J-Tweezy - Da Ghetto Mouth Piece Of Da South - Compilation Vol 1

J-Tweezy - Da Ghetto Mouth Piece Of Da South - Compilation Vol 1

Joshua James Bursh, better known as J-Tweezy, is a multi-talented DJ from the renowned streets of Baton Rouge, LA. He was most known for his hit late night radio shows throughout South Texas and Southern Louisiana. His shows would often shed light on underground and upcoming artists as well as pay homage to the premiere ones. He is a prolific DJ/Radio Personality and an accomplished producer. Da Ghetto Mouth Piece Of Da South is a compilation that he released on his own label, Off Da Heezy Entertainment in 2001. About half of the production is handled by J-Tweezy while the other half is credited to his accomplices such as Steve Below, L.A. Dre, DJ Tron, Doobie Smoov, Dr. J, Ryal, TruDawg, DJ New Orleans, Big Los, J.D. and Winston. The rhythms are strictly Southern in nature and while most are originally crafted, there are some that are sample assisted. The overall sound is kept at a jubilant level but there are some tracks that hit a bit harder than others. Everything from groovy guitars to space age horns and even a solid percussion set is used. This simple yet effective, type of production pattern is the backbone for the record and it certainly gives off an easy going and relaxed atmosphere. Lyrically, the album is pretty versatile due to the star studded guest list. The features are courtesy of C-Loc, Lil' Boosie, Max Minelli, Thug Addict, Lil' jon, E.S.G., Yungstar, Tyte Eyez, D-Gotti, D-Reck, X-Con, The Ill Relatives, Atari, Peep Skills, Ms. Peaches, Product, Tank, Dirty, Lord Trauma, Chyna White, Mutt, Trelli Trelle, Playboy and Gloria Velez. A long list of supplemental artists but a must have for any compilation to be somewhat successful in the South. Overall, this is a competent release and one that can keep itself afloat due to its' lengthy content. J-Tweezy provided a quality product through determination and sheer effort. It's a compilation that deserves a spin in the playlists or a spot in the archives for both the fans and the collectors of Southern Rap.

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So High ft. E.S.G. & Yungstar

The Ill Relatives - Illustrations

The Ill Relatives - Illustrations

The Ill Relatives is a group that hails from the eerie swamps of Baton Rouge, LA. It consists of Verge, Ryal, Drack Muse and Kool DJ Supamike. The collective was formed in the bustling halls of Southern University in South Baton Rouge. Two of the members are from the state of Illinois while the other two are from Louisiana. Hence the term "Ill," the "IL" is for Illinios and the other "L" is for Louisiana. The group is best known for emphasizing their deep and intellectual lyrics that are fused with some true and traditional Hip Hop style of beats. A type of style that is not a common practice in the state of Louisiana aside from the Psycho Ward and maybe even Bionik Brown (R.I.P.). Nevertheless, the group stayed humble and persistent and eventually released their full length debut album, Illustrations in 2001 on Nu Element Recordings. The production is managed by Gensu Dean and Drack Muse. Together, they team up to provide an eclectic composition of rhythms that are simply made but thoroughly engaging. A blend that is not only mellow but also very edgy and contemporary. The recipe for constructing the rhythms is of the olden days of Hip Hop and while it won't break any barriers musically, it still gives off a very refreshing vibe. Lyrically the album is also on point. The members are no slouch on the microphone and their verbal artistry is evident by their slick yet thought provoking rhymes. They take turns unleashing their various styles and their chemistry is certainly very commendable. Word play and technique are given the utmost attention so that the listener is immediately baited and hooked. The record closes out at a notable total of sixteen versatile tracks. Overall it's a very strong release by the group and one that can hold up against any premier release. Although this is another one of those hidden underground gems that are not easily located, it still has the power to challenge the mainstreams. In the end, it is up to the listener to discover the uncanny abilities of this solid work of art.

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Illustrations

Album Notes

* The rhythm machine on the front cover is an Akai MPC2000.

