business</a><br />
Reese & Bigalow is a duo that represents from the infamous Wood Street in Jackson, MS. They first started out in the early nineties as members of The Renegades. The group was one of the first acts to represent for the city of Jackson and eventually paved the way for many other artists, Reese and Bigalow left the group after their initial release and formed their duet while Lon Trigga of The Renegades went on to form the notorious, Wood Street Playaz. Unfinished Business is their second album and it was released in 2000 on Lil Mann's Records. Production is equally split between Mike B, Gutta Boy and JB Money. The beats are Southern in composure and while most of them are fairly enjoyable, there are some that lack a bit of energy and edginess. The three producers do a decent job at constructing the rhythms but it's their simple approach at times that takes a hit. Lyrically, the album is quite good. Both, Reese and Bigalow are pretty adequate on the microphone and their verbal chemistry is also reasonably strong. Their rhymes display constant word play and are also delivered at a fair rate. Guest appearances are courtesy of 20-2-Life, PSK-13, South Park Mexican, Ska-Face Al Capone, Bone Crusher, Crooked Lettaz, King Goldi, Poetic Preachaz, Dez, J2, Frank Da Macka and Fe-Fe. The album closes out with a commendable total of sixteen tracks and the rock solid guest list makes it that much harder to deny. Overall it's a noble release that has a good amount of highs instead of the lows. The only knock on it is the basic production but even with that blemish the album manages to sustain itself. Reese & Bigalow went on to release one more album in 2002 before slowly fading out of the music industry. The groups' unlucky demise was brought by the hands of the Atlanta based rapper known as Bone Crusher. Bone, who was signed to Jermaine Dupri's label known as So So Def, was once a loyal friend who quickly turned foe over ownership of a single track. The song in question is called "Neva Sked" and it comes from Reese & Bigalow's 2002 release known as, "Playa Music." The track featured a verse from Bone Crusher and Killer Mike. It was produced by Avery Johnson and was purchased by Reese & Bigalow for their new album. The exact same song was released by Bone Crusher for his debut album in the year 2003 and the only major difference was the verses of Reese & Bigalow were removed and replaced with a verse from T.I. The title was also changed to "Never Scared." Bone Crusher's version of the song ended up being a chart topping hit and eventually propelled him into the limelight. Reese & Bigalow did file a law suit against Bone Crusher over copyright infringement but they never got the recognition or the praise for the original song. They were most likely paid off by the deep pockets of Jermaine Dupri and were supposedly told to keep their mouths shut about the whole issue. It's unfortunate what happened to Reese & Bigalow but then again it just goes to show how corrupt some of these major labels are and how how cruel this music industry can be at times.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Unfinished Business ft. Ska-Face Al Capone & PSK-13<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-72007040934735591412017-01-14T22:22:00.001-06:002017-01-24T18:41:02.026-06:00Sporty T - Chromed Out<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdAYBSOYAstozchlPrTYVJjFH57ME0DjTTeQgtJdmAWAvrL6AXBaZZJzQIlZN6jcXAdDk2RucEjIr00ozvrAAMSIa1sB7OpNhL2foDAbRjulXEVIP6CN78FrMu9bOJ6K-NM6h-5ehtEps/s1600/ST-CO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdAYBSOYAstozchlPrTYVJjFH57ME0DjTTeQgtJdmAWAvrL6AXBaZZJzQIlZN6jcXAdDk2RucEjIr00ozvrAAMSIa1sB7OpNhL2foDAbRjulXEVIP6CN78FrMu9bOJ6K-NM6h-5ehtEps/s320/ST-CO.jpg" width="317" /></a></div>
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<a href="https://mega.nz/#!z5UFQALL!Eb3jSv9bL0mEsR7dqTRBPhJ8rmq6STG6fsiEoEf2ZbI" target="_blank">Sporty T - Chromed Out</a></div>
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Terence Vine, better known as Sporty T, was an artist who represented the deadly bayous of New Orleans, LA. Most known for his whimsical flow as well as his infamous war on wax against Cash Money Records, Sporty first started out in 1986, as a member of the Ninja Crew with Gregory D and DJ Baby T. After their short lived success, he would end up pursuing the solo route and would go on to become one of New Orleans' best kept secrets. Chromed Out is his fourth album and it was released in 1997 on Ruff Era Records. Production, as with most of his releases is handled by his right hand man, the masterful T-Bone. The skillful, David "D-Funk" Faulk programs all the necessary equipment with Ice Mike, who is also credited for one of the tracks as well. The rhythms are crafted from the ground up and are thoroughly entertaining. They contain various instruments and carry that typical N.O. sound. A type of sound that is best exemplified through blaring horns, dark synths, funky bass, piercing bells and finished off with a strict cadence of drums. This concoction serves as the foundation for the record and it certainly does not disappoint. Sporty T is a top caliber lyricist and takes full advantage of the solid production. His delivery is rapid and full of word play. His tone is quite rough and when combined with his quick pace and a strong vocabulary which truly makes him a standout on the microphone. The album signs off with a decent total of twelve tracks with multiple shots being fired at Cash Money Records and the Hot Boy$. It's hard to pin point how the feud began between the two parties. Some say it was just a misunderstanding on Sporty's behalf while others have claimed it was Cash Money Records who drew first blood. Whatever the case may be, it was very clear that both sides meant business and it was more than just some rap. Sporty T was murdered in 2008 while he slept in his home. An unknown gunmen who was carrying an AK-47, opened fire on the exterior of his trailer home. Paramedics found Sporty T's wounded body inside on his bed and pronounced him dead at the scene. In the end, the city of New Orleans lost a man who is considered by many to be a pioneer for the city's Rap and Hip Hop scene. A local legend with a timeless catalog of music, who always gave his best when inside the recording booth. Rest in peace to the ambitious, Sporty T.</div>
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<span style="color: #cc0000;"><u>Deadly Verses</u></span></div>
<div style="text-align: center;">
Dope Tito</div>
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<br />
The Aftermath<br />
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<span style="color: #cc0000;"><u>Album Notes</u></span></div>
<div style="text-align: center;">
<span style="color: #cc0000;">*</span> Sporty T is also a member of the Wet Boys.</div>
