Wet Boys - 6 Ft. From Home

Wet Boys - 6 Ft. From Home

The Wet Boys was a relentless group that represented the illicit streets of New Orleans, LA. It was headed by the formidable Sporty T along with Black John Gotti and the in-house producer, T-Bone. The group's only claim to fame was their war on wax with Cash Money Records and the nefarious, Hot Boy$. As it is customary in any verbal exchange in the Rap Industry, it does not matter who starts it but rather who finishes it. Although, Sporty T was a legend in his own right, the Wet Boys simply cannot hold a candle to what Cash Money Records and the Hot Boy$ accomplished in city of New Orleans, let alone the South, period. Now, as far as the battle of words go, Sporty T may have had the upper hand only because of his lyrical prowess and his furious tone upon the microphone. 6 Ft From Home is the third and final album by the acclaimed group and it was released in 2001 on Sporty Records. As always, the production is handled by the masterful, T-Bone and it is quite respectable to say the least. His edgy and eclectic style is brought to light by the use of various synthesizers and drum machines. The beats also tend to carry a street savvy vibe and will at least, keep the listener engaged. Lyrically the record is rather on the strong side and that is mainly due to Sporty's powerful lyrical skill and dexterity. His delivery and technique are both unmatched. Not to mention his aggressive tone that is accompanied by his equally wild persona and it is safe to say that Sporty belongs in the upper echelon when discussing lyricists representing the State of Louisiana. The core content is where the album really takes a hit and suffers. While there are some new cuts, most of the tracks have either been recycled from Sporty's previous solo outings or the Wet Boys' prior releases. The record lacks a polished feel and seems as if it had been thrown together overnight. It appears as if Sporty T was attempting to make up lost ground to Cash Money Records and was trying to release something to derail their massive success. Around this time, Sporty was also heavily involved with another group known as Da Wild Boyz, which was basically another collective whose main goal was to go after Cash Money Records. It is unknown whether or not both sides resolved their issues and its a topic that will remain shrouded in mystery due to the brutal murder of Sporty T in 2008. May he rest in peace.

Deadly Verses
6 Ft. From Home

Wet Boys - Puttin Out The Fire Vol. 1

Wet Boys - Puttin Out The Fire Vol. 1

Wet Boys was a group that represented the murky bayous of New Orleans, LA.  The group was founded in the mid nineties by the pioneer, Sporty T. The main cause for the group with their opposite moniker was to continue the war on wax between Sporty T and the Hot Boy$ of Cash Money Records. The Wet Boys consisted of T-Bone, Sporty T and the Black John Gotti. Puttin Out The Fire is their debut album and it was released in 1998 on Sporty Records. The production is of superb quality and is entirely handled by T-Bone. His strong intent can be heard from the very first track. From the raw bass lines to the woozy hooks to the scintillating synths, all hit in the right place at the right time. The beats are composed with a sense of purpose and attention is given to the smallest detail. T-Bone may not be as flashy or even as gifted as the rest of his contemporaries but what he lacks in experience, he makes up in presentation. Lyrically the album is also pretty strong. The subject matter may be redundant due to all the tracks being directed as a shot towards the Hot Boy$ or Cash Money Records but there is never a dull moment in the rhymes. Sporty's flow is certainly in the upper echelon when compared to his counterparts. His change of pace, his firm vocabulary and even his occasional humorous tone are a sight to behold. Combine this with his veteran status in the Rap game and one has a commanding figure in the studio and a brute upon the microphone. Guest appearances are made by Ice Mike, Greg and Lyric. The album closes out with a commendable total of eighteen substantial tracks that certainly give some insight on the beef between the two parties. The record as a whole is a respectable one because of the quality production and the lyrical content. It is also an extraordinary piece when considering the history between the two camps. Sadly, Sporty T was murdered in 2008 which ended the feud once and for all. Rest in peace to one of New Orleans' finest.

Deadly Verses
Rope Round Ya Neck

VooDoo Mob - 210 Soldiers

VooDoo Mob - 210 Soldiers
VooDoo Mob is a collective that represents from the dark alleys of San Antonio, TX. The crew consists of Voodoo King, 666 and Magik Man. 210 Soldiers is their debut EP and it was released in 1997 on 210 Records. Production is solely provided by the Magik Man, who is the group's devoted in-house producer. The rhythms are presented in a very grim and gloomy style. They are derived through heavy bass lines which incorporate a steady usage of samples and are finally finished off with some dark synths. The bass heavy pattern meshes beautifully with the horrorcore sound. It's a smooth transition and one that definitely pays homage to the early Bass culture of San Antonio's diverse Rap scene. Lyrically, the EP is quite hard to judge due to the fact that the vocals are only laid on two of the tracks. The rest of the cuts are just plain instrumentals. The group does show a limited amount of promise on the microphone but their rhymes give off a very simple vibe. The lyrics seem like freestyles that are coming fresh off the domes rather than something that is a bit more concrete. There is hardly any direction in the songs and it seems as if the verses were just cut and pasted together. As mentioned above, there are only two cuts with vocals so this assessment maybe a bit harsh but one can only imagine what the group members could have accomplished with the rest of the tracks or possibly even a full fledged album. The EP closes out with a meager total of seven tracks and since this is a tape only release, some sound quality issues are to be somewhat expected. Overall it's a decent effort by the SA Town natives and one that is as obscure as finding a needle in a haystack. While the release does carry a strange and intriguing vibe, sadly there is just not enough substance or core matter to keep the listener coming back for more.

