Wet Boys - 6 Ft. From Home

Wet Boys - 6 Ft. From Home

The Wet Boys was a relentless group that represented the illicit streets of New Orleans, LA. It was headed by the formidable Sporty T along with Black John Gotti and the in-house producer, T-Bone. The group's only claim to fame was their war on wax with Cash Money Records and the nefarious, Hot Boy$. As it is customary in any verbal exchange in the Rap Industry, it does not matter who starts it but rather who finishes it. Although, Sporty T was a legend in his own right, the Wet Boys simply cannot hold a candle to what Cash Money Records and the Hot Boy$ accomplished in city of New Orleans, let alone the South, period. Now, as far as the battle of words go, Sporty T may have had the upper hand only because of his lyrical prowess and his furious tone upon the microphone. 6 Ft From Home is the third and final album by the acclaimed group and it was released in 2001 on Sporty Records. As always, the production is handled by the masterful, T-Bone and it is quite respectable to say the least. His edgy and eclectic style is brought to light by the use of various synthesizers and drum machines. The beats also tend to carry a street savvy vibe and will at least, keep the listener engaged. Lyrically the record is rather on the strong side and that is mainly due to Sporty's powerful lyrical skill and dexterity. His delivery and technique are both unmatched. Not to mention his aggressive tone that is accompanied by his equally wild persona and it is safe to say that Sporty belongs in the upper echelon when discussing lyricists representing the State of Louisiana. The core content is where the album really takes a hit and suffers. While there are some new cuts, most of the tracks have either been recycled from Sporty's previous solo outings or the Wet Boys' prior releases. The record lacks a polished feel and seems as if it had been thrown together overnight. It appears as if Sporty T was attempting to make up lost ground to Cash Money Records and was trying to release something to derail their massive success. Around this time, Sporty was also heavily involved with another group known as Da Wild Boyz, which was basically another collective whose main goal was to go after Cash Money Records. It is unknown whether or not both sides resolved their issues and its a topic that will remain shrouded in mystery due to the brutal murder of Sporty T in 2008. May he rest in peace.

Deadly Verses
6 Ft. From Home

Wet Boys - Puttin Out The Fire Vol. 1

Wet Boys - Puttin Out The Fire Vol. 1

Wet Boys was a group that represented the murky bayous of New Orleans, LA.  The group was founded in the mid nineties by the pioneer, Sporty T. The main cause for the group with their opposite moniker was to continue the war on wax between Sporty T and the Hot Boy$ of Cash Money Records. The Wet Boys consisted of T-Bone, Sporty T and the Black John Gotti. Puttin Out The Fire is their debut album and it was released in 1998 on Sporty Records. The production is of superb quality and is entirely handled by T-Bone. His strong intent can be heard from the very first track. From the raw bass lines to the woozy hooks to the scintillating synths, all hit in the right place at the right time. The beats are composed with a sense of purpose and attention is given to the smallest detail. T-Bone may not be as flashy or even as gifted as the rest of his contemporaries but what he lacks in experience, he makes up in presentation. Lyrically the album is also pretty strong. The subject matter may be redundant due to all the tracks being directed as a shot towards the Hot Boy$ or Cash Money Records but there is never a dull moment in the rhymes. Sporty's flow is certainly in the upper echelon when compared to his counterparts. His change of pace, his firm vocabulary and even his occasional humorous tone are a sight to behold. Combine this with his veteran status in the Rap game and one has a commanding figure in the studio and a brute upon the microphone. Guest appearances are made by Ice Mike, Greg and Lyric. The album closes out with a commendable total of eighteen substantial tracks that certainly give some insight on the beef between the two parties. The record as a whole is a respectable one because of the quality production and the lyrical content. It is also an extraordinary piece when considering the history between the two camps. Sadly, Sporty T was murdered in 2008 which ended the feud once and for all. Rest in peace to one of New Orleans' finest.