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<span style="color: #cc0000;">*</span> Wet Boys was a group created to counter the Hot Boy$.</div>
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-10033141101964053962017-01-12T15:48:00.003-06:002017-01-12T19:44:22.416-06:00J-Tweezy - Da Ghetto Mouth Piece Of Da South - Compilation Vol 1<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKHbhwESYtYRhDFt7DQVJVju2tk-UIn6mNJ3LJk6nB1BIAzEinDlxf09-LSkITFjKiQYcucFSgqtm9CjsXU0IP_KKt-XvfxxvM4b2UeDFy_k-16CvOZBK-TC5yYotqdR1Xbk7EDd4MpF0/s1600/JT-DGMPODS.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKHbhwESYtYRhDFt7DQVJVju2tk-UIn6mNJ3LJk6nB1BIAzEinDlxf09-LSkITFjKiQYcucFSgqtm9CjsXU0IP_KKt-XvfxxvM4b2UeDFy_k-16CvOZBK-TC5yYotqdR1Xbk7EDd4MpF0/s320/JT-DGMPODS.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!awt3nSrI!CtuJE8-j_y6CwvPGRyj-j94BshQwyKJHQLlYO_yiLxs" target="_blank">J-Tweezy - Da Ghetto Mouth Piece Of Da South - Compilation Vol 1</a></div>
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Joshua James Bursh, better known as J-Tweezy, is a multi-talented DJ from the renowned streets of Baton Rouge, LA. He was most known for his hit late night radio shows throughout South Texas and Southern Louisiana. His shows would often shed light on underground and upcoming artists as well as pay homage to the premiere ones. He is a prolific DJ/Radio Personality and an accomplished producer. Da Ghetto Mouth Piece Of Da South is a compilation that he released on his own label, Off Da Heezy Entertainment in 2001. About half of the production is handled by J-Tweezy while the other half is credited to his accomplices such as Steve Below, L.A. Dre, DJ Tron, Doobie Smoov, Dr. J, Ryal, TruDawg, DJ New Orleans, Big Los, J.D. and Winston. The rhythms are strictly Southern in nature and while most are originally crafted, there are some that are sample assisted. The overall sound is kept at a jubilant level but there are some tracks that hit a bit harder than others. Everything from groovy guitars to space age horns and even a solid percussion set is used. This simple yet effective, type of production pattern is the backbone for the record and it certainly gives off an easy going and relaxed atmosphere. Lyrically, the album is pretty versatile due to the star studded guest list. The features are courtesy of C-Loc, Lil' Boosie, Max Minelli, Thug Addict, Lil' jon, E.S.G., Yungstar, Tyte Eyez, D-Gotti, D-Reck, X-Con, The Ill Relatives, Atari, Peep Skills, Ms. Peaches, Product, Tank, Dirty, Lord Trauma, Chyna White, Mutt, Trelli Trelle, Playboy and Gloria Velez. A long list of supplemental artists but a must have for any compilation to be somewhat successful in the South. Overall, this is a competent release and one that can keep itself afloat due to its' lengthy content. J-Tweezy provided a quality product through determination and sheer effort. It's a compilation that deserves a spin in the playlists or a spot in the archives for both the fans and the collectors of Southern Rap.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
So High ft. E.S.G. & Yungstar<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-63783093899218949772017-01-08T00:11:00.000-06:002017-01-08T00:16:22.527-06:00Big Boss - Respect Due<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiblxCu-fD7TxpPFGJClTzBoL306Rie3RSFpcg8-d3h1qrhiFW6JPXSnToZA9yZUsztMbCt3-3hGyQXmHr0CXPgnynGCir7DvzWwRu130rc2xaVC4W1Iv_PpCZxWQRk3L3KBM0KsatzWYw/s1600/BB-RD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiblxCu-fD7TxpPFGJClTzBoL306Rie3RSFpcg8-d3h1qrhiFW6JPXSnToZA9yZUsztMbCt3-3hGyQXmHr0CXPgnynGCir7DvzWwRu130rc2xaVC4W1Iv_PpCZxWQRk3L3KBM0KsatzWYw/s320/BB-RD.jpg" width="319" /></a></div>
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<a href="https://mega.nz/#!mtMRHbBZ!PfPonhKkWwFFsd6AFdVs5OrwftnRNzWZpBsNclgtt9U" target="_blank">Big Boss - Respect Due</a></div>
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Big Boss was a full time producer and a part time rapper from the notorious boulevards of Houston, TX. Considered by many to be a pioneer for the Hip Hop scene in Texas, Big Boss first started off with his cousin, Original E, in the group called, O.G. Style. Together, they released their highly desirable debut album in 1991, known as "I Know How To Play 'Em," on Rap-A-Lot Records. The two had some moderate success before deciding to part ways. Original E kept the O.G. Style name and recorded under that moniker while Big Boss formed the infamous group, 4 Deep with his brother Koo Rod and Klas' One. Respect Due is his debut solo album and it was released in 2000 on Power Move Music. Production is solely handled by Big Boss himself, and he certainly does not disappoint. Known for providing some hard hitting bass lines and intoxicating hooks, he uses his classic approach and melodic methods to construct the rhythms. The beats are hard, edgy, groovy and funky, all at the same time. His production skills are deadly and they definitely show his veteran and accomplished status in the music industry. Big Boss raps on a few tracks but mostly, he lets his associates take full control of the microphone. Lyrically, the album is quite strong. The artists are used precisely on a given track and they certainly give it their all. Their rhymes compliment the production pattern well and the features don't seem out of place. Guest spots are courtesy of 4 Deep, The Funky Products, South Park Mexican, Da BBC, Lil Daddy, The Waterheadz, Popcycle, Taija and Pancho Villa of Lifestyl. The record signs off with a total of fourteen polished tracks with varying subjects. Overall, it's an impressive work of art by a renowned legend. Not enough can be said about his proficient prowess or his valuable importance in the underground scene from the South. Sadly, Big Boss passed away in 2006 due to kidney failure. He was working on the reunion album for his group, 4 Deep. Rest in peace, to one of the best that ever represented for Houston, Texas.</div>
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<span style="color: #cc0000;"><u>Deadly Verses</u></span></div>
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My Playaz ft. Da BBC</div>
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Sometimes I Wonder ft. Taija</div>
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<span style="color: #cc0000;"><u>Album Notes</u></span></div>
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<span style="color: #cc0000;">*</span> R.I.P to the masterful, Eric "O.G. Style" Woods.</div>
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<span style="color: #cc0000;">*</span> Original E, passed away two years later in 2008.</div>