Album Notes
* Also worth checking out is Michael Mixerr's review on this tape.

Big Boss - Respect Due

Big Boss - Respect Due

Big Boss was a full time producer and a part time rapper from the notorious boulevards of Houston, TX. Considered by many to be a pioneer for the Hip Hop scene in Texas, Big Boss first started off with his cousin, Original E, in the group called, O.G. Style. Together, they released their highly desirable debut album in 1991, known as "I Know How To Play 'Em," on Rap-A-Lot Records. The two had some moderate success before deciding to part ways. Original E kept the O.G. Style name and recorded under that moniker while Big Boss formed the infamous group, 4 Deep with his brother Koo Rod and Klas' One. Respect Due is his debut solo album and it was released in 2000 on Power Move Music. Production is solely handled by Big Boss himself, and he certainly does not disappoint. Known for providing some hard hitting bass lines and intoxicating hooks, he uses his classic approach and melodic methods to construct the rhythms. The beats are hard, edgy, groovy and funky, all at the same time. His production skills are deadly and they definitely show his veteran and accomplished status in the music industry. Big Boss raps on a few tracks but mostly, he lets his associates take full control of the microphone. Lyrically, the album is quite strong. The artists are used precisely on a given track and they certainly give it their all. Their rhymes compliment the production pattern well and the features don't seem out of place. Guest spots are courtesy of 4 Deep, The Funky Products, South Park Mexican, Da BBC, Lil Daddy, The Waterheadz, Popcycle, Taija and Pancho Villa of Lifestyl. The record signs off with a total of fourteen polished tracks with varying subjects. Overall, it's an impressive work of art by a renowned legend. Not enough can be said about his proficient prowess or his valuable importance in the underground scene from the South. Sadly, Big Boss passed away in 2006 due to kidney failure. He was working on the reunion album for his group, 4 Deep. Rest in peace, to one of the best that ever represented for Houston, Texas.

Deadly Verses

My Playaz ft. Da BBC

Sometimes I Wonder ft. Taija

Album Notes

* R.I.P to the masterful, Eric "O.G. Style" Woods.

* Original E, passed away two years later in 2008.

H.$.E - The Re-Score

H.$.E. - The Re-Score

H.$.E, which stands for Hustlaz $tackin' Endz, is a collective that hails from the southside of Houston, TX. The original group consisted of Hump, Lil' Flip, A.P. and Yung Redd. Also, Lil' Flip left the group after their initial release due to his own solo success and A.P. was later replaced with Lil' Ron. The group and all its' individual artists were also signed under Hump's own independent label known as, Sucka Free Records. Hump started the label in the late nineties and had a good run with H.$.E. and Lil' Flip as the label's core artists. The Re-Score is H.$.E.'s second release and it was put out in 2004 on Sucka Free Records. It's not an official album since it was just released to create a buzz for Yung Redd and Lil' Ron's upcoming album, "The Paper Route." Production on this record is invalid due to most, if not all, the beats are borrowed from other premier artists. The album is at a decent level lyrically. The songs are mostly freestyles with one or two real tracks sprinkled in between. Yung Redd and Lil' Ron are the only ones present with a slew of handsome guest features from Bun B, Paul Wall, Z-Ro, Trae, Twista, David Banner, Grit Boys, Big Shasta, Twisted Black, Yung Ro, A.B.N., Lil' Head and Yung Wun. The album closes out with a grand total of twenty tracks with only a handful of them being entertaining. As mentioned above, the release is in no way official in form or content. It was merely an underground release which was meant to supplement fans till the release of "The Paper Route." Hump just slapped the H.$.E. name on it in hopes of moving a few more units. Even though the release is obscure in nature, it just does not have anything alluring for the listener to look forward to.

Album Notes
* The record was also released with an alternative cover.