Deadly Verses
Rope Round Ya Neck

Cash Money Millionaires - Platinum Instrumentals

Cash Money Millionaires - Platinum Instrumentals
Cash Money Millionaires was a super group that represented the muddy banks of New Orleans, LA. The group consisted of Mannie Fresh, Baby, Lil' Wayne, Juvenile, Turk and B.G. The collective was fabricated during the late nineties through the originally constructed Hot Boy$ and Big Tymers. As the name suggests, Platinum Instrumentals was a instrumental album which was released in 2000 on Cash Money Records. The album is basically compiled with the hottest singles ever released under the infamous label. As always, production is handled by the musical genius, Mannie Fresh. He brings his classic style to the table and certainly does not disappoint. A style that is often imitated but never duplicated. Even though he is very talented with various types of synthesizers and drum machines, it's his energetic approach and melodic arrangement that sets him apart from others. Not enough can be said about his profound production template that hasn't already been said before. One can only hope to bear witness and ultimately appreciate the sheer brilliance at hand. The record boasts a collection of thirteen tracks which were hand picked off of various releases by the group members. The tracks are not snippets or samples but instead are provided in their original and uncut nature. This release not only helped up and coming artists in their musical endeavors but also gave the Cash Money fan base a collector's item. An item that single-handedly displays the pure intellect and the genuine prowess of the man behind the chart topping music.

Deadly Tracks
Back That Azz Up

Sporty T - Chromed Out

Sporty T - Chromed Out

Terence Vine, better known as Sporty T, was an artist who represented the deadly bayous of New Orleans, LA. Most known for his whimsical flow as well as his infamous war on wax against Cash Money Records, Sporty first started out in 1986, as a member of the Ninja Crew with Gregory D and DJ Baby T. After their short lived success, he would end up pursuing the solo route and would go on to become one of New Orleans' best kept secrets. Chromed Out is his fourth album and it was released in 1997 on Ruff Era Records. Production, as with most of his releases is handled by his right hand man, the masterful T-Bone. The skillful, David "D-Funk" Faulk programs all the necessary equipment with Ice Mike, who is also credited for one of the tracks as well. The rhythms are crafted from the ground up and are thoroughly entertaining. They contain various instruments and carry that typical N.O. sound. A type of sound that is best exemplified through blaring horns, dark synths, funky bass, piercing bells and finished off with a strict cadence of drums. This concoction serves as the foundation for the record and it certainly does not disappoint. Sporty T is a top caliber lyricist and takes full advantage of the solid production. His delivery is rapid and full of word play. His tone is quite rough and when combined with his quick pace and a strong vocabulary which truly makes him a standout on the microphone. The album signs off with a decent total of twelve tracks with multiple shots being fired at Cash Money Records and the Hot Boy$. It's hard to pin point how the feud began between the two parties. Some say it was just a misunderstanding on Sporty's behalf while others have claimed it was Cash Money Records who drew first blood. Whatever the case may be, it was very clear that both sides meant business and it was more than just some rap. Sporty T was murdered in 2008 while he slept in his home. An unknown gunmen who was carrying an AK-47, opened fire on the exterior of his trailer home. Paramedics found Sporty T's wounded body inside on his bed and pronounced him dead at the scene. In the end, the city of New Orleans lost a man who is considered by many to be a pioneer for the city's Rap and Hip Hop scene. A local legend with a timeless catalog of music, who always gave his best when inside the recording booth. Rest in peace to the ambitious, Sporty T.

Deadly Verses

Dope Tito

The Aftermath

Album Notes

* Sporty T is also a member of the Wet Boys.

* Wet Boys was a group created to counter the Hot Boy$.