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-47223771320372465292017-01-05T13:50:00.000-06:002017-01-05T15:45:30.040-06:00H.$.E - The Re-Score<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1Q0DP_xnV2wC1WIYgBUXE7d3m5uq9K708jWvcoiygTa0qrV5y0m4ci3y_ZXAFzV1U1uatMXvBNLbx9VoJB6ZxyL6CNdNEnlESPHHxCp3dPsBr5DLffp54O56bZ8c1V3bV77yJnPiIUKc/s1600/HSE-TRS.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1Q0DP_xnV2wC1WIYgBUXE7d3m5uq9K708jWvcoiygTa0qrV5y0m4ci3y_ZXAFzV1U1uatMXvBNLbx9VoJB6ZxyL6CNdNEnlESPHHxCp3dPsBr5DLffp54O56bZ8c1V3bV77yJnPiIUKc/s1600/HSE-TRS.jpg" /></a></div>
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<a href="https://mega.nz/#!XgdDka5B!9f0UXnld8fW32Qa9i9CQh5HzHrbqR0fFRZQG0hmcKtw" target="_blank">H.$.E. - The Re-Score</a></div>
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H.$.E, which stands for Hustlaz $tackin' Endz, is a collective that hails from the southside of Houston, TX. The original group consisted of Hump, Lil' Flip, A.P. and Yung Redd. Also, Lil' Flip left the group after their initial release due to his own solo success and A.P. was later replaced with Lil' Ron. The group and all its' individual artists were also signed under Hump's own independent label known as, Sucka Free Records. Hump started the label in the late nineties and had a good run with H.$.E. and Lil' Flip as the label's core artists. The Re-Score is H.$.E.'s second release and it was put out in 2004 on Sucka Free Records. It's not an official album since it was just released to create a buzz for Yung Redd and Lil' Ron's upcoming album, "The Paper Route." Production on this record is invalid due to most, if not all, the beats are borrowed from other premier artists. The album is at a decent level lyrically. The songs are mostly freestyles with one or two real tracks sprinkled in between. Yung Redd and Lil' Ron are the only ones present with a slew of handsome guest features from Bun B, Paul Wall, Z-Ro, Trae, Twista, David Banner, Grit Boys, Big Shasta, Twisted Black, Yung Ro, A.B.N., Lil' Head and Yung Wun. The album closes out with a grand total of twenty tracks with only a handful of them being entertaining. As mentioned above, the release is in no way official in form or content. It was merely an underground release which was meant to supplement fans till the release of "The Paper Route." Hump just slapped the H.$.E. name on it in hopes of moving a few more units. Even though the release is obscure in nature, it just does not have anything alluring for the listener to look forward to.<br />
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<span style="color: #cc0000;"><u>Album Notes</u></span><br />
<span style="color: #cc0000;">*</span> The record was also released with an alternative cover.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNovNFkmhxdqNTHBUBNN3nNuyVCpRnHmcNY2oozsbNQIOzHU7GNKI0hwMPOn9uHSVszQjKV535MVtDbhY47Dth0Wn5NI4Dwcw5Xw4Ucu0WA1fOVMp8B2LU4nFjhyphenhyphenBOmyBCg44NsTOCjbQ/s1600/HSE-TRS2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNovNFkmhxdqNTHBUBNN3nNuyVCpRnHmcNY2oozsbNQIOzHU7GNKI0hwMPOn9uHSVszQjKV535MVtDbhY47Dth0Wn5NI4Dwcw5Xw4Ucu0WA1fOVMp8B2LU4nFjhyphenhyphenBOmyBCg44NsTOCjbQ/s200/HSE-TRS2.jpg" width="200" /></a></div>
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com2tag:blogger.com,1999:blog-3582524737581685179.post-2131483200565827782016-12-30T22:32:00.001-06:002017-01-02T00:27:35.315-06:00The Legion - Welcome To Texas<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD-KhZCihu1eqJ-mC5MWiZpU6muKkGxLbt2301tM7S3LNvumn750WMxK9rMd-cfn8E3Xc1sRhZMzB8mq9_TdutUyFV_q3QNC8Dd0aB9cq6uxfbIgrjbBIFFnjzheU5HFDA4kN4AtQjfWo/s1600/TL-WTT.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD-KhZCihu1eqJ-mC5MWiZpU6muKkGxLbt2301tM7S3LNvumn750WMxK9rMd-cfn8E3Xc1sRhZMzB8mq9_TdutUyFV_q3QNC8Dd0aB9cq6uxfbIgrjbBIFFnjzheU5HFDA4kN4AtQjfWo/s320/TL-WTT.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!O91xgLTA!ICDg7tKfla0Q_KEi5svdeoQ-nxa-H-veiVeIVhE8g9Y" target="_blank">The Legion - Welcome To Texas</a></div>
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The Legion is a collective that hails from the ruthless streets of Dallas, TX. The group consists of Boom Man, Dexterous, Lil' Mo, and Mr. Lex. They consider themselves as lyrical outlaws and musical outcasts in this watered down music industry. Welcome To Texas is their debut album and it was released in 2000 on Stretched Out Records. Production is solely handled by Boom Man and he does an admirable job on the rhythms. The beats mostly stay uptempo and are quite energetic in composure. Various notes are used to achieve the final result which is both, eclectic and diverse in nature. The tracks are also catered for easy listening and they can accustom to the listener with their bright composure. Lyrics, is where the album really takes off. The four members are nothing less than fascinating upon the microphone. Their flows are rapid and are delivered with swiftness and clarity. Also to note, is the chemistry that the quartet has and how efficiently it is exposed on each and every track. Rhyme schemes are Southern in construction and word play is given the utmost authority. This then gives their songs a colorful and an unpredictable essence which keeps the listener commendably satisfied. Featuring on the album is the local crew known as, C.O.D. The record closes out with an ample total of fifteen solid tracks. Their subject matter is not limited to one category and is versatile enough to appeal to the masses. Overall, this is a very strong release by the group but one that came just a little too early in publication. In the year 2000, a new Southern sound was emerging from the South and was starting to replace the older, Texas Funk. While the new sound was gaining popularity in the underground, it didn't quite catch on to the mainstreams until the mid 2000's. Now, had this record been released in 2004 or late 2005, it could have done wonders for the group. In the end, it just goes to show how far ahead these guys were in their time. Everything from their sound to their lyrics and even their visions, were all progressing towards the right trend. The very trend that exploded on to the music scene just a few years later and was mainly led by artists from the great state of Texas. Sadly, by that time, The Legion had already came and left without even making a whisper.</div>
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Everything We Drop</div>
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-29692074397745147972016-12-30T18:50:00.000-06:002016-12-30T18:50:06.446-06:00196 Clique - No Love Part 1<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpM2Y2RKbwkNCfXBYsgoGFqk5bNLjDn58n_Xoujrv-SgOpsVX-cZq-0RLNNcawxcQBK5EV7QZasPeXPEYL-HnB869AV-eczWE_oZlsZMmCMK9aRRQTKT6EbCIb3KDFapEgbRwxH4w9aGM/s1600/196C-NLP1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpM2Y2RKbwkNCfXBYsgoGFqk5bNLjDn58n_Xoujrv-SgOpsVX-cZq-0RLNNcawxcQBK5EV7QZasPeXPEYL-HnB869AV-eczWE_oZlsZMmCMK9aRRQTKT6EbCIb3KDFapEgbRwxH4w9aGM/s320/196C-NLP1.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!yxkxyThS!L_6uSg4i1aeoeAyeJcrCLXUlaXN3hdpjSmlbSlPA5Nw" target="_blank">196 Clique - No Love Part 1</a></div>