The Legion - Welcome To Texas

The Legion - Welcome To Texas

The Legion is a collective that hails from the ruthless streets of Dallas, TX. The group consists of Boom Man, Dexterous, Lil' Mo, and Mr. Lex. They consider themselves as lyrical outlaws and musical outcasts in this watered down music industry. Welcome To Texas is their debut album and it was released in 2000 on Stretched Out Records. Production is solely handled by Boom Man and he does an admirable job on the rhythms. The beats mostly stay uptempo and are quite energetic in composure. Various notes are used to achieve the final result which is both, eclectic and diverse in nature. The tracks are also catered for easy listening and they can accustom to the listener with their bright composure. Lyrics, is where the album really takes off. The four members are nothing less than fascinating upon the microphone. Their flows are rapid and are delivered with swiftness and clarity. Also to note, is the chemistry that the quartet has and how efficiently it is exposed on each and every track. Rhyme schemes are Southern in construction and word play is given the utmost authority. This then gives their songs a colorful and an unpredictable essence which keeps the listener commendably satisfied. Featuring on the album is the local crew known as, C.O.D. The record closes out with an ample total of fifteen solid tracks. Their subject matter is not limited to one category and is versatile enough to appeal to the masses. Overall, this is a very strong release by the group but one that came just a little too early in publication. In the year 2000, a new Southern sound was emerging from the South and was starting to replace the older, Texas Funk. While the new sound was gaining popularity in the underground, it didn't quite catch on to the mainstreams until the mid 2000's. Now, had this record been released in 2004 or late 2005, it could have done wonders for the group. In the end, it just goes to show how far ahead these guys were in their time. Everything from their sound to their lyrics and even their visions, were all progressing towards the right trend. The very trend that exploded on to the music scene just a few years later and was mainly led by artists from the great state of Texas. Sadly, by that time, The Legion had already came and left without even making a whisper.

Deadly Verses
Everything We Drop

196 Clique - No Love Part 1

196 Clique - No Love Part 1

196 Clique is a collective that represents from the Northern ends of Memphis, TN. The group consists of Killer B, Pimp CC, Ms. Vicious, Mr. Lil' E and Pimp Lil' D. They initially debuted on the scene in 1996 with their hardcore release called, "Crucifixes." No Love Part 1, is their sophomore effort and it was released in 1999 on Golden Entertainment. Production duties are split between Pimp Lil' D, Mr. Lil' E and Pimp CC. Together, they set a dark and grim atmosphere for the rhythms. The beats exemplify that typical Memphis underground sound. In most cases, a hard edged sample is endlessly looped which is then accompanied by some profound bass lines and topped off with some heavy drums. There are some tracks that are a bit smooth and laid back but the rest strictly stick to their horror core roots. Lyrics are also of a ghastly nature. The members are all fluent in their tongue twisting styles and they can easily display their art with cruelty. Eerie and horrid rhyme schemes are used thoroughly and a good amount attention is given to word play. The songs are composed very bluntly and to the point. There are no special vocal strategies or any alluring efforts involved. Also, some of the hooks and choruses could use some work too. Aside from those two blemishes, the record is pretty solid to say the least. Guest features are made by two of the M-Town greats, Playa Fly and Ska-Face Al Kapone. Overall, it's a decent record and one that can sustain itself only in the underground due to the vile and harsh nature of the core contents.

Deadly Verses
Don't Test My Pimpin

II Nations - Trapped In The System

II Nations - Trapped In The System

II Nations is a duo that represents from the wild neighborhood of South Park in Houston, TX. It consists of Showtyme and K-Swift. One might remember Showtyme due to his later prominence in the H-Town rap scene but this release will remind the listeners of is his raw and humble beginnings. Trapped In The System is their debut album and it was released in 1994 on Suspect Records. Production is handled by the masterful John Swift, while being assisted by Don Honoree and Byron Hordge. The beats are a classic example of mid nineties Texas funk. Not only are the groovy on the ears but are also hard and edgy in composure. They display various construction properties such as sampling, scratching, and most importantly, proper mixing. Lyrics are also of worthy of praise. The two members bring upon a diverse force upon the microphone. For example, Showtyme is more blunt and strikes the listener with his powerful voice meanwhile K-Swift is a bit laid back in demeanor and his smooth delivery and overall tone is easy going. Also, the two rappers have great chemistry together and can feed off of each other with ease. Guest appearances are made by Grimm, Papa Reu, Endo, Pistol Grip, Gangsta Profile and Broken English. All in all, this was a decent release that closes out with eleven tracks. Subject matter progresses into various categories such as, the communal struggle, the overwhelming poverty and lastly, the judicial injustice. Overall, it's a strong release by the duo. It has plenty of quality content and timeless material. Even with some of these advantages, the release could not garner any type of meaningful attention. The duo ended up disappearing for a while before Showtyme reemerged in the late nineties and is still present in the music industry today. As for K-Swift, things were not so fortunate, aside from a couple guest spots, he ended up leaving the music scene altogether. In any way, what's important is what they accomplished together and that happens to be a fine work art, that not only oozes style but also gives a good sense of realism.