Big Slack - Ready For Combat

Big Slack - Ready For Combat

Leroy Slack, better known as Big Slack, is a rapper that represents from the notorious third ward of New Orleans, LA. His first recording as an artist came on Doleamite's 1997 release, "Ruff-N-Da Ghetto." He was featured on two songs and both of them are now considered to be cult classics. After developing a small fan base with an aggressive soldier demeanor, he eventually came under the watchful eyes of George "Big King" Murry. At the time, Big King, who is an accomplished entrepreneur, had a fashion line, a local car wash and most importantly, a recording studio. Although King had the studio and all the necessary equipment, what he didn't have was an aspiring artist. He immediately signed Big Slack to his newly founded label and work soon began for a full length album. Ready For Combat is his debut album and it was released in 2002 on King's Entertainment. Most of the solid production is handled by DJ Tee and Big Roe while KLC, Dart, Juvenile and Ed all lend a helping hand. Together, they try to bring a different kind of sound to the table. A sound that incorporates elements from the infamous genre of Bounce while also fusing aspects from soldier-esque themes. A style, which has a strict set of drum cadence that is followed by a jubilant synth and concluded with gentle bass lines. It was this distinct rhythmical pattern that really caught the attention of the city of New Orleans in the mid to late nineties and it has been prominent there, ever since. Also, a lot of artists picked up on the soldier mentality that Master P and his No Limit camp were so famous for pushing. Not only did Master P and his crew flooded the market with that infamous campaign, they also inspired others to be just like them in sound, character and demeanor. Slack is a strong lyricist. His size along with his rough tone, allows him to overpower his listeners. He is energetic on his tracks and delivers them at a fair rate. There are times where he can really excel and go for the final blow in his rhyme but instead he ends up choosing the simpler route and thereby finishes humbly. It's this type of selfishness that brings the lyrical content to the next lower tier. Though, Big Slack understood this discrepancy which is why he invited a star studded guest list to help him in the lyrical department. Guest appearance are made by Juvenile, 6 Shot, 39 Posse, Full Blooded, Hot Boy Ronald, Josephine Johnny, Mr. Marcelo, Queen D, Big Ramp, The Royal Family, Lil' Elt, Ziggler Wiggler, The Three Kings, Pretty Boy, Young Assassin, Slugga, Hussle Man and Ms. Elisa Williams. Overall, this was a solid release by the artist and it's one that carries something for everybody. Whether the style on display is Bounce, Street, or Conscious, the listeners will get a small taste to acclimate themselves into their favorable areas . The album's versatile song list is its' strong point. The artist, along with his label, were both on the same wave length in construction and development. They knew exactly what the public wanted and they delivered just that. Although it may not be a masterpiece or a classic, the release is still rewarding to experience. An all rounded record and one that King's Entertainment and Big Slack can be truly proud of.

Deadly Verses
Give'em Props



Album Notes
* Big Slack's nickname is the Overweight Hot Boy.
* This was very the first album to be released under King's Entertainment.

Ms. Tee - Hot Girl

Ms. Tee - Hot Girl

Trishell Williams, better known as Ms. Tee, is an artist that represents from the vile swamps of New Orleans, LA. Known throughout the Southern region for her soothing voice and providing vicious backup vocals, Ms. Tee first started off with Cash Money Records. In fact, she was the first female artist signed to that infamous label. After three somewhat successful albums with Cash Money Records, she would end up leaving them over a royalty dispute in the year 1996. Hot Girl is her fourth album and it was released in 1997 on the rival label, Untouchable Records. As with most Untouchable releases, production duties are assigned to Merrill "Real Roc" Robinson and Gary "Ozone" McKee. Together, they provide a spirited collection of rhythms that strictly define that classic New Orleans sound. A type of sound that seems laid back but is hype at the same time. The beats incorporate vivid notes from the genre of Bounce as well as various Southern elements to complete their composition. Now, the blend mentioned above only works flawlessly on a few cuts. Some tracks on here seem to have too much going on at one given point and almost become an audible distraction. Some of these faults could be blamed on the mixing and mastering department but not all of them. Not to worry though, because the composers do a good enough job of camouflaging these blemishes by spacing the tracks properly. The record also has its' ups and downs in the lyrical section. Ms. Tee is no ordinary songstress. Her tone is quite mollifying and she can change her pitch and tempo instantaneously. It's her blunt approach and vulgar themes that tend to go downhill. Although, one could overlook the vulgarity due to the record's underground nature and let it pass but it's truly hard to ignore the subject matter. The songs end up taxing the listener at one point or another and their motives become very unclear. Also, there is hardly any originality to her rhymes. Almost every verse or hook is an interpolation of a popular R&B song, Ms. Tee just presents it with her Southern flair and outlandish demeanor. Thus the end result is a mundane one even with the artist's superb voice. Guest appearances are made by L.O.G., Fila Phil, Lokee, Pimp Dogg, Charlie Hanseen, S.A.C. Mafia and Mike Love. The album rounds out with a total of fifteen tracks and with the discrepancies mentioned above, it becomes impossible to finish it in one sitting. Although the record can sustain itself because of the lavish guest list, it just doesn't have anything long term for the listener. Neither lyrically nor musically. The end result is a sub par effort from the artist, especially when considering the fact that she was known for providing the deadliest choruses and hooks money could buy in The Boot.