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196 Clique is a collective that represents from the Northern ends of Memphis, TN. The group consists of Killer B, Pimp CC, Ms. Vicious, Mr. Lil' E and Pimp Lil' D. They initially debuted on the scene in 1996 with their hardcore release called, "Crucifixes." No Love Part 1, is their sophomore effort and it was released in 1999 on Golden Entertainment. Production duties are split between Pimp Lil' D, Mr. Lil' E and Pimp CC. Together, they set a dark and grim atmosphere for the rhythms. The beats exemplify that typical Memphis underground sound. In most cases, a hard edged sample is endlessly looped which is then accompanied by some profound bass lines and topped off with some heavy drums. There are some tracks that are a bit smooth and laid back but the rest strictly stick to their horror core roots. Lyrics are also of a ghastly nature. The members are all fluent in their tongue twisting styles and they can easily display their art with cruelty. Eerie and horrid rhyme schemes are used thoroughly and a good amount attention is given to word play. The songs are composed very bluntly and to the point. There are no special vocal strategies or any alluring efforts involved. Also, some of the hooks and choruses could use some work too. Aside from those two blemishes, the record is pretty solid to say the least. Guest features are made by two of the M-Town greats, Playa Fly and Ska-Face Al Kapone. Overall, it's a decent record and one that can sustain itself only in the underground due to the vile and harsh nature of the core contents.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Don't Test My Pimpin<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-53236952033930293472016-12-26T21:57:00.004-06:002016-12-30T23:17:47.036-06:00II Nations - Trapped In The System<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM2K6d3rRqGT4vxb35mgrq4n7JWXahYPqQwtq3uQhwNGPQ0RGOuvRf_bRGYVoKvt3kxPOT5YLi1864stjoplcf0DdjH9PWI7lff2PRG3pL4ngQF5u2StFfcO039KAcJmou0gVNn8jQI2s/s1600/IIN-TITS.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM2K6d3rRqGT4vxb35mgrq4n7JWXahYPqQwtq3uQhwNGPQ0RGOuvRf_bRGYVoKvt3kxPOT5YLi1864stjoplcf0DdjH9PWI7lff2PRG3pL4ngQF5u2StFfcO039KAcJmou0gVNn8jQI2s/s320/IIN-TITS.jpg" width="305" /></a></div>
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<a href="https://mega.nz/#!6wFmCY6R!kcREzTQyLBLoNrqiUPVs0TrGrAAR0u0xjBBVrV12ehs" target="_blank">II Nations - Trapped In The System</a></div>
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II Nations is a duo that represents from the wild neighborhood of South Park in Houston, TX. It consists of Showtyme and K-Swift. One might remember Showtyme due to his later prominence in the H-Town rap scene but this release will remind the listeners of is his raw and humble beginnings. Trapped In The System is their debut album and it was released in 1994 on Suspect Records. Production is handled by the masterful John Swift, while being assisted by Don Honoree and Byron Hordge. The beats are a classic example of mid nineties Texas funk. Not only are the groovy on the ears but are also hard and edgy in composure. They display various construction properties such as sampling, scratching, and most importantly, proper mixing. Lyrics are also of worthy of praise. The two members bring upon a diverse force upon the microphone. For example, Showtyme is more blunt and strikes the listener with his powerful voice meanwhile K-Swift is a bit laid back in demeanor and his smooth delivery and overall tone is easy going. Also, the two rappers have great chemistry together and can feed off of each other with ease. Guest appearances are made by Grimm, Papa Reu, Endo, Pistol Grip, Gangsta Profile and Broken English. All in all, this was a decent release that closes out with eleven tracks. Subject matter progresses into various categories such as, the communal struggle, the overwhelming poverty and lastly, the judicial injustice. Overall, it's a strong release by the duo. It has plenty of quality content and timeless material. Even with some of these advantages, the release could not garner any type of meaningful attention. The duo ended up disappearing for a while before Showtyme reemerged in the late nineties and is still present in the music industry today. As for K-Swift, things were not so fortunate, aside from a couple guest spots, he ended up leaving the music scene altogether. In any way, what's important is what they accomplished together and that happens to be a fine work art, that not only oozes style but also gives a good sense of realism.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Sit Back Relax<br />
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<span style="color: #cc0000;"><u>Album Notes</u></span><br />
<span style="color: #cc0000;">*</span> A big thanks goes out to save_undaground and syko187 for providing this one.<br />
<span style="color: #cc0000;">*</span> Since this is a tape only release some sound quality issues are to be expected.<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-26238123092201774802016-12-24T22:59:00.003-06:002016-12-25T00:08:59.104-06:00Big Slack - Ready For Combat<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVsNu7C7_DkzqH1xTBpNjhTZ00yF5hE1ZegZuUlUg9pJj4mnTgz1Dt1Y4XTT41E4gLLcYVhuuX3HDogQyfREbjOqLt4RDxLwnpHl4dYS0grV9NJWaU1v-VsyX5alu4Pb5WweXaUd6AV98/s1600/BS-RFC.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVsNu7C7_DkzqH1xTBpNjhTZ00yF5hE1ZegZuUlUg9pJj4mnTgz1Dt1Y4XTT41E4gLLcYVhuuX3HDogQyfREbjOqLt4RDxLwnpHl4dYS0grV9NJWaU1v-VsyX5alu4Pb5WweXaUd6AV98/s320/BS-RFC.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!e8dlWQSR!ObElMxzDpucG6DE7pVLx5VfuVDs_t3g3VLVlPFlHQec" target="_blank">Big Slack - Ready For Combat</a></div>