Deadly Verses
Sit Back Relax


Album Notes
* A big thanks goes out to save_undaground and syko187 for providing this one.
* Since this is a tape only release some sound quality issues are to be expected.

Big Slack - Ready For Combat

Big Slack - Ready For Combat

Leroy Slack, better known as Big Slack, is a rapper that represents from the notorious third ward of New Orleans, LA. His first recording as an artist came on Doleamite's 1997 release, "Ruff-N-Da Ghetto." He was featured on two songs and both of them are now considered to be cult classics. After developing a small fan base with an aggressive soldier demeanor, he eventually came under the watchful eyes of George "Big King" Murry. At the time, Big King, who is an accomplished entrepreneur, had a fashion line, a local car wash and most importantly, a recording studio. Although King had the studio and all the necessary equipment, what he didn't have was an aspiring artist. He immediately signed Big Slack to his newly founded label and work soon began for a full length album. Ready For Combat is his debut album and it was released in 2002 on King's Entertainment. Most of the solid production is handled by DJ Tee and Big Roe while KLC, Dart, Juvenile and Ed all lend a helping hand. Together, they try to bring a different kind of sound to the table. A sound that incorporates elements from the infamous genre of Bounce while also fusing aspects from soldier-esque themes. A style, which has a strict set of drum cadence that is followed by a jubilant synth and concluded with gentle bass lines. It was this distinct rhythmical pattern that really caught the attention of the city of New Orleans in the mid to late nineties and it has been prominent there, ever since. Also, a lot of artists picked up on the soldier mentality that Master P and his No Limit camp were so famous for pushing. Not only did Master P and his crew flooded the market with that infamous campaign, they also inspired others to be just like them in sound, character and demeanor. Slack is a strong lyricist. His size along with his rough tone, allows him to overpower his listeners. He is energetic on his tracks and delivers them at a fair rate. There are times where he can really excel and go for the final blow in his rhyme but instead he ends up choosing the simpler route and thereby finishes humbly. It's this type of selfishness that brings the lyrical content to the next lower tier. Though, Big Slack understood this discrepancy which is why he invited a star studded guest list to help him in the lyrical department. Guest appearance are made by Juvenile, 6 Shot, 39 Posse, Full Blooded, Hot Boy Ronald, Josephine Johnny, Mr. Marcelo, Queen D, Big Ramp, The Royal Family, Lil' Elt, Ziggler Wiggler, The Three Kings, Pretty Boy, Young Assassin, Slugga, Hussle Man and Ms. Elisa Williams. Overall, this was a solid release by the artist and it's one that carries something for everybody. Whether the style on display is Bounce, Street, or Conscious, the listeners will get a small taste to acclimate themselves into their favorable areas . The album's versatile song list is its' strong point. The artist, along with his label, were both on the same wave length in construction and development. They knew exactly what the public wanted and they delivered just that. Although it may not be a masterpiece or a classic, the release is still rewarding to experience. An all rounded record and one that King's Entertainment and Big Slack can be truly proud of.

Deadly Verses
Give'em Props



Album Notes
* Big Slack's nickname is the Overweight Hot Boy.
* This was very the first album to be released under King's Entertainment.

Mr. Low - One Man's Vision

Mr. Low - One Man's Vision

Cedric Jackson, better known as Low-Down or Mr. Low, is an artist from the upsetting streets of Opelousas, LA. He first appeared on the scene in the year 1997 with his debut album, "Tales Of Da South." One Man's Vision is his second album and it was released in 2001 on Elusion Records. Bulk of the production duties are mainly handled by Bird or Rick Colomb, while Noke D, Sal, Mixso and Gamebinno' are all credited for a few tracks of their own. The beats are from the new millennium so the listener pretty much knows what to expect. They are not dull in any way, shape, or form and neither are they groundbreaking in any facet. It's an average batch of rhythms with a select few standouts here and there. Most of them are thumping with solid bass lines and a hard hitting set of drums. This strict structure and methodical approach happens to sustain the listener with at least the necessary amounts of entertainment needed to enjoy the album. Lyrically, Mr. Low fairs well upon the microphone. Although he does seem to have lost a step or two since his last outing, his Southern tone and dialect are still the same. And while the fundamentals of key song writing elements are there, it is the choruses and hooks that need some work. Not enough attention is given to them on most tracks and that is where the core content really suffers. Other than that, there are no major blemishes and the artist does have a solid rhyme scheme in place with decent amounts of verbal wit. Guest appearances are made by Lil' Keke, Profound, Ltd., II Deep Down South, WildCat, Miss CoCo, Grey and Toné. Overall it's a stable release that rounds out with a total of fourteen tracks. Aside from a few minor shortcomings, the album eventually does pick up and finishes on the right foot. Also, there is really no type of comparison to be made between his debut release and this one. The two are miles apart from each other in terms of quality, sound and temperament. Now, that may not be a bad thing in most cases but it just goes to show that sometimes changing one's artistry to evolve with the times is not always the brightest idea. In the long run, it is simply better to hold on to your unique individuality and strong intellect to leave an everlasting impression on the listener.