      

John Got'ti - Cut Throat

John Got'ti - Cut Throat

John Got'ti is a rapper who represents from the murky swamps of New Orleans, LA. Cut Throat is his debut album and it was released in 2001 on Big Pocket Records with Orpheus Music overlooking the whole project. The album is largely produced by Mr. Sinista while Kriz Kang lends him a hand on a few tracks. The rhythms can be summed up as that renewed New Orleans sound that really became prominent after the new millennium. They contain various elements are mostly uptempo in nature.  The beats are not groundbreaking but are still passable in the end. Now, one could easily assume a darker theme will be presented due to the record's title but that is certainly not the case. Lyrically, Got'ti can hold his own on the microphone. The rhymes are conventional and driven straight to the point. His tone is a bit typical but the rate of speed is somewhat rapid. He also tries to incorporate different styles into his delivery, most notably from the genre of Bounce Music. The end result is again nothing revolutionary but still acceptable. Guest appearances are made by Sassy C, D. Mike, Superstar and Mr. Sinista. The album finishes off with a total of fourteen tracks and while there are a few fillers, the rest remain solid. Overall, a decent effort by the N.O. native and one that is adequate enough to be given a listen. The album has it's moments and when it tends to go downhill, the artist quickly counters it. That's a good sign, it shows awareness and a positive intent from his part. Sadly, the subject matter is just not broad enough to reach a wider audience and that is the only real knock against this otherwise respectable release.

Deadly Verses
Rest In Peace



Deadly Video

"Cut Throat"  artist John Gotti from Randy Rome Walsh on Vimeo.

Prime Time - Duck Tape'n

Prime Time - Duck Tape'n

Michael Williams, better known as Prime Time, is a rapper from the savage swamps of New Orleans, LA. He first appeared on the scene with the notorious Bounce group known as, Partners-N-Crime. He was heavily featured on their earlier albums and was almost considered as an unofficial third member of the famed group. It was through their tutelage and guidance, that Prime Time was able to come out of their shadows and establish himself as a southern artist. Duck Tape'n is his debut solo album and it was released in 1998 on South Coast Music Group. Production is handled by the magnificent, Leroy "Precise" Edwards and he tries to bring his signature style to the table. The beats are mostly derived for the genre of Bounce with the exception of a few songs. Some of them are sample driven while the rest are about as original as can be. Although Precise's past resume is an excellent one and his work truly speaks for itself, he really just does not bring the same level of craftsmanship on this release. There are some tracks that are very good and then there are some that are dull and bland. The same can be said when it comes to the lyrical content. Prime Time crosses the fine line between average and great. He flirts with a bit of word play but tends to rely more on common rhyme schemes. His tone along with his pace are perfect for Bounce music and he takes full advantage of what is offered to him. The subject matter ventures into different categories but for the most part stays with typical Bounce subjects such as project rapping, roll calling, call & response, etc. Guest appearances are made by Partners-N-Crime, L.O.G., Tre-8, Drama Squad, Ms. Tee, Bayou Boy, G-Hunter, Ché and Mary Jane. Overall this was a decent album by the N.O. native and it help spawn a few local hits in The Boot. Although the record does often revert back to its' Bounce roots, it certainly does have a lot more to offer than just that. The album contains various elements as a whole and it's not just restricted to the genre of Bounce. In the end, that is what truly separates it from the rest and makes it that much more entertaining to listen to. Also to note, is the presence of Partners-N-Crime on the front cover with Kangol Slim on the left and Misdemeanor on the right. This was Prime Time's way of paying homage and showing love for the two people who always had a helping hand in his success as an artist.