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Leroy Slack, better known as Big Slack, is a rapper that represents from the notorious third ward of New Orleans, LA. His first recording as an artist came on Doleamite's 1997 release, "Ruff-N-Da Ghetto." He was featured on two songs and both of them are now considered to be cult classics. After developing a small fan base with an aggressive soldier demeanor, he eventually came under the watchful eyes of George "Big King" Murry. At the time, Big King, who is an accomplished entrepreneur, had a fashion line, a local car wash and most importantly, a recording studio. Although King had the studio and all the necessary equipment, what he didn't have was an aspiring artist. He immediately signed Big Slack to his newly founded label and work soon began for a full length album. Ready For Combat is his debut album and it was released in 2002 on King's Entertainment. Most of the solid production is handled by DJ Tee and Big Roe while KLC, Dart, Juvenile and Ed all lend a helping hand. Together, they try to bring a different kind of sound to the table. A sound that incorporates elements from the infamous genre of Bounce while also fusing aspects from soldier-esque themes. A style, which has a strict set of drum cadence that is followed by a jubilant synth and concluded with gentle bass lines. It was this distinct rhythmical pattern that really caught the attention of the city of New Orleans in the mid to late nineties and it has been prominent there, ever since. Also, a lot of artists picked up on the soldier mentality that Master P and his No Limit camp were so famous for pushing. Not only did Master P and his crew flooded the market with that infamous campaign, they also inspired others to be just like them in sound, character and demeanor. Slack is a strong lyricist. His size along with his rough tone, allows him to overpower his listeners. He is energetic on his tracks and delivers them at a fair rate. There are times where he can really excel and go for the final blow in his rhyme but instead he ends up choosing the simpler route and thereby finishes humbly. It's this type of selfishness that brings the lyrical content to the next lower tier. Though, Big Slack understood this discrepancy which is why he invited a star studded guest list to help him in the lyrical department. Guest appearance are made by Juvenile, 6 Shot, 39 Posse, Full Blooded, Hot Boy Ronald, Josephine Johnny, Mr. Marcelo, Queen D, Big Ramp, The Royal Family, Lil' Elt, Ziggler Wiggler, The Three Kings, Pretty Boy, Young Assassin, Slugga, Hussle Man and Ms. Elisa Williams. Overall, this was a solid release by the artist and it's one that carries something for everybody. Whether the style on display is Bounce, Street, or Conscious, the listeners will get a small taste to acclimate themselves into their favorable areas . The album's versatile song list is its' strong point. The artist, along with his label, were both on the same wave length in construction and development. They knew exactly what the public wanted and they delivered just that. Although it may not be a masterpiece or a classic, the release is still rewarding to experience. An all rounded record and one that King's Entertainment and Big Slack can be truly proud of.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Give'em Props<br />
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<span style="color: #cc0000;"><u>Album Notes</u></span><br />
<span style="color: #cc0000;">*</span> Big Slack's nickname is the Overweight Hot Boy.<br />
<span style="color: #cc0000;">*</span> This was very the first album to be released under King's Entertainment.<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-20702173387797152032016-12-22T17:28:00.003-06:002016-12-24T23:11:05.398-06:00Mr. Low - One Man's Vision<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQnCPOi6tcMcyT_noTuN5Iq0F2Uwv1gsIRJ_SVZirYRkWjlqBAhPhqVhSVBQPi23eR1qXcVlyxlbLvGdt69WTqPjG-sdiLr2VW5aQi1c-nYJHweYwVlQ0IRNz-J8K42PYeybuY8FY_hck/s1600/MRL-OMV.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQnCPOi6tcMcyT_noTuN5Iq0F2Uwv1gsIRJ_SVZirYRkWjlqBAhPhqVhSVBQPi23eR1qXcVlyxlbLvGdt69WTqPjG-sdiLr2VW5aQi1c-nYJHweYwVlQ0IRNz-J8K42PYeybuY8FY_hck/s320/MRL-OMV.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!TlsgnZYK!yn3NFJb4CBeeYZHFZysrSsJ09wLo0UurFxif__tbMcg" target="_blank">Mr. Low - One Man's Vision</a></div>
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Cedric Jackson, better known as Low-Down or Mr. Low, is an artist from the upsetting streets of Opelousas, LA. He first appeared on the scene in the year 1997 with his debut album, "Tales Of Da South." One Man's Vision is his second album and it was released in 2001 on Elusion Records. Bulk of the production duties are mainly handled by Bird or Rick Colomb, while Noke D, Sal, Mixso and Gamebinno' are all credited for a few tracks of their own. The beats are from the new millennium so the listener pretty much knows what to expect. They are not dull in any way, shape, or form and neither are they groundbreaking in any facet. It's an average batch of rhythms with a select few standouts here and there. Most of them are thumping with solid bass lines and a hard hitting set of drums. This strict structure and methodical approach happens to sustain the listener with at least the necessary amounts of entertainment needed to enjoy the album. Lyrically, Mr. Low fairs well upon the microphone. Although he does seem to have lost a step or two since his last outing, his Southern tone and dialect are still the same. And while the fundamentals of key song writing elements are there, it is the choruses and hooks that need some work. Not enough attention is given to them on most tracks and that is where the core content really suffers. Other than that, there are no major blemishes and the artist does have a solid rhyme scheme in place with decent amounts of verbal wit. Guest appearances are made by Lil' Keke, Profound, Ltd., II Deep Down South, WildCat, Miss CoCo, Grey and Toné. Overall it's a stable release that rounds out with a total of fourteen tracks. Aside from a few minor shortcomings, the album eventually does pick up and finishes on the right foot. Also, there is really no type of comparison to be made between his debut release and this one. The two are miles apart from each other in terms of quality, sound and temperament. Now, that may not be a bad thing in most cases but it just goes to show that sometimes changing one's artistry to evolve with the times is not always the brightest idea. In the long run, it is simply better to hold on to your unique individuality and strong intellect to leave an everlasting impression on the listener.</div>
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<span style="color: #cc0000;"><u>Deadly Verses</u></span></div>
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Nothing Like Da Game ft. Lil' Keke</div>
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-36715399284184881812016-12-22T14:45:00.002-06:002016-12-24T23:11:58.908-06:00Mad Flava - (Rare & Unreleased)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3cqLGNnaIkakKFrFST4aDrlka90dgJIXftCRMkfmVt0U3hTuQ3osccZeue9iIPLtpFMmMjbP0G4uMP0zDl8Tl06SoCUXQ1LpYSyt-iXKnJGaOLdYzcVhSJeQyrgx6IWl12RJviy6Z2-0/s1600/MF-R%2526U.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="289" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3cqLGNnaIkakKFrFST4aDrlka90dgJIXftCRMkfmVt0U3hTuQ3osccZeue9iIPLtpFMmMjbP0G4uMP0zDl8Tl06SoCUXQ1LpYSyt-iXKnJGaOLdYzcVhSJeQyrgx6IWl12RJviy6Z2-0/s320/MF-R%2526U.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!m5kAnaIa!GvOE5tWUhf9piUqAY-hMCeD5g7xaWyzFAl_zvrZCa94" target="_blank">Mad Flava - (Rare & Unreleased)</a></div>