Deadly Verses

Nothing Like Da Game ft. Lil' Keke

The Black Ghost - The Crossroads Of Life

The Black Ghost - The Crossroads Of Life

Alvin Ray, better known as The Black Ghost, is a rapper that represents from the revolting boroughs of Oak Cliff in Dallas, TX. He is also a former football player for the University of Arkansas. It was at this acclaimed university where he met Derrick Dansby, a local DJ who goes by the alias of, DJ-D. The two of them decided to work on an album and officially enter the music industry. The Crossroads Of Life is their debut album and it was released in 2002 on Uniq Records. Production is guided by DJ-D, who tends to keep things simple for the most part. The beats are all derived electronically and are free of any sampling. Their originality oozes style which gives the record an overall refreshing feel. At times the rhythms can get a bit passive and lethargic but that's only because of their straightforward approach. Lyrically the album is at a stable and steady level. The Black Ghost can surprise the listener with his unique word play and technique. His flow is conveyed with a thick southern accent and is delivered at a fair pace. The rhymes show a lot of promise and are also quite intellectual in nature. Guest appearances are provided by G-Style, Fred T., Dahlia Evans and DJ-D. The album closes out with an ample total of sixteen tracks with varying subjects and topics. Overall this was a solid effort from the Oak Cliff native and while it won't break any barriers musically, it is still worth a listen. Since this is an underground release that hardly got any attention in its' heyday, one can only imagine what the artist can accomplish with a full fledged label and an experienced production team.

Deadly Verses
 The Crossroads Of Life


Album Notes
* A big thanks goes out to golfcoast for providing this one.

Chief-A-Tree Family - Lone Star Ballaz

Chief-A-Tree Family - Lone Star Ballaz

Chief-A-Tree Family is a trio that represents from the wicked streets of Fort Worth, TX. The group consists of JFK, Head Turner and the in house producer, O.Z. Lone Star Ballaz is their debut album and it was released in 2001 on Off The Hook Records. Production is led by O.Z., who tends to bring a contemporary Down South production pattern. A type of pattern that is upbeat and customary for nearly any post millennium release from Texas. It may be a typical palette but it does not have any shortcomings. The rhythmical atmosphere is flexible enough to be enjoyed and not be too complicated or complex. Lyrically the album is at a respectable level. The two rappers are fluent in their vocals and their styles are modest to say the least. Both of them rely on simple rhyme schemes with moderate amounts of word play. There are a few tracks where the artists really do step out of their comfort zone and truly excel upon the microphone but for the most part things are kept simple and to the point. Guest appearances are made by Crystal, R. Sneed and Lil Wet. The album sounds off with a competent total of fifteen tracks with varying topics. All in all, it's a satisfactory release from the group and one that flirts with the lines of average and good. The record does have a few highlights but the straightforward approach from the artists seems to hinder any progress. And while the release won't take home any majestic awards, it is still quite commendable to see the group's dedication and devotion to their art.

Deadly Verses

Big Momma

Ms. Tee - Hot Girl

Ms. Tee - Hot Girl

Trishell Williams, better known as Ms. Tee, is an artist that represents from the vile swamps of New Orleans, LA. Known throughout the Southern region for her soothing voice and providing vicious backup vocals, Ms. Tee first started off with Cash Money Records. In fact, she was the first female artist signed to that infamous label. After three somewhat successful albums with Cash Money Records, she would end up leaving them over a royalty dispute in the year 1996. Hot Girl is her fourth album and it was released in 1997 on the rival label, Untouchable Records. As with most Untouchable releases, production duties are assigned to Merrill "Real Roc" Robinson and Gary "Ozone" McKee. Together, they provide a spirited collection of rhythms that strictly define that classic New Orleans sound. A type of sound that seems laid back but is hype at the same time. The beats incorporate vivid notes from the genre of Bounce as well as various Southern elements to complete their composition. Now, the blend mentioned above only works flawlessly on a few cuts. Some tracks on here seem to have too much going on at one given point and almost become an audible distraction. Some of these faults could be blamed on the mixing and mastering department but not all of them. Not to worry though, because the composers do a good enough job of camouflaging these blemishes by spacing the tracks properly. The record also has its' ups and downs in the lyrical section. Ms. Tee is no ordinary songstress. Her tone is quite mollifying and she can change her pitch and tempo instantaneously. It's her blunt approach and vulgar themes that tend to go downhill. Although, one could overlook the vulgarity due to the record's underground nature and let it pass but it's truly hard to ignore the subject matter. The songs end up taxing the listener at one point or another and their motives become very unclear. Also, there is hardly any originality to her rhymes. Almost every verse or hook is an interpolation of a popular R&B song, Ms. Tee just presents it with her Southern flair and outlandish demeanor. Thus the end result is a mundane one even with the artist's superb voice. Guest appearances are made by L.O.G., Fila Phil, Lokee, Pimp Dogg, Charlie Hanseen, S.A.C. Mafia and Mike Love. The album rounds out with a total of fifteen tracks and with the discrepancies mentioned above, it becomes impossible to finish it in one sitting. Although the record can sustain itself because of the lavish guest list, it just doesn't have anything long term for the listener. Neither lyrically nor musically. The end result is a sub par effort from the artist, especially when considering the fact that she was known for providing the deadliest choruses and hooks money could buy in The Boot.