Deadly Verses

Where My Souljas At

Lokee - I Got Dis

Lokee - I Got Dis

Kenyatta Ruth, better known as Lokee, is a rapper and producer who represents from the notorious 9th Ward of New Orleans, LA. He first started off battle rapping in the early nineties at his local high school. After destroying the competition, he realized he was actually pretty talented and could really do this for a living. He began ghost writing for many different rappers in the city and quickly earned the moniker, Space Ghost. His most famous ghost writing stint was with the group known as Full Pack. He penned the lyrics for their hit single "I Like To #@*¤!" which eventually led Full Pack to signing a deal with an emerging record label. It wasn't long before Lokee would come under the scrutinizing eye of Elton Wicker Jr. Amazed by what he heard, he quickly signed Lokee to his up and coming label known as Tombstone Records. I Got Dis is Lokee's debut EP and it was released in 1995 on the aforementioned label. The record is produced by the legendary, Merrill "Real Roc" Robinson and Lokee, himself. The beats are filled with dark synths, woozy bass lines and are topped off with some intoxicating drums. This mixture is used throughout the whole album and its certainly the right fit. It also sets the entire mood at a very grim and gloomy level. This set up is perfect for Lokee, who is no ordinary lyricist. His unorthodox flow pattern and his superb vocabulary go hand in hand. His rhymes are delivered at a variable rate and the tone is quite rough as well. Word play is used as the key ingredient and it is definitely unique to say the least. The EP rounds out at a total of nine tracks, all of which are equally likable. Overall this was a wonderful debut effort by Lokee and it certainly shows his lyrical and musical prowess. He had some minor success with this release but it was his second release, "Voodoo Gangsta Funk," that really put him on notice. Sadly all of this success would come to an abrupt end when the president of Tombstone Records, Elton Wicker Jr., was killed in a drive-by shooting in the year 1998. He was only thirty two years old. This would end Lokee's tenure at Tombstone Records due to the label folding and he would soon find himself on the indie route. It was around this time when he was also recruited into the Disturbed Young Hustlaz. In 2001, Lokee was convicted of some serious offenses and was sentenced to ten years in prison. He was released in the year 2011 and is now trying to establish himself again in the Rap industry.

Deadly Verses
Just - A - Fied


Album Notes
* Rest in peace to the ingenious, Elton Wicker Jr.

* Lokee is a member of the Disturbed Young Hustlaz.

Bionik Brown - The Darkness And The Light

Bionik Brown - The Darkness And The Light

Nathan Woods, better known as Bionik Brown, is a rapper who hails from the vicious Third Ward of New Orleans, LA. As a child, he was introduced to the art of music by his poet mother and pianist father. Together, they showed him the true essence of music through a number of different genres. It wasn't until his teenage years where he eventually developed a taste for Hip-Hop and quickly became an aspiring emcee. The Darkness And The Light is his debut album and it was released in 2001 on Renaissance Records. The production is provided by Bass Heavy, U.P. and Brotha Slymm while Dave Soul is credited for implementing the cuts and the scratches. Although Bass Heavy is a veteran producer and he arranges the bulk of the album, the beats as a whole can be summarized as barely respectable. The rhythms are kept simple and are lacking a solid foundation musically. Aside from a couple of tracks, there is really nothing that will catch the listener and keep them hooked. Lyrically the album exceeds expectations and fires on all cylinders. Bionik is an accomplished lyricist and he proves that with his spell binding delivery. His tone is a bit high pitched and it can become a bit jubilant at times. However, the rhymes are still dictated with vocal authority and melodic passion. Great attention is given to word play as well as the overall structure of the song. The subject matter is also very diverse. Bionik lightly touches on social issues, racial tensions, politics and even disputes his own birth. Guest appearances are made by One Eye from the Psycho Ward, Brotha Slymm, Tondrae, Ras, GaBrilla, Asali Devan and Spirit from Soul Remedy. All in all, this is a very solid release especially considering the fact that it is a debut effort. Bionik Brown would soon leave Renaissance Records to pursue better opportunities due to the label not going anywhere, neither financially nor musically. He would also leave the city of New Orleans altogether during the wake of Hurricane Katrina and would establish himself and his family in Denver, Colorado. Bionik Brown died on August 11, 2008, after a car driven by a 17-year-old traveling eastbound veered into the westbound lanes of traffic and hit Bionik's vehicle head on. The teenager was arrested and booked on charges of vehicular man slaughter. Bionik Brown is survived by his wife, Iman Nouis-Woods; his mother and stepfather, Carolyn and Ferdinand Carr; his brother, Joel Woods; and sister, Rachel Woods. Rest in peace to one of Uptown's finest, the iconic, Bionic Brown.

Deadly Verses
The Middle Passage


Album Notes
* Bionik Brown was also a member of Mental Metropolis.
* His trademark is a white towel which he wears around his neck.