Young Bleed - My Balls And My Word

Young Bleed - My Balls And My Word

Glenn Clifton Jr., better known as Young Bleed is a rapper from the wicked streets of Baton Rouge, LA. He is also a dominant member in the group known as the Concentration Camp. His main influence and the root for all his rhymes is his loving mother. She would read a lot of classical poetry to him at a very young age. Bleed started writing around the age of nine and started recording rhymes by the time he hit his teenage years. He would sell his home made tapes to friends and family before joining forces with fellow Baton Rouge rapper, C-Loc and then ultimately forming the invincible Concentration Camp. My Balls And My Word is his debut solo album and it was released in 1998. Although this release was originally intended for C-Loc Records, it was put out through No Limit Records and Priority Records. The reasoning behind all of this is very simple. In the year 1997, Young Bleed met Thug Drama a local producer, who would eventually introduce him to Master P. Now at that time, Bleed was already signed to C-Loc Records while Master P was pretty much running the state of Louisiana as well as the entire southern region with his empire and army of rappers known as the No Limit Soldiers. So to get maximum exposure for the album throughout the southern United States C-Loc and Young Bleed decided that it would be best to distribute the album through No Limit Records. Also with Master P having the publishing deal with Priority Records, Bleed could quite possibly get world wide attention for his work. It was a win win situation for the rapper as well as all the people involved with C-Loc Management. Production behind this project is done by the expert team of producers known simply as Beats By The Pound, which consists of KLC, Carlos Stephens, O'Dell, Craig B and Mo B. Dick. They are assisted by the extremely talented and always masterful, Nathan "Happy" Perez along with Pimp C of UGK who is also credited for one of the tracks. The beats exceed all expectations as one would suspect with such extreme talent listed above. The melodies are comprised with multiple instruments and their southern vibe is beautifully present. They are crafted with such clarity and precision that each cut gives off an orchestrated feel. All the tracks are laced with superb melodies and such intricate rhythms that the listener has no choice but to oblige. Lyrically the album goes into a whole different realm. Young Bleed is an absolute brute on the microphone and he demolishes the tracks laid out by the producers. No two rhymes are the same and no two lines are the same. His unorthodox flow pattern is a direct result of the poetic mentoring by his mother and his choice of word play is so unique that it may take listeners a few replays just to understand his message. Its no wonder that he received all the backing from Master P since really no other artist from C-Loc's camp has had the honor or the privilege to work with him to such an extent. Guest appearances are made by Mystikal, Master P, Fiend, C-Loc and the Concentration Camp (Max Minelli, J-Von, Lee Tyme & Lucky Knuckles). Although the album only manage to achieve the gold plaque, it is always held in high regards due to its uncanny nature. It may have been that no one expected such a release from No Limit or it could have been that the work was truly ahead of its time. Whatever the reason maybe, it is quite clear to see the talent at hand and a genuine masterpiece at large. At a time when only a few southern artists were known for their lyrics, Young Bleed came and set the standard pretty high and accomplished this feat with ease. All it takes is one listen of this debut album and it can make anyone into a true believer that the South does have quality emcees; one just has to know where to look.

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Tha Darkside - Tales From Tha Darkside

Tha Darkside - Tales From Tha Darkside

Tha Darkside is a notorious group from Baton Rouge, LA. It consists of K.E., Color Wheel, DJ Cross Fader, The Night Prince and R-Mack. Tales From Tha Darkside is their debut album and it was released in 1993 on E.K.S. Records. The record is produced by the funky Sharntii Baheth with some assistance from Ernest "The Night Prince" Smith as well as DJ Cross Fader who provides the mixing and scratching. The beats are assembled with some pure yet simple melodies. They tend to be very harmonic and really compliment the group well. Although a couple of them are sample assisted, they still somehow manage to give off a fresh vibe. The group's persona can be best described as somewhat street savvy. Their rhymes are certainly prolific and contain feelings depicted straight from harsh realities. The lyrics veer off just a tad bit on a few tracks but are pretty much legit for the most part. All members are quite capable on the mic and the two standouts being Color Wheel & K.E. Overall the album keeps itself afloat by presenting the core content in an unorthodox manner all the while displaying a unique sense of style. Although this happens to be an obscure record from the grisly swamps of Baton Rouge, it still has the ability to compete with any mainstream release from that time period. Also, rest in peace to the one and only K.E. of Tha Darkside.

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Young Bleed - My Own

Young Bleed - My Own

Young Bleed is a rapper from Baton Rouge, LA. He is a member of the infamous Concentration Camp and is also very well respected through the southern region of the United States. He first started recording with fellow Baton Rouge rapper, C-Loc on C-Loc Records. He then had a joint venture with No Limit Records, who helped by releasing his debut album, "My Balls And My Word." After gaining a good amount of notoriety he decided to leave No Limit over creative differences and royalty issues. My Own is his sophomore album and it was released in 1999 on Priority Records. Production credits are courtesy of Brian "Big Bass" Gardner, Happy Perez, and Steven Below. The all star line up of producers bring forth some of the most harmonic melodies to come across a human ear. Each track is laced with a plethora of instruments this includes wailing guitars, menacing horns, scintillating synths, and of course a solid dose of ruthless drums. The end result is a masterpiece of twelve tracks laid out for Bleed to demolish with his vocal artistry. Young Bleed is hailed as one of the finest lyricist to emerge from the south. His word play is so unique that it is almost indescribable. His relaxing tone and his laid back persona go hand in hand. His rhyme pattern is also very unorthodox. Simply put, Bleed just savagely attacks the microphone. Guest appearances are made by Too $hort, Daz Dillinger, Lay-Lo, Lucky Knuckles, Gram, Uncle Pauly, and Jennifer Brumfield. Overall it is a complete and faultless work of art. This record is considered to be a timeless classic and it should be held in the collection of every southern rap fan.

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