      

Zed Zilla - Da Franchise

Zed Zilla - Da Franchise

Zed Zilla is a rapper that represents from the sprawling streets of Memphis, TN. An accomplished artist who has been recording since he was fifteen years old. His alias was given to him by a close friend who described his as the legendary fire breathing monster Godzilla, due to his vocal flair on the microphone. He was discovered by Yo Gotti, who immediately saw the raw talents of Zed and quickly began to mentor him. Da Franchise is his debut album and it was released in 2003 on Open Mouth Entertainment. Production on this joint is provided by the veteran, Blackout. He brings his intense style of craftsmanship to the table. A style that incorporates heavy sampling as the main hook and then builds upon it with a rapid cadence of drums and bass. This method is used throughout and tends to be a perfect fit for the artist. Lyrically Zed Zilla is quite strong on the microphone. His flow is fired quickly and energetically. His tone is somewhat sharp and his use of word play is clever. There are times when he does get a bit repetitive but the album is so well spaced that it is hardly noticeable. Guest appearances are made by Terror, Mon Goddi, Young Assassins, Lil Bird, Cardell, Pasae Watkins, Mac E, Stebo, Bigg Baby, Playboy and C.E.O. All in all, this is a substantial release by the artist that closes out at a total of fifteen tracks. The versatility that the record displays gives it the longevity that most desire. While Zed is still going strong in the rap industry today, most have forgotten his humble beginnings. This release stands as a testament for them and shines like a jewel from the boulevards of South Memphis.

Deadly Verses
Ying Yang ft. Mon Goddi, Bigg Baby & Terror


Album Notes
* Zed Zilla has also recorded under the alias, Lil' Zed.

The Day After Hell Broke Loose

The Day After Hell Broke Loose

The Day After Hell Broke Loose is a compilation album which is presented by Bigg Tyme and Rap-A-Lot Records. It was constructed upon the success of "The Day Hell Broke Loose" series by Swishahouse Records. This album was released in the early part of 2004 on Rap-A-Lot Records. Veteran producers Bigg Tyme and Mike Dean are credited for providing the tunes. Together, they do an excellent job by creating a palette of rhythms that strictly cater to the fans of the Swang & Bang genre. The beats are mostly contemporary and upbeat in nature. The creators made sure that the blend stays electric and musically sound at all times. Lyrics tend to vary since this is a joint venture between two of the most prolific record labels from the South and their respective artists. One can only expect greatness when the likes of Scarface, Bun B, Devin The Dude and Z-Ro are fused with Lil' Flip, Slim Thug, Mike Jones, Paul Wall, Chamillionaire, J-Dawg, Magno, Lil' Ron, Lil' Mario and Dolla. The album closes out with a total of fourteen tracks and aside from a couple of them, their subject matter mostly lingers around materialistic values and financial gains. All in all it's a decent compilation and one that was released at the height of the H-Town takeover phenomenon. The two camps capitalized on the alluring situation at hand and put forth a genuine effort. The record beautifully withstands the test of time and should deserve a spot in any Southern Rap collection. 