Fire On The Bayou - Respect My Mind

Fire On The Bayou - Respect My Mind

Fire On The Bayou is a record label that was based on the infamous Valence street in New Orleans, LA. The label was started by brothers Derick and Kendrick Dauphin along with their childhood friends Cy Williams and Vernon "Cazel" Barabino. Respect My Mind is a compilation album that was released in 1998 by the same label. The production is split right down the middle between the masterful David "D-Funk" Faulk and Vernon "Cazel" Barabino. The beats carry that harsh yet classic "Nola" sound. The melodies and rhythms are all strictly southern and are provided humbly with variety. Since this is a compilation, a bunch of rappers were also invited for this rhyme festival. With an impressive lineup of Mystikal, Crazy and Legend Man of Murder Inc., Skull Duggery, Rated X, Big Ramp, Calico, Neferius Mike, Illusion, G-Man, Sharp Shooter, Ken Real, V.L. Trell, The Swamp Click and backup vocals being provided by George Clinton and Peaches, it is truly very hard to disappoint. Lyrics are quite commendable and although there are over fifteen tracks, they are still pretty diverse. Different combinations are provided for the listener to keep things fresh and new. Unfortunately Fire On The Bayou Records was a fly by night label that faded away as quickly as it began. Respect My Mind was plagued with distribution problems as well as financial issues for those who participated. In the end, the album became out of print and with the royalties quickly disappearing, the team of rappers and producers listed above were left with a very foul and sour taste.

Deadly Verses
Feel This ft. Big Ramp, Ken Real & Sharp Shooter

Fiend - Won't Be Denied

Fiend - Won't Be Denied

Fiend is a rapper and producer who represents out of the 17th Ward in New Orleans, LA. He is well known for his raspy tone and rough delivery. After losing his brother to the streets at a very early age, Fiend resorted to rap and poetry to help ease the pain. Eventually his talents came across the keen eye of Charles Temple and he was quickly signed to the then newly founded, Big Boy Records. Won't Be Denied is his debut album and it was released in 1995 on the same label. The production is done by the magnificent Leroy "Precise" Edwards and he entices the listener with a good selection of funky rhythms. The tracks are laced together with multiple instruments and although this is one of Precise's early pieces, it still happens to carry his signature style of melody. Fiend is known throughout the southern region as an accomplished lyricist and at one point of time was regarded as one of the best kept secrets of the Dirty South. His rhymes are delivered with high intensity and are filled with dynamic word play. His hefty southern drawl and his distinct harsh voice is the powerful root for all the ballads. They are delivered with utter precision and are also fired at a rapid rate. Fiend's days with Big Boy Records were short lived though and he would later be enlisted as a valuable soldier in the ever growing empire known as, No Limit. Not only did this move help propel his career but also gave him a worldwide following. Although he went on to bigger and better avenues such as his stint with the Ruff Ryders or his current membership in the group called Jet Life, this eager and sincerely humble beginning will never be forgotten due to the legacy it left behind.

Deadly Verses

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Lil' E - Who's Rulin'

Lil' E - Who's Rulin'

Lil' E is a rapper from New Orleans, LA and he represents for the sub-genre known as Bounce. He also has a strong affiliation with the legendary group known as the Bally Boyz. Who's Rulin' is his debut album and it was released in 1995 on Slaughterhouse Records. Production is assigned to the magnificent J'Ro'J who is assisted by Treney Magee while the album is congenially mixed by Matt Buras. The beats are laced with a good amount of samples but that is common practice on any bounce release. They are all derived electronically and seem to fit the artist exceptionally well. Some carry a darker sound while others seem to be more hype. Lyrically the album can be simplified as typical bounce. A good dose of call & response is present along with some project rapping. His rate of speed is pretty quick for the most part and his style is definitely unique. Features are made by Nina and J'Ro'J. Also the record does manage to withstand the test of time due to the positive replay value it carries. Since bounce music started in New Orleans in the late eighties and really climaxed throughout the nineties, this release happens to be in its very prime. Not only did it help showcase a broad spectrum of this amazingly different style of rap but it also kept this local form of music both hungry and alive.

Deadly Verses

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Cash Money Millionaires - Baller Blockin