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Mad Flava is a collective that represents from the roguish boulevards of Dallas, TX. It consists of Cold Chris, Hype Dawg, Don Kassan and DJ Baby G. The group was formed by Cold Chris in the late eighties but was a trio with DJ Baby G and Don Kassan. It wasn't till the early nineties when the group inducted their fourth member, Hype Dawg who is originally from the city of St. Louis in Missouri. Together, they released their one and only full length album which dropped on Priority Records, known as, "<a href="http://deadly-grounds.blogspot.com/2014/09/mad-flava-from-tha-ground-unda.html" target="_blank">From Tha Ground Unda</a>." This album is a compilation of B-Sides, rarities and unreleased material from the group which was recorded between the years of 1990 to 1998. The record was put together by Hype Dawg circa, 1999. Most of the songs are either recorded under Raw Deal Records or Du Damage Entertainment. Production, as always, is led by the magnificent, Hype Dawg and he certainly does not disappoint. His production pattern is so unique and intricate, that it becomes hard to classify. His choice of samples is exceptional and it tends to become the dominant portion of the beat. His creativeness also plays a huge role when constructing and it immediately indulges the listener from the very first track. The rhythms are hard hitting and very groovy to say the least. They are a perfect illustration of that Old School Hip Hop sound and are thoroughly enjoyable. Lyrics are also of an exemplary nature. Extra emphasis is given on the technique and proper delivery of a rhyme. Word play is immensely used which then makes their vocals very unpredictable. Rhyme schemes and patterns are one of a kind and each member can wreak havoc on any given track. The songs have a strong sense of direction and are conveyed in such a fashion, that it's up to the listener to understand and decipher them. The compilation signs off with a total of fifteen bonafide tracks with a wide range of subjects and topics. This is not a official release, it is merely a compilation of tracks that Hype Dawg dug out of the vaults of the underground. While it may not be formal in appearance, it is still authentic in character. What it lacks in actualization, it more than makes up for it in the core quality of content. After listening to this material, it is baffling to understand why the group fell out of favor with Priority Records. The label had such flexibility with the group that the only thing they had to do was market them properly. And since the major label failed to do just that, the group did not stand a chance. In the end, Mad Flava dissolved into the depths of the underground and eventually became a victim of their own time.</div>
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<span style="color: #cc0000;"><u>Deadly Verses</u></span></div>
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Fatherless</div>
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-6459393984050549332016-12-17T16:48:00.000-06:002016-12-24T23:13:06.628-06:00Foul Mouf - Talkin' Sh*t<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibFajSA9IAlxHW5HBkRTsmwyZHfax9DK3qtyAiaBIySRxCTOrEBOubDRVFZbsmoFHLmA87vhY89K2Q_wl9R2KhxJSsKN1KLgVI_Rx-0Zb15_YNf2foZMcpOeK0VIFnjeOqWEY0zGpZ5q0/s1600/FM-TS.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibFajSA9IAlxHW5HBkRTsmwyZHfax9DK3qtyAiaBIySRxCTOrEBOubDRVFZbsmoFHLmA87vhY89K2Q_wl9R2KhxJSsKN1KLgVI_Rx-0Zb15_YNf2foZMcpOeK0VIFnjeOqWEY0zGpZ5q0/s320/FM-TS.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!ukcGHYaT!iSiPFCKoyU9FKKTmWbaONWBQEQIX-OvnMjtCyyxicsQ" target="_blank">Foul Mouf - Talkin' Sh*t</a></div>
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Foul Mouf is a rapper that represents the atrocious streets of Houston, TX. Now, with an alias like Foul Mouf and a title like Talkin' Sh*t, one might expect this album to be full of barbaric amounts of vulgar content but that is not the case. The artist along with his material, is only as offensive as any other release from the southern region. In fact, some might even complain that he is not brash or profane enough for their liking. Nevertheless, this release holds a significant amount of importance for the individual and the accompanying parties involved. Talkin' Sh*t is the artist's debut album and it was released in 2002 on Draper, Inc. A new label which was founded by the intellectual, Tony Draper. The creation of this label marked an end of an era for the infamously successful, Suave House Records. Tony Draper decided it was time to close the curtains on one of the most prominent labels in the South, mainly because of most of its' profitable artist had either retired or moved on to a completely different or rival label. Suave House had an incredible run in the nineties and shutting the label down was definitely a difficult pill to swallow. Tony knew it was time to move on though, music was steadily evolving in the South and that hardcore sound mostly associated with Suave House, would not last at all against the new generation. So, he found himself an inspiring and upcoming artist in Foul Mouf and Talkin' Sh*t became the first release under Draper, Inc. Production on this piece is split between the legendary, T-Mixx or Q-Stone and Sean Blaze. They team up to provide a nice selection of beats that integrate concepts from the new wave sound. The rhythms tend to stay upbeat for the most part. There are some tracks that are reminiscent of T-Mixx's days with Suave House but even those sound watered down when compared to their counterparts. Foul Mouf is at an above average level lyrically. His rhymes will surprise the listener and will also keep them from discarding his genuine efforts either. He has a typical delivery pattern and his use of word play is adequately scattered. His Southern tone on the other hand, is of top quality and it's one of his main areas of strength. Also to provide extra help in the lyrical department are guest features of Bun B, Devin The Dude, Butch Cassidy, T-Lo, Dez and Ming Xia of the Spooks. The album closes out with a decent total of thirteen tracks with varying subjects. Overall it's a versatile record which tends to cover all the themes and topics associated with the South. For example, the album boasts everything from profound street anthems to groovy club bangers and everything in between. It can be considered as a complete package and one that is competent enough to be a label's debut release. Although, Foul Mouf did manage to get some attention for his work and there were even plans for music video shoot, the recognition simply wasn't enough to propel him into the mainstreams; which ultimately was the goal set by Tony Draper and his newfound record label.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