Deadly Verses

Z-Ro (Remix) ft. Z-Ro

John Got'ti - Cut Throat

John Got'ti - Cut Throat

John Got'ti is a rapper who represents from the murky swamps of New Orleans, LA. Cut Throat is his debut album and it was released in 2001 on Big Pocket Records with Orpheus Music overlooking the whole project. The album is largely produced by Mr. Sinista while Kriz Kang lends him a hand on a few tracks. The rhythms can be summed up as that renewed New Orleans sound that really became prominent after the new millennium. They contain various elements are mostly uptempo in nature.  The beats are not groundbreaking but are still passable in the end. Now, one could easily assume a darker theme will be presented due to the record's title but that is certainly not the case. Lyrically, Got'ti can hold his own on the microphone. The rhymes are conventional and driven straight to the point. His tone is a bit typical but the rate of speed is somewhat rapid. He also tries to incorporate different styles into his delivery, most notably from the genre of Bounce Music. The end result is again nothing revolutionary but still acceptable. Guest appearances are made by Sassy C, D. Mike, Superstar and Mr. Sinista. The album finishes off with a total of fourteen tracks and while there are a few fillers, the rest remain solid. Overall, a decent effort by the N.O. native and one that is adequate enough to be given a listen. The album has it's moments and when it tends to go downhill, the artist quickly counters it. That's a good sign, it shows awareness and a positive intent from his part. Sadly, the subject matter is just not broad enough to reach a wider audience and that is the only real knock against this otherwise respectable release.

Deadly Verses
Rest In Peace



Deadly Video

"Cut Throat"  artist John Gotti from Randy Rome Walsh on Vimeo.

Suthern Merchandise - Suthern Stress

Suthern Merchandise - Suthern Stress

Suthern Merchandise, also known as the Suthern Merchandise Family, is a collective from the illicit streets of San Antonio, TX. Although membership has varied throughout their active years, the core congregation has remained unchanged. The main group consists of Ricé, PFK, Black Satin, K-9, Big B, Lady Lunatic, 2 Face and Big Jay. This is their debut compilation album and it was released in the early part of 1997 on Suthern Merchandise Records. The excellent southern fried production is provided by none other than the skillful producer, Ricé. His classic approach and superb craftsmanship is brought upon every track. The beats are laced with numerous instruments and are free of samples. They contain deep bass lines with solid drums which are then intricately mixed with twangy guitar licks and topped off with some smooth synthesizers. This recipe is used during the whole of the album and it certainly gives of a satisfying vibe. The lyrics are also on point. The members take full advantage of the rhythms and present their end of the deal with utmost precision. Their rhymes are delivered sharply and explicitly. The pace is not at a brisk level but still moves along at a very decent rate. All members are quite accomplished on the microphone but the ones that standout the most are K-9 and Black Satin. Also worth taking a note of are the sublime backup vocals and superior chorus hooks which are meshed into most of the tracks. The album closes out with a total a of twelve genuine cuts and they are all equally enjoyable. As a group, Suthern Merchandise dropped one more album towards the end of the year 1997 known as, "Still In Da Game." All in all, this record exemplifies the masterful artistry which dwells in the lower levels of San Antonio's massive underground music scene. It shows a lot of promise as well as an admirable amount of talent from the parties involved. Although this was a very limited release with a restricted number of pressings, the record still has the uncanny ability to keep up with any mainstream release from the South.

Deadly Verses

Suthern Merchandise ft. K-9

Album Notes

* Suthern Merchandise disbanded in the year 2002.

* K-9 would later change his alias to K-9ine.

Big Snap - Leanin' Hard Down South

Big Snap - Leanin' Hard Down South

Charldrick Robinson, better known as Big Snap, is a rapper from the small but deadly city of Wharton, TX. Leanin' Hard Down South is his debut album and it was released in 1999 on Sum'n 2 Do Productions. The bulk of the production is handled by the masterful Jhiame, while Courtney Bryant and Irvin Cherry overlook the whole project. As always, Jhiame brings his veteran production pattern and does not disappoint musically. His approach is strictly southern and he laces each track with his distinct style of H-Town Funk. This results in a groovy, yet laid back environment and the listener has no choice but to oblige. Lyrically the album is also well rounded. Big Snap's flow is very unorthodox and his tone is quite rough. His delivery is full of pace and his southern drawl is ever present. The only minor drawback is that Big Snap is only good for about sixteen bars, anymore and he seems to become dull and repetitive. Out of the eighteen tracks recorded, there are only four which are presented by Big Snap himself, while the rest are all assisted by other guests. Featuring on the albums is C-Note of the Botany Boys, Lil' Keke, Slim Thug, Lil' Flip, Jhiame, Archie Lee, Jesso, Raw, Neil, Ms. Poo, Mickey and Patricia. The record is a little guest heavy but that is mainly due to the reason mentioned above. Overall its a decent release by the artist and it managed to get him some notoriety. Not only did he single handedly put the city of Wharton on notice but he also mangaged to represent for Houston as a whole. Sadly, Big Snap passed away on Febuary 23, 2008, at the Gulf Coast Medical Center. He was only 33 years old. Rest in peace to the best that ever did it for War Town Texas.

Deadly Verses
Rememberance Of Me ft. Raw & Patricia


Album Notes
* He also goes by the alias, Big Snapper.
* His cause of death is unknown.
* War Town is the nickname for the city of Wharton.