Cash Money Millionaires - Baller Blockin

Cash Money Millionaires was a super group from the notorious city of New Orleans, LA. It was formed in the late nineties and composed with the two existing groups, the Hot Boy$ and the Big Tymers. It consists of Baby, Mannie Fresh, Juvenile, Turk, Lil' Wayne and last but not least, B.G. The six men transformed into a very formidable force that spread like wild fire through the entire southern region of the United States. Baller Blockin is actually a soundtrack to the action and comedy film by the same name. It was released in 2000 on Cash Money Records. The production is mainly handled by Mannie Fresh along with a few other producers chipping in on some tracks like Pimp C of UGK, Livin' Proof, Stormy Day and Massive. As always, Fresh does not disappoint with what he brings to the table. He laces the beats with his signature style and makes sure they are worthy of carrying his name. The tracks contain numerous instruments and are very well put together. Different variations of the group are used for each song for this compilation type album so lyrically the album is acceptable. Juvenile, Wayne and B.G. being the standouts ofcourse. Aside from those three, there really is nothing more for the listener except for a couple of one liners from Fresh and Baby. Now there are some very good guest spots on here that belong to UGK, Nas, Mac 10, E-40, Eightball & MJG, Rappin'-4-Tay, The Bravehearts and Unplugged. The Millionaires eventually disbanded over monetary issues around the year 2002. One by one everyone left the label except Lil' Wayne. This was known as the rise and fall of the second generation of artists from Cash Money Records. Although it is now a thing of the past but one will always remember Cash Money by the masterful production of the great Mannie Fresh, who's superb style is still being imitated but can never be duplicated. A fierce flame spitting Juve who always brought the heat to the mic with his unorthodox flow pattern. A ruthless and fearless B.G. who's aggressive delivery was unmatched. A young and raw but extremely cold blooded Lil' Wayne who's lyrical dexterity is a direct result of mentoring by Bun B of UGK. Whether it was their solo recordings or group efforts, there was a point in time when Cash Money Records seemed damn near unstoppable.

Deadly Verses

Family Affair ft. UGK

Deadly Video

Mac & Storm - Mad Or Jealous

Mac & Storm - Mad Or Jealous

Mac is a rapper who represents from the 3rd Ward of New Orleans, LA. Mad Or Jealous is an EP he released while collaborating with the female emcee, Storm. It is also Mac's first release after his 1989 debut on Yo! Records as Lil' Mac, "The Lyrical Midget." Six long years had passed and Lil' Mac had fully evolved into an astonishing lyricist with an untouchable rhyme pattern. He dropped his old moniker and re-entered the industry. Mad Or Jealous was released in 1996 on Ionique Records. Production is done by the one and only DJ Wop and it certainly exceeds expectations. Both artists take advantage of the platform laid out for them. Mac is well known throughout the South for being a top notch lyricist. He brought the profound rhymes to the table while Storm provided her unique style with a solid vibe. Their chemistry together is unmatched on the microphone and they seem to compliment each other very well. Although this was only released as a 12" EP  and also as a cassette single, there were plans for a full length album. That did not happen due to Mac devoting his time towards the then newly developed crew known as the Psycho Ward. Around this time Mac was also making appearances on local records from the city. The most noteworthy one being on B.G.'s "Chopper City." Those two infamous verses from that Cash Money record came across the ears of Master P which led to Mac ultimately joining the No Limit empire. Storm also went on to make a hand few guest appearances and eventually retired from the industry. One can only imagine how amazing this project would have been if only the duo had completed it. All in all this was a sufficient release from the Camouflage Assassin and it certainly etched itself as a valuable piece of New Orleans' rich, rap history.

Deadly Verses

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Tim Smooth - Straight Up Drivin' Em

Tim Smooth - Straight Up Drivin' Em

Tim Smooth is rapper from the Kennedy Heights area in New Orleans, LA. He is also credited for being one of the pioneers of the southern rap movement that emerged from Louisiana. Tim is known for his vocal delivery and laid back persona, both of which happen to be undeniably smooth, appropriately fitting his rap alias. Straight Up Drivin' Em is his sophomore effort and it was released in 1994 on Rap-A-Lot Records. Production duties are assigned to the masterful Leroy "Precise" Edwards and Mark "Too Cool" Marine. Together they unleash an onslaught of melodic rhythms that tend to keep ear drums as hostages. Tracks upon tracks are laced with such beautiful precision that not only makes them original but also very captivating, musically. Tim's vocal artistry can be ranked with some of the greatest of all time. His soothing dialect, combined with vile word play, accompanied by a spell binding delivery turns each lyric into a destructive force. His natural ability to catch a beat in mid stride is truly a feat one must hear to witness his power over the microphone. Guest spots are courtesy of MC Thick, Bust, and Playache'. Overall the record is held in high regards and is one that can withstand the harshest of storms. It is a genuine work of art and a masterpiece that embodies the city of New Orleans perfectly. Tragedy struck on July 26th, 2011 when Tim Smooth passed away at the young age of only 39. He was battling cancer to the mouth and tongue. Although Tim is in a happier place now, he will always be remembered here as a legend and as a man who gave it his all every time he grabbed the mic. Rest in peace to the Knight from Kennedy Heights.