Life Goes On<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-84056378163212563102016-12-13T21:52:00.002-06:002016-12-24T23:13:41.751-06:00The Black Ghost - The Crossroads Of Life<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ultteFifDMQ4QUBScL9mpv2Gslrj8nUN5BcbWvW8u7sALxudDZQQ5Ss7nM2d_5e8kSqIo3A4VEMx_wsMT71C-fToZObvSQ5xZBQn4MnGsnXISi1hUIZbzuoDUH9wRkhCGfWHcQqcyPI/s1600/TBG-TCOL.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ultteFifDMQ4QUBScL9mpv2Gslrj8nUN5BcbWvW8u7sALxudDZQQ5Ss7nM2d_5e8kSqIo3A4VEMx_wsMT71C-fToZObvSQ5xZBQn4MnGsnXISi1hUIZbzuoDUH9wRkhCGfWHcQqcyPI/s320/TBG-TCOL.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!6lM2nIxA!AqjUaOT4-cSbJDbuqhp3KkQsg4fkvPwgxn5b8giidz8" target="_blank">The Black Ghost - The Crossroads Of Life</a></div>
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Alvin Ray, better known as The Black Ghost, is a rapper that represents from the revolting boroughs of Oak Cliff in Dallas, TX. He is also a former football player for the University of Arkansas. It was at this acclaimed university where he met Derrick Dansby, a local DJ who goes by the alias of, DJ-D. The two of them decided to work on an album and officially enter the music industry. The Crossroads Of Life is their debut album and it was released in 2002 on Uniq Records. Production is guided by DJ-D, who tends to keep things simple for the most part. The beats are all derived electronically and are free of any sampling. Their originality oozes style which gives the record an overall refreshing feel. At times the rhythms can get a bit passive and lethargic but that's only because of their straightforward approach. Lyrically the album is at a stable and steady level. The Black Ghost can surprise the listener with his unique word play and technique. His flow is conveyed with a thick southern accent and is delivered at a fair pace. The rhymes show a lot of promise and are also quite intellectual in nature. Guest appearances are provided by G-Style, Fred T., Dahlia Evans and DJ-D. The album closes out with an ample total of sixteen tracks with varying subjects and topics. Overall this was a solid effort from the Oak Cliff native and while it won't break any barriers musically, it is still worth a listen. Since this is an underground release that hardly got any attention in its' heyday, one can only imagine what the artist can accomplish with a full fledged label and an experienced production team.<br />
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<span style="color: #cc0000;"><u>Deadly Verses</u></span><br />
The Crossroads Of Life<br />
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<span style="color: #cc0000;"><u>Album Notes</u></span><br />
<span style="color: #cc0000;">*</span> A big thanks goes out to golfcoast for providing this one.<br />
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-90661421436336703452016-12-10T14:31:00.001-06:002016-12-24T23:14:12.385-06:00Aggravated - Accept<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFPnQ90O5Ft_EYjq8oUZ0FKvEVRgkzcSpHsKxcbIOtRQcSpl80sAwq_QWaX8mrTdZcc2bkpHTJKsWyaWnlUNf5sz-geY5ZIam8zJ-YciLitA4Xlg2Z3mzDPlXAEddEksDieUhPizE05zQ/s1600/A-A.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFPnQ90O5Ft_EYjq8oUZ0FKvEVRgkzcSpHsKxcbIOtRQcSpl80sAwq_QWaX8mrTdZcc2bkpHTJKsWyaWnlUNf5sz-geY5ZIam8zJ-YciLitA4Xlg2Z3mzDPlXAEddEksDieUhPizE05zQ/s320/A-A.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!elky2Arb!UyI4YlS7DcHkowNqxmY03k6H5rUz9hOSWflm3rufdyw" target="_blank">Aggravated - Accept</a></div>
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Aggravated is a collective from the vicious streets of Houston, TX. As a whole, the group represents for the city of Houston but some of the members are from smaller cities in the vicinity such as, Pasadena and Freeport. While membership has varied throughout their active years, the original group consisted of Grimm, Filero, Balazo, Shadow, Lord Loco, Pranksta, Slinkey, Ikeman and Troublemaker. Now, the birth of Aggravated was laid by another local group in the early nineties known as the Mixed Colored Mafia. The Mixed Colored Mafia consisted of Big C, Lord Loco, A-K and Troublemaker. Under unfortunate circumstances, Big C and A-K were incarcerated. This then led to Lord Loco and Troublemaker hooking up with Grimm and Filero. This formation was billed as Aggravated and work soon began for a full length album. Accept is their debut album and it was released in 1995 on Aggravated Records. By the time Big C and A-K were released from jail, the album was near completion but both A-K and Big C did manage to get a guest spot in there. Production on this piece was led by Filero and Balazo with Grimm and his brother, Shadow also lending a helping hand. The beats are an ensemble of dark, synth filled rhythms that really set the theme for the entire album. Their edginess is surreal at times and their composure embodies the sound of the streets. While most are original in nature, there are some that are sample driven. The most notable one coming from the famous song "<a href="https://www.youtube.com/watch?v=za01QWLXisQ" target="_blank">Burnin' And Lootin'</a>" by Bob Marley & The Wailers which is used heavily on the track "I Am Your Future." Lyrically the record also bodes well. All the members carry a distinct style and they can all dominate the microphone with ease. Their rhymes are delivered sharply and vividly. Word play and various schemes are kept at a canny level. Meanwhile, extra emphasis is placed on the character and structure of a song. Also with such an extensive membership, there is never a dull moment. Mainly due to the different artists being used on different tracks, with some even getting a solo or a duet. Guest appearances are made by DJ Screw, K-Rino, A.C. Chill, DBX, Geto African, Hollowpoint, Ruff Eyque, Strych 9, Big C, A-K, Dren, Lil' Chuck and Acie. The record signs off with a modest total of eleven tracks all the while leaving the listener craving for more. This release was able to garner a good bit of success which eventually put the group into an ordeal with their record label. John J. Hernandez, the owner of Aggravated Records, wanted to take some members out and replace them with some other ones. He also wanted to change the group's distinct sound and powering image. Grimm and his fellow band mates wanted no part in this horrendous idea. This then became an internal conflict which was resolved by a litigation through the judicial system. John won the case and kept the rights to the name of the group. He then acted on his personal agenda and made his own version of Aggravated all the while releasing albums under that moniker. The original group moved on and signed with Jam Down Records and eventually became the group known as, The Most Hated. Accept will always be looked upon as a diamond in the rough type deal. It's a compelling work of art that also a brings upon an ominous feeling because of the group's unfortunate demise.</div>
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<span style="color: #cc0000;"><u>Deadly Verses</u></span></div>