Lokee - I Got Dis

Lokee - I Got Dis

Kenyatta Ruth, better known as Lokee, is a rapper and producer who represents from the notorious 9th Ward of New Orleans, LA. He first started off battle rapping in the early nineties at his local high school. After destroying the competition, he realized he was actually pretty talented and could really do this for a living. He began ghost writing for many different rappers in the city and quickly earned the moniker, Space Ghost. His most famous ghost writing stint was with the group known as Full Pack. He penned the lyrics for their hit single "I Like To #@*¤!" which eventually led Full Pack to signing a deal with an emerging record label. It wasn't long before Lokee would come under the scrutinizing eye of Elton Wicker Jr. Amazed by what he heard, he quickly signed Lokee to his up and coming label known as Tombstone Records. I Got Dis is Lokee's debut EP and it was released in 1995 on the aforementioned label. The record is produced by the legendary, Merrill "Real Roc" Robinson and Lokee, himself. The beats are filled with dark synths, woozy bass lines and are topped off with some intoxicating drums. This mixture is used throughout the whole album and its certainly the right fit. It also sets the entire mood at a very grim and gloomy level. This set up is perfect for Lokee, who is no ordinary lyricist. His unorthodox flow pattern and his superb vocabulary go hand in hand. His rhymes are delivered at a variable rate and the tone is quite rough as well. Word play is used as the key ingredient and it is definitely unique to say the least. The EP rounds out at a total of nine tracks, all of which are equally likable. Overall this was a wonderful debut effort by Lokee and it certainly shows his lyrical and musical prowess. He had some minor success with this release but it was his second release, "Voodoo Gangsta Funk," that really put him on notice. Sadly all of this success would come to an abrupt end when the president of Tombstone Records, Elton Wicker Jr., was killed in a drive-by shooting in the year 1998. He was only thirty two years old. This would end Lokee's tenure at Tombstone Records due to the label folding and he would soon find himself on the indie route. It was around this time when he was also recruited into the Disturbed Young Hustlaz. In 2001, Lokee was convicted of some serious offenses and was sentenced to ten years in prison. He was released in the year 2011 and is now trying to establish himself again in the Rap industry.

Deadly Verses
Just - A - Fied


Album Notes
* Rest in peace to the ingenious, Elton Wicker Jr.

* Lokee is a member of the Disturbed Young Hustlaz.

Staydown - N-Da-Game

Staydown - N-Da-Game

Staydown is a collective that represents from the harsh streets of Waco, TX. The group consists of Slugger, Bugga, Bigg Knocc and Country. The group was formed in the late nineties by Slugger and Bigg Knocc. N-Da-Game is their debut album and it was released in 2000 on Staydown Entertainment. The album was recorded mainly in Houston due to plethora of studios that the city has to offer compared to Waco. The record is masterly produced by the platinum producer, Slugger. The beats are a perfect example of that Texas funk. They contain solid bass lines which are blended with some hard hitting drums. The rhythms are also genuinely crafted and they certainly cater to the Swang & Bang crowd. Slugger gives a lot of attention to detail which in return makes the overall result very crisp and enjoyable. The album also shines in the lyrical department. The members take turns discharging their various styles upon the microphone. Bigg Knocc seems to standout the most but the rest are not too far behind. Their deliveries are full of pace and the variations to their tone and pitch are all done with perfection. Their southern drawl is also quite eminent, while their demeanor and personalities embodies the streets. Guest appearances are made by Ice Lord, 3-2, C-Note, Big Pokey, Lil' O, Billy Cook and Lil' Flip. It may seem as if the album is a little guest heavy due to the star studded guest list but that is not the case at all. The guests are used sporadically and the group relies more on their own intuition. The album closes out with an impressive total of fifteen tracks, with each cut outdoing the other. All in all, this was a remarkable effort by the group but one that seem to have went unnoticed. It is truly a task for artists to represent from the smaller cities in Texas, mainly because of the lack of exposure they will receive. Staydown knew of this dilemma and changed their approach accordingly. They could have just easily recorded at a local studio in Waco, instead they drove back and forth to Houston and recorded at one of the more famous spots. Not only did this move help to establish connections in the city but it also augmented their reputation. They group went on to release a follow up album in 2005 and then disbanded. At the end of the day, this release will always sit as a polished gem, waiting to be discovered from The Heart of Texas.

Deadly Verses

Hard Life

Album Notes
* The group is also known as the Staydown Clique.

* Slugger would retire from the Rap industry in 2006.

* He would change his alias to Minister Slugger and would then become a Christian Rap artist.

* He is also a Minister at a local church in Waco, Texas.  

* "The Heart of Texas" is the nickname for the city of Waco.