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Sircle Of Sin

Sircle Of Sin
Sircle Of Sin is a three man group from New Orleans, LA. It consists of Vile, Mr. Derek, and Meloo. This is their self titled debut album and it was released in 1996 on Southern Style Records. Production duties are assigned to Matt Buras and Ellis "Pops" Collinsworth. They provide that exemplary sound which "The Boot" is most known for. Instruments are put to good use and have been mixed and mastered beautifully. Tracks tend to be harsh and edgy yet they are still very subtle with melody. Sampling is kept to a minimum and originality is pursued with a passion. Each member is adequately accomplished as a lyricist. The trio don't waste any time and quickly start to trade verses back to back. Their narratives are depictions to the reality of street life and a man's self consciousness while living through it. This method retains the theme and sets the tone for the entire project. Featuring on the album is Lord Sepia and J. An ample total of eleven choice cuts are provided for the listener and each one tells a dope tale of its' own. Overall it is a very gloomy and sorrowful record and one that manages to deliver that exact point across. The album also happens to musically capture the true essence and genuine demeanor of the notorious city of New Orleans.

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No Fear

Fiend - There's One In Every Family

Fiend - There's One In Every Family
Fiend is a rapper from New Orleans, LA. He was a member of Master P's legendary empire known as No Limit and the New York based rap group known as the Ruff Ryders. This is his second album and it was released in 1998 on No Limit Records. Production is done by Master P and Beats By The Pound which includes the likes of KLC, Mo B. Dick, Craig B, O'Dell and Carlos Stephens. The beats are an impressive array of street ballads and gangsta tunes. They are laced with multiple instruments and contain that infamous No Limit sound. Lyrics are on point as well. Fiend is known for his adrenaline fueled delivery and aggressive tone. He displays his skills on the mic with ease and also manages to spit very rapidly. Featuring artists on the album are UGK, Snoop Dogg, Master P, Mac, Soulja Slim, C-Murder, Mystikal, Mia-X, Silkk The Shocker, Magic, Big Ed, Full Blooded, The Gambino Family, The Sons Of Funk, Steady Mobbin', Prime Suspect, Kane and Abel. Overall the record contains many outstanding cuts from start to finish. The album was an instant hit and it garnered much success. It was later certified the platinum plaque in the year 2002.

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What Cha Mean ft. Soulja Slim, Mac, Kane & Abel

Lokee - Voodoo Gangsta Funk

Lokee - Voodoo Gangsta Funk
Lokee is a rapper from the notorious 7th Ward of New Orleans, LA. This is his second album and it was released in 1996 on Tombstone Records. Production was handled by DJ Tee, Ice Mike, Merrill "Real Roc" Robinson and Lokee. The beats are straight fire and contain some cryptic samples. Lyrics are very hardcore as well. His rhymes are eerie yet fast. They also hold solid amounts of word play. This album has one appearance and its by Magnolia Slim aka Soulja Slim. Lokee was always seemed ahead of his time. The production and the lyrics not only prove that but also show versatility and not to mention his own unique style which he likes to call Voodoo Gangsta Funk.

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Torture

Mac - The Lost Tapes

Mac - The Lost Tapes
Mac also known as the Camouflage Assassin is a rapper from the 3rd Ward of New Orleans, LA. His first album called the Lyrical Midget was recorded at the age of only 11 under the name Lil' Mac and was released in 1989. He would later grow up to be a very lyrical emcee and would join the Psycho Ward and also Master P's phenomenal empire known as No Limit. Mac quickly gained the reputation as one of the South's best lyricist. His rhymes portray a lot of realism and and are very lyrical. Similar to the artists found on the East Coast. The Lost Tapes is his last record to date and it was released in 2007 on CamFam Music. It contains various unreleased material from the Psycho Ward years to the No Limit ones. Featuring on the album is Nas, C-Murder, Storm, Ms. Peaches, Cutlass, Samm and Kane & Abel. In 2001, Mac was convicted of manslaughter for the death of a 22 year old. Although Mac claims he is innocent, he is currently serving a 30 year prison sentence.

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