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I Am Your Future (Radio) ft. Klondike Kat</div>
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<span style="color: #cc0000;"><u>Deadly Video</u></span></div>
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Creepin</div>
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<span style="color: #cc0000;"><u>Album Notes</u></span></div>
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<span style="color: #cc0000;">*</span> Aggravated is also part of the South Park Coalition.</div>
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-44654280780759922952016-12-09T16:59:00.000-06:002016-12-24T23:14:46.919-06:00Chief-A-Tree Family - Lone Star Ballaz<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6uMKgAqhRAwmyW13YbmyQn2-NO5fjm5osgBL8FN1BFEY2kNaplhgtjqrdB8WdFKN603GW3UqMLbYaAOUc-qm7VhbjjS1iP4HNsgK4jHOst2O5DY63_ek1_3RSDJWTVXyeZWHyhPurq1s/s1600/CATF-LSB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6uMKgAqhRAwmyW13YbmyQn2-NO5fjm5osgBL8FN1BFEY2kNaplhgtjqrdB8WdFKN603GW3UqMLbYaAOUc-qm7VhbjjS1iP4HNsgK4jHOst2O5DY63_ek1_3RSDJWTVXyeZWHyhPurq1s/s320/CATF-LSB.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!C1l1EaAB!EZbwo1L3qrczKFC9Eyc2mTRo-OwAvIKyVwlK6sxjjC0" target="_blank">Chief-A-Tree Family - Lone Star Ballaz</a></div>
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Chief-A-Tree Family is a trio that represents from the wicked streets of Fort Worth, TX. The group consists of JFK, Head Turner and the in house producer, O.Z. Lone Star Ballaz is their debut album and it was released in 2001 on Off The Hook Records. Production is led by O.Z., who tends to bring a contemporary Down South production pattern. A type of pattern that is upbeat and customary for nearly any post millennium release from Texas. It may be a typical palette but it does not have any shortcomings. The rhythmical atmosphere is flexible enough to be enjoyed and not be too complicated or complex. Lyrically the album is at a respectable level. The two rappers are fluent in their vocals and their styles are modest to say the least. Both of them rely on simple rhyme schemes with moderate amounts of word play. There are a few tracks where the artists really do step out of their comfort zone and truly excel upon the microphone but for the most part things are kept simple and to the point. Guest appearances are made by Crystal, R. Sneed and Lil Wet. The album sounds off with a competent total of fifteen tracks with varying topics. All in all, it's a satisfactory release from the group and one that flirts with the lines of average and good. The record does have a few highlights but the straightforward approach from the artists seems to hinder any progress. And while the release won't take home any majestic awards, it is still quite commendable to see the group's dedication and devotion to their art.</div>
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<div style="text-align: center;">
<span style="color: #cc0000;"><u>Deadly Verses</u></span></div>
<div style="text-align: center;">
Big Momma</div>
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QDawghttp://www.blogger.com/profile/08921719058515234714noreply@blogger.com0tag:blogger.com,1999:blog-3582524737581685179.post-21938417799263590452016-12-08T20:46:00.000-06:002016-12-08T20:46:18.271-06:00Ms. Tee - Hot Girl<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm6vOj1bYwkGKsQaRsHycwlfdkcixwY9ZuGm8qdW_GXl62zyTOQMuhujXgKtHlZtbV9hLpJ4LVp0XaRlwqbAw2Hn2Ns4j6oa7qHunCHax11brt1kHKjx-K_JXUjdO1f8XoZ6UglvoY2w0/s1600/MT-HG.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm6vOj1bYwkGKsQaRsHycwlfdkcixwY9ZuGm8qdW_GXl62zyTOQMuhujXgKtHlZtbV9hLpJ4LVp0XaRlwqbAw2Hn2Ns4j6oa7qHunCHax11brt1kHKjx-K_JXUjdO1f8XoZ6UglvoY2w0/s320/MT-HG.jpg" width="320" /></a></div>
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<a href="https://mega.nz/#!a0USxTqQ!14jMLF7k5mxlb8k6vuA-iXUWGRULXjQSIh9weg2XBVc" target="_blank">Ms. Tee - Hot Girl</a></div>
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Trishell Williams, better known as Ms. Tee, is an artist that represents from the vile swamps of New Orleans, LA. Known throughout the Southern region for her soothing voice and providing vicious backup vocals, Ms. Tee first started off with Cash Money Records. In fact, she was the first female artist signed to that infamous label. After three somewhat successful albums with Cash Money Records, she would end up leaving them over a royalty dispute in the year 1996. Hot Girl is her fourth album and it was released in 1997 on the rival label, Untouchable Records. As with most Untouchable releases, production duties are assigned to Merrill "Real Roc" Robinson and Gary "Ozone" McKee. Together, they provide a spirited collection of rhythms that strictly define that classic New Orleans sound. A type of sound that seems laid back but is hype at the same time. The beats incorporate vivid notes from the genre of Bounce as well as various Southern elements to complete their composition. Now, the blend mentioned above only works flawlessly on a few cuts. Some tracks on here seem to have too much going on at one given point and almost become an audible distraction. Some of these faults could be blamed on the mixing and mastering department but not all of them. Not to worry though, because the composers do a good enough job of camouflaging these blemishes by spacing the tracks properly. The record also has its' ups and downs in the lyrical section. Ms. Tee is no ordinary songstress. Her tone is quite mollifying and she can change her pitch and tempo instantaneously. It's her blunt approach and vulgar themes that tend to go downhill. Although, one could overlook the vulgarity due to the record's underground nature and let it pass but it's truly hard to ignore the subject matter. The songs end up taxing the listener at one point or another and their motives become very unclear. Also, there is hardly any originality to her rhymes. Almost every verse or hook is an interpolation of a popular R&B song, Ms. Tee just presents it with her Southern flair and outlandish demeanor. Thus the end result is a mundane one even with the artist's superb voice. Guest appearances are made by L.O.G., Fila Phil, Lokee, Pimp Dogg, Charlie Hanseen, S.A.C. Mafia and Mike Love. The album rounds out with a total of fifteen tracks and with the discrepancies mentioned above, it becomes impossible to finish it in one sitting. Although the record can sustain itself because of the lavish guest list, it just doesn't have anything long term for the listener. Neither lyrically nor musically. The end result is a sub par effort from the artist, especially when considering the fact that she was known for providing the deadliest choruses and hooks money could buy in The Boot.</div